The spring breeze is swaying and the rest of the flowers fall in the mirror.
The lotus leaves roll, and the willow trees cover the eaves.
Zhu Baijun has changed himself, but I have gone too far as a concubine.
Who can pity the past? Finally, I cried!
This poem named "Spring Thoughts" describes the grievances of spring. The heroine in the poem is an abandoned wife. When spring came, she felt very hurt, blamed her ex-husband and secretly lamented her fate.
The first four sentences describe spring scenery. "Spring Breeze Swing", the line of sight is introduced from outdoor to indoor. There is only one person in the room, leaving his wife alone. The scene may be as written in Li Qingzhao's ci: "The fragrance is cold and golden, turning red waves, getting up and combing my hair." The second sentence is a close-up: I saw the bottles of dying flowers on the dressing table, falling one by one in the spring breeze. Withered spring flowers, empty accounts and abandoned wives' rooms present a bleak and desolate scene. Then, she turned her eyes to the outside: in the distance, "the lotus leaf is rolling"-the lotus leaf has extended its sharp corner to the pool surface; Nearby, "the willow overhangs the eaves in the courtyard"-the green willow in front of the courtyard is shaded and hangs in front of the eaves. "Flowers", "lotus in the pond" and "willow in the courtyard" indicate that the festival is late spring. Spring will come back and Fang Fei will rest gradually. How can a widowed, lonely and abandoned wife not feel disappointed?
The last four sentences are about the abandoned wife, driven by sadness, complaining about her misfortune. Her first thought was the thoughtless feelings of her late husband. "Zhu Baijun changed himself", and the abandoned wife righteously condemned her husband in the tone of the first person to the second person: I was abandoned because you changed Zhu Baijun's loyalty. "I went too far to be a concubine", so I turned to my side to defend myself, and I was not willing to be abandoned. "Tuan Fan", with the allusion of Ban Jieyu's "Songs of Sorrow" in the Eastern Han Dynasty: "New crack, fresh as frost and snow; Cut into acacia fans, round like the bright moon. In and out of your arms, shaking the breeze. I am always afraid that the autumn festival will arrive, and the cold will seize the heat and give up donations. " According to this poem, later generations used a round fan to describe the misfortune of abandoning a wife. The above two sentences are compared and emphasized from the opposite side of my suspicion of the round fan, thus clarifying the responsibility for the tragedy. At the end of the two sentences, I lamented my unfortunate fate with the allusion of the folk song "Pulling Grass on the Mountain" by Han Yuefu. "Picking Wild Flowers on the Mountain" describes the abandoned wife of Lu Yu's late husband, so her husband told her: "New artificial weaving, old artificial weaving. Weave a horse a day, weaving more than 50 feet. It's better to be a newcomer than a vegetarian. Here, I call myself an "old molecule" and a "new molecule" is a "new person" married by my ex-husband. Who can pity me if I abandon my wife and hurt myself? I will cry and grieve for my dead husband's betrayal and finding another lover all my life.
This poem adopts the common writing methods of scene before emotion and scene against emotion in classical poetry. The characteristic of the performance is the allusion of the previous generation's abandoned wife poems. "A Song of Sorrow" and "A Victory in the Mountain" are two widely circulated ancient poems, which are not only concise, but also helpful to arouse associations, enhance the historical sense of the works and enhance the ideological depth of the works. Although there are not many words in Tuan Fan, Jiu Su and Tao Xin, the abandoned wife in the poem "Spring Thoughts" has naturally joined the long ranks of the image of abandoned wife in literary history, thus making this image have wider and lasting social significance and aesthetic value.