Tang Dynasty: Li Bai
Green mountains are located on the north side of the city wall, and the sparkling water surrounds the east of the city.
Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away.
Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic.
With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.
This farewell poem is novel and unconventional. In the poem, the green hills, flowing water, red sun and white clouds set each other off in interest and are brightly colored. Class A?vagho?a rings, and the image is fresh and lively, forming a vivid picture.
The beauty of nature and the beauty of humanity are intertwined, vividly written, and there is infinite warm affection in the picture, which is touching.
2. Walk down Zhongnanshan and come to Hu Si's kind pillows and bowls.
Tang Dynasty: Li Bai
In the evening, walking down from Zhongnanshan Mountain, there seems to be pedestrians on the mountain.
Looking back at the mountain path, the mountains are green and boundless.
When Hushan people came to his home, the children hurriedly opened Chai Men.
Into the bamboo forest, through the quiet path, green roses and branches brushed passers-by.
I'm glad to have a chance to have a rest, drink and chat.
Sing a melody that is too loose, and the Milky Way is sparse.
When I was drunk, my friend was so happy that Tao Ran forgot his machine.
The theme of this poem is Tian Jia's drinking, which is influenced by Tao Qian's poems. The first four sentences are about what the poet saw and heard when he came home from the mountain, the middle four sentences are about what the poet saw and heard when he stayed in Huhushan, and the last six sentences are about the two drinking and making love and the poet's feelings, showing the poet's mood of being in high spirits, buying wine and waving, Long song relaxing, enjoying himself and naturally forgetting the machine.
The whole poem is written in Fu style, with bright colors, flying demeanor, simple language and natural style.
3. The Green Pavilion at Night
Tang Dynasty: Li Bai
The ship sailed for Guangling, and the moon shone and landed.
Looking into the distance, the mountain flowers are like beautiful embroidered cheeks, and the river on the river is like a firefly.
The ship sailed for Guangling, and the moon shone on the pavilion. From a distance, the mountain flowers are like beautiful embroidered cheeks, and the fishing fire on the river is like a small firefly.
This little poem is concise and lively, almost rough.
Li Bai quickly drew a realistic picture with extremely concise lines, although there were only a few strokes, it was vivid and vivid. For example, the boats, pavilions, mountain flowers and Jiang Huo in the poems are all set on the moon, which highlights the unique hazy beauty of many scenery in the moonlight and arouses people's aesthetic feeling.
4. "Complaints"
Tang Dynasty: Li Bai
The beauty has been waiting for the bead curtain and has been sitting with tight eyebrows.
I only saw her tears wet her cheeks, and I don't know if she hates herself or herself.
This little poem expresses the bitterness of a beautiful woman in twenty words, and it has a strong sense of picture.
The beauty rolled up the bead curtain and sat alone in the boudoir, frowning. I saw Yu Yan's face full of tears. I wonder who she hates.
In such an ordinary scene, the author captured several points and drew a simple picture from these points, leaving infinite reverie at the same time.
5. "White Horse on the Face"
Tang Dynasty: Li Bai
In May, orioles peck purple fruits and sing mulberry branches.
We don't remember this day, we mistook it for spring.
The old silkworm has not returned, and the white field has been reeling.
He drove the horse forward again, feeling sorry for himself.
This poem is about the scenery in early summer, with easy-to-understand words and novel ideas.
The poet chose three common images in daily life, oriole, mulberry and silkworm, which constituted a popular and simple painting of local customs, and entrusted his sorrow of wandering around the rivers and lakes and achieving nothing.
The whole poem is first promoted and then suppressed, lyrical with scenery, and the blending of emotion and scenery reflects the broad feelings of a romantic poet.
6. Qiudeng Xuancheng Qi Xie North Building
Tang Dynasty: Li Bai
The city by the river is as beautiful as the picture, and the mountains are getting late. I climbed the Xie Tiao Building to overlook the clear sky.
Between the two rivers, one lake is like a bright mirror; The two bridges on the river look like rainbows falling from the sky.
Orange forest pomelo is set off in the cold smoke of kitchen smoke; Autumn is boundless, and the phoenix tree has become old.
Besides me, who will think of the North Tower and welcome the autumn wind, Miss Xie?
On a clear autumn evening, the poet boarded the Xiegong Building alone. Blue light reflected in the mountains, the scenery is very clear and clean. The poet looks down from a height, and "Jiangcheng" is like a painting.
Autumn water is like a mirror, and the double bridge reflects the water like a rainbow; In late autumn, Shan Ye smoke, orange pomelo dark blue, phoenix tree slightly yellow.
"Orange pomelo is vast and sparsely populated, and the old phoenix tree is autumn" is picturesque. Yan Yu, a poetry critic in the Song Dynasty, commented in Cang Hua that these five or six paintings are extremely plain and gorgeous. Is it necessary for the king to wipe it?
7. "Visiting Taoist priests in Dai Tianshan Mountain"
Tang Dynasty: Li Bai
In the barking of dogs, peach blossoms are thick.
See the deer when the tree is deep, but don't ring the bell at noon.
Wild bamboos are green and misty, and flying springs hang blue peaks.
No one knows where to go. I'm worried about two or three loose.
The whole poem consists of eight sentences, the first six of which are written as "interview", focusing on scenery and beautiful scenery. The last two sentences write "misfortune", focusing on lyricism and smoothness.
The spring water gurgles and the dog barks faintly; Peach blossom with dew, rich and dazzling, poets marching on the forest path, often see elk; Shenlin's road is long. It was already noon when he came to the stream. It was time for the Taoist temple to ring the bell, but he couldn't hear it. When I came to the Taoist temple, I saw that the Taoist priest was not there. I only saw the green bamboo blended with the green hills, and a waterfall hung on the Bifeng.
The poem is simple and natural, with pure line drawing and beautiful scenery. Poetry of Tang and Song Dynasties: natural and beautiful, Wei's masterpiece, Meng Haoran's poem "Taoist" is excellent in both content and essence.
8. "Seeking harmony, respecting teachers and living in seclusion"
Tang Dynasty: Li Bai
The mountain peak is steep, and Capricorn's day is free from the memory of that year.
Clear the thick clouds for the ancient road of Gu Shan, and the strange trees listen to the painting springs.
Warm flowers lie on green cows, white cranes sleep on high pine branches.
Talk to the teacher, the river has been shrouded in dusk, I want to walk alone in the cold mountain clouds.
This is a five-character poem that combines poetry, painting and sound perfectly. The first sentence describes the scenery, the second sentence describes people, and the scenery is also about people. Man and scenery are integrated, lofty, upright and eternal.
The necklace couplet "Flowers are warm, green cows lie down, white cranes are loose and high asleep" depicts the beautiful, quiet and fairyland-like environment of Yongzun's residence with colorful thick pens. The seclusion place is decorated with green cows and white cranes and set off by flowers and pines, which makes the realm of quietness, serenity and quiet beauty of "lying" and "sleeping" vivid.
9. Wangtianmen Mountain
Tang Dynasty: Li Bai
The Yangtze River splits the Tianmen Peak like a giant axe, and the green river flows around the island.
The green hills on both sides are neck and neck, and a boat meets leisurely from the horizon.
Tianmen Mountain was broken in the middle by the Chu River, and the clear water flowed eastward and turned back here. The towering green hills on both sides of the river stand across the Yangtze River, and a solitary boat on the river is coming from the edge of the sun.
Although there are only four short sentences and 28 words in the whole poem, its artistic conception is broad, its spirit is heroic, its syllables are harmonious and smooth, its language is vivid and vivid, and its picture is bright, which fully shows Li Bai's bold and elegant poetic style.
Guo Yun: Talk about the current landscape. The word "Wang" is reflected in the lonely sail, and there are pictures in the poem.
Wuqi district 10
At sunset, the outline of Wu Palace and the beauty of the palace on Suzhou platform are hazy.
Rouwu, Zhu Tuo and Wu Wang were still enjoying the excitement, but suddenly they found that the mountain peak in the west had swallowed up half of the red sun, and dusk was coming.
The pleasure of the king of Wu and his attendants gradually came to an end.
May 7th Song is an old theme of Yuefu. Li Bai's poem satirizes the absurdity of Wu Wang's obsession with women and neglect of state affairs by borrowing the historical allusions of Fu Cha, the king of Wu.
This is an ancient poem with bold innovation in form. The whole poem turns out to be seven sentences instead of an even number, and the last sentence is called "scorpion tail silver hook", which means it is as powerful as scorpion tail and hook. This poem is very subtle, without derogatory words, but the irony is in place, and it really stings like a scorpion's tail and hook. Many people think that Li Bai satirized Yang Guifei through the story of He Shi.