The wine is full and the box is still open. There is a slight frost on the temple. What are the disadvantages? Hold a festival in the clouds, when to send the phoenix hall. Bow like a full moon, look northwest and shoot Sirius.
This word was written during Su Shi's relegation to Huangzhou. He compared himself to Tao Yuanming, a poet in the Jin Dynasty, who visited Xie Chuan, devoted himself to Dongpo and built a snow hall to live in. He combines reasoning, scenery description and ambition in one furnace, and expresses his deep admiration for Yuanming in his poems, and his broad-minded mind of being happy and forgetting his worries. The works are bold and unconstrained in plain, full of quiet, leisurely and rough pastoral interest.
The first sentence, "I wake up when I am drunk in my dream", is contrary to common sense, saying that I can only wake up when I am drunk, and I can understand in my dream, which expresses my cynicism. This sentence shows that Su Shi can understand Yuan Ming's drinking mood and know that he is actually awake in a dream or drunk, which is their similarity. "Only deep, is a former life. Traveling all over the world, still ploughing the fields ",full of bitterness, this situation, coupled with the roundness, how similar their fates are. "At the end of the Yuan Dynasty and the beginning of the Ming Dynasty, Su Shi returned to the field because he was dissatisfied with the real politics, but he was demoted as a sinner. This is their difference. Su Shi hinted with sadness that Dongpo's formation was caused by political persecution. " Last night, there was enough spring rain on Dongpo, and the black magpie was happy to report a new sunny day. "After some discussion, he integrated into the scene. He vaguely expressed the poet's joy, joy and love for nature by describing the vibrant scene of black magpies reporting sunny days after the spring rain.
The last four sentences are mainly about scenery, which are very stereoscopic in these words. Springs, streams, mountain pavilions, distant peaks and sunshine are connected to the ears, showing the quiet realm of rural life and giving people a sense of detached relics. The author then draws the conclusion that "all the scenery in Xiechuan is on the same day", because he is eager to be profound and eager for him to go to Xiechuan that day, so he feels that what he saw was also the scenery in Xiechuan that day, and at the same time he extended his deeper feelings. Tao Yuanming abandoned his official position and returned to the field at the age of 4/kloc-0. Later, he never returned to his official position. At the age of 50, he went to Xiechuan. Su Shi was 47 years old and devoted himself to Dongpo. Everything seems to be a profound situation that day. Will he spend the rest of his life like Yuan Ming? At that time, politics was dark, and Su Shi had little hope of making a comeback, resulting in a feeling of dying. The heavy lament at the end of the sentence "I am old, and I have years left" shows that Su Shi is not self-numbing and blindly optimistic, but deeply worried about the rest of his life. He is dreaming.
The structure of this word is quite ingenious. The first sentence was abrupt and the discussion was full of emotion. Then write the scenery, interlocking, distinct, closely linked to the first sentence, there is love in the scenery, and there is reason in the feelings. The conclusion echoes the first sentence and the scenery after the film, and summarizes the whole sentence. The spring scenery of Tang Xue in Dongpo today, like the scenery of Xie Chuan that day, leads to the yearning for Xie Chuan's trip that day, as well as the indifferent and complacent state of mind in adversity. "It's all the scenery of Xie Chuan's day", seemingly plain words, is the author's heartfelt wishes in the face of distant historical background. Like a dream. Li Qingzhao often thinks of the sunset in Xiting, intoxicated, and does not know the way home. Always had a good time, but lost to the swimming pool deep in Zhu Feng. Fight for the ferry, fight for the ferry, and open the gull heron pool. This is a reminiscence. A few words seem to pop up at random, but in fact they are as precious as gold, and every sentence contains profound meaning. The first two sentences, write intoxicated and excited mood. Then I wrote "Xing Jin" and went home. I also "strayed" into the depths of the lotus pond, which was even more fascinating. The last sentence, innocence, endless. The phrase "Chang Ji" is plain, natural and harmonious, which naturally leads readers to the realm of words she created. "Long Ji" clearly stated that the location was "Xiting" and the time was "Sunset". After the party, the author was too drunk to recognize the way back. The word "intoxicated" expresses the author's inner joy, and "I don't know the way home" also conveys the author's lingering feelings with twists and turns. It seems that this is a very pleasant trip and left a deep impression on the author. Sure enough, the following two sentences "Xing Jin" took this interest to a higher level, and Xing Jin returned to the ship. So, what about Xing Jin? It just means that you are interested and don't want to go back to the boat. The sentence of "going astray" is fluent and natural, and there is no trace of axe chisel. It echoes the previous sentence of "I don't know the way back" and shows the hero's forgetfulness. There is a boat swaying among the blooming lotus flowers, and there are young talented women on board. Such beautiful scenery suddenly rises and falls, and it is ready to come out. Two "struggles" in a row express the anxiety of the protagonist who is eager to find a way out from the lost road. It is precisely because of the "struggle for crossing" that "a beach of gulls and herons was awakened", scaring off all the waterfowl parked on the island. At this point, the words came to an abrupt end, and the words were endless and intriguing. The words in this poem are concise, only a few fragments are selected, and the touching scenery and the author's happy mood are combined to write the author's good mood when he was young, which makes people want to go boating with her and indulge in it. As the saying goes, "the feelings of teenagers are born", this poem is full of natural beauty without carving. Playing with the meaning of words is like recalling a pleasant outing. It is said that people prepare boats and swim in Qingxi, but they don't know the evening because of a deep sleep. In the heavy dusk, I returned to the boat and mistakenly entered Qugang Hengtang, deep in the lotus root. This is a fragrant, colorful, quiet and mysterious world. It brought great surprise and deep intoxication to the poet. The fragrance of flowers and wine made the poet get rid of the heavy shackles of aristocratic families in feudal society temporarily, showing her cheerful, lively, curious and competitive girlish nature. So there was a move to cross. Walking through the lotus flowers in a canoe, watching the gull heron flying in Huating Yupu, she felt a strong vitality. This vitality overflows from the short rhythm and large rhyme of words. Li Bai entered the wine, never looking at how the Yellow River water moved out of the sky and into the ocean. Have you seen the lovely hair in the bright mirror in the high room? Although it is silky black in the morning, it turns into snow at night? Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! . Since God has given talents, let them be used! As for the money, although it is scattered, it will get together again. Cook a sheep, kill a cow, sharpen your appetite, and let me, 300 bowls, take a big drink! . Master Cen, Dan Qiusheng can drink and drink endlessly. Let me sing you a song! Please listen to me. What are bells and drums, delicacies and treasures? I hope I will never wake up. Ancient sober people and sages were forgotten, and only great drinkers can be immortalized. Chen bought a barrel of wine with 10 thousand gold coins at a banquet in the temple, and everyone laughed and said one-liners Why do you say, my master, your money is gone? , to buy wine, we drink together! . A swift horse with five flowers and a golden autumn, give them to the boy in exchange for wine and share eternal sadness with you. Li Bai's wine poems can express his personality very well. After this kind of poetry was published in Chang 'an, it was certainly more profound in ideological content and more mature in artistic expression. Into the Wine is his masterpiece. "Jiang" was originally the tune of the piccolo cymbal song of Han Yuefu, and the song was called "Song of Drinking", so the old saying "Jiang, take the white" goes. The author's famous poem "Fill it in to express one's feelings" (a small supplement to the classification of Li Taibai's poems) was written in the eleventh year of Tianbao (752). At that time, he and his good friend Cen Can lived in Angelababy, another good friend of Songshan, and the three of them tasted the climbing banquet ("Appreciate Cen Can, find out, treat Yuan Danqiu with poetry": "Don't be thousands of miles away, treat wine with poetry." In the middle of Yuan Dynasty, Dan Qiu and Deng Ling gave a banquet in Bixiao. When I suddenly thought of me while drinking, I screamed and screamed. " )。 The best thing in life is to make friends at cocktail parties, and the author is in the moment of "accepting talents from all over the world without meeting each other" (small), so he is full of inappropriate wine and poems and has incisive expressions. At the beginning of the poem are two parallel long sentences, such as rushing to the reader with the wind and rain. "Didn't you see how the Yellow River water moved out of heaven and into the ocean, never to return? Angelababy is not far from the Yellow River, so it is interesting to climb. The Yellow River has a long history and a great gap, such as falling from the sky, spilling thousands of miles and entering the sea eastward. Such a magnificent wave scene can be seen extremely badly without the naked eye. The author wants to fall from the sky and "get the word and get it", which is exaggerated. The last sentence says that the coming of the big river is unstoppable; The next sentence says that the river is gone and irreversible. One rises and one disappears, forming a breath, which is not available in short sentences (such as "The Yellow River falls into the sky and returns to the East China Sea"). Then, "you didn't see the lovely hair in the bright mirror of the high room, although it was silky black in the morning and turned into snow at night" is like a turbulent wave. If the first two sentences exaggerate the space category, they exaggerate the time category. Sigh that life is too short, not to hurt the boss bluntly, but to say "how cute the mirror lock on the shelf is", a gesture of grasping the head and watching the film and calling for help, just like painting. Describing the whole process of life from youth to aging as "morning" and "evening", shortening the short-lived things and making the strong waves stronger than the previous two sentences, is a kind of reverse exaggeration. Therefore, the first set of parallel long sentences is metaphorical-the river is gone forever, indicating that life is perishable, and it also has a comparative effect-while the great eternity of the Yellow River shows the smallness and fragility of life. This beginning can be said to be extremely sad, but it is not delicate. It can be said that it is a giant sadness with thrilling artistic power, and it is also caused by the sense of momentum at the beginning of long sentences. This opening technique is often used by the author. He is like "If you abandon me, you can't stay tomorrow;" "It hurts my heart even more today" ("A farewell letter from Xie Tiao Tower in Xuancheng"), and Shen Deqian said, "This body is too white and self-centered", which shows that it is quite original. This poem is a call for "not seeing you" (generally Yuefu poems are only used occasionally at the beginning or end of the article), which greatly enhances the emotional color of the poem. Poetry has the so-called big opening and closing, which can be described as big opening and closing. Recalling that Bai Juyi in Jiangnan is good in Jiangnan, the scenery once seemed familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan? Bai Juyi once worked as a secretariat of Hangzhou, stayed in Hangzhou for two years, and later worked as a secretariat of Suzhou for more than a year. When he was young, he roamed the south of the Yangtze River and lived in Suzhou and Hangzhou. It should be said that he knows a lot about Jiangnan, so he was deeply impressed. Twelve years after he returned to Luoyang from Suzhou, he wrote these three poems recalling Jiangnan at the age of 67, which shows that the scenery of Jiangnan is still vivid in his mind. It's not easy to sum up the spring scenery in Jiangnan in a dozen words, but Bai Juyi skillfully did it. Instead of describing the flowers and warblers commonly used in the south of the Yangtze River, he began to write with the river as the center, showing the bright and dazzling spring scenery in the south of the Yangtze River through the contrast between "red wins fire" and "green as blue". In the poems of the great poet Du Fu, we can often see descriptions in different tones, such as "two orioles singing green willows, a row of egrets soaring into the sky" and "Jiang Niao is too white, and the mountains are green and the waters are white". Two different colors set each other off to make the poem bright and picturesque. Bai Juyi took the same road, which can also be seen from his poems, such as "The sunset glow burns red, the clear sky is bluer than blue", "Spring grass is more dreamy when it is green, and the sunset glow is red near Chang 'an", "The green waves are east and west, and the red column is 390 bridges". Therefore, in Bai Juyi's works, the spring scenery in the south of the Yangtze River has been colored since the first day, and the flowers and rivers in the river have formed people's imaginary pictures because of the way of drying, dyeing and setting off. The colors are gorgeous and eye-catching, and there is no need to add more associations. Spring scenery in the south of the Yangtze River has come to my face. This word describes the spring scenery in Jiangnan, and the first sentence is "Jiangnan is good". With a simple and vivid word "good", I captured all the beauty of spring scenery in the south of the Yangtze River, and the author's praise and yearning were also included. At the same time, it is precisely because of "goodness" that we can "remember" endlessly. Therefore, this sentence has an allusion to "can you forget Jiangnan" and is related to it. The second sentence "I used to be familiar with the scenery" points out that the "good" scenery in the south of the Yangtze River is not a rumor, but the author's personal experience and personal feelings when he went out to graze in Hangzhou. This not only implements the word "good", but also takes care of the word "memory", which is a wonderful pen and ink to connect the meaning of an article. Three or four sentences vividly interpret the "goodness" of Jiangnan, highlighting the bright colors of jianghua and the red and green rivers, giving people a dazzling impression. Among them, there are contrasts between the same color and different colors, which fully shows the author's good coloring skills. At the end of the article, I collected the whole poem with Can I Forget Jiangnan, which not only expressed the author born in Luoyang's infinite admiration and nostalgia for the spring scenery in Jiangnan, but also created a long lasting charm, which brought the reader into a tearful realm.