Modern literature can be divided into three periods: (1)1919-1927, with emphasis on literature research society, creative society and master Lu Xun. Literature Research Association: Bing Xin's Stars, Spring Water, A Message to a Young Reader Zhu Ziqing's Back, Moonlight on the Lotus Pond, Qinhuai River in the Shadow of a Boat Paddle, Zhou Zuoren's Wild Vegetables in My Hometown, Ye Shengtao's Mr. Pan in Trouble, Xu Dishan's Falling into a Trap and Working for a Spider. Creation Society: Yu Dafu's Sinking, Drunk Night, Guo Moruo's Goddess, Tian Han's Tiger Catching Night, Zhang Ziping's Alluvial Fossils, and Ye Lingfeng's Nu Wa Legacy. Other creation society writers: Tao and Cheng. Lu Xun's works, not to mention, are all eaten too much. Other societies and writers in this period: Asakusa-Shenzhong Societies: I am a River by Feng Zhi, Unstable Soul by Chen Xianghe, Desire of Bandits by Lin Yutang, Mourning for Lady Yang Dequn in Liu Hezhen, Rain Lane by Dai Wangshu (2)1927-1. Zuo Lian's The First Lesson of Philosophy of Life, In the Gorge, Ding Lame Gong, In the Ancestral Temple, Zhang Tianyi's Bao's Father and Son, Dalin and Kobayashi Crescent Society: Xu Zhimo (whose works seem to need no introduction) Wen Yiduo's northeast writers group: Xiao Hong's Life and Death Field. Biography of Hulan River Xiao Jun's August Village Shanghai School: Mu Shiying's Five People in a Nightclub; Shi Zhecun's Night of Plum Rain; Beijing School: Lao She's (another note) Xiao Gan's Chestnut, which was abandoned under the eaves as a bamboo forest, the story of Taoyuan, Shen Congwen's Border Town and Lin Yutang of Xiangxi. If you don't know the works of Mao Dun, Ba Jin, Cao Yu and Lao She, you can't say anything. Besides, Cang Kejia's poems "Old Horse" and "Evil Black Hands" should also be known. (3) 1937—— 1949, focusing on the July School, the Kuomintang-controlled areas, the island occupied areas and the liberated areas. July School: Ai Qing (that's too ... tell me more about his works) Lu Ling's Hungry Su Guo and The Rich Man's Children. Kuomintang-controlled areas: The Gold Rush, Living in its Teahouse, A Woman's Tragedy, Sister-in-law, Promotion Map, Wu Zuguang's Return on a Snowy Night. Dai Wangshu's "I Break My Palm" Liberated Area: Zhao Shuli (this is not nonsense) also knows Kong Biao's "Biography of New Children" and Herong's "Biography of luliang heroes".
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