Emotions hidden in the scenery:
For example, Du Fu's quatrain "Manxing":
Populas are spread out on white felt along the path, and green coins are stacked on lotus leaves by the stream.
No one can see the young children on the bamboo shoots, and the chicks sleep next to their mothers on the sand.
This poem is all about scenery, and the spring scenery is picturesque: poplars are scattered all over the path, lotus leaves are dotted in the creek, bamboo shoots are growing darkly, and the little teal is sleeping next to its mother. A warm feeling of spring comes from the scenery, and the poet's joyful mood of loving spring and his sense of leisure and contentment also emerge from the painting. Although there is no mention of the word "love" in the scenery and pictures, love is hidden in the scenery, and there is lyricism everywhere. It is just as Wang Guowei said: "All scenery language is the language of love." This way of creating artistic conception has always been the most praised by people because it is extremely implicit in style, reaching the state of "without a word, all the romance" as Sikong Tu said, and this is what Chinese poetry pursues The highest and most difficult state.
Seeing the scene in love:
Li Bai's "Drinking Alone under the Moon" Part 2:
If heaven does not love wine, the wine star will not be in the sky; if the earth does not If one loves wine, the land should have no fountains of wine. Heaven and earth love wine, and if you love wine, you are worthy of Heaven; you have heard it as clear as a sage, but when you return to the Tao, it is as turbid as a sage. The sages have already drank, so why ask for gods? Three cups lead to the road, and one bucket leads to nature. But if you get the pleasure from drinking, don’t pass it on to those who are sober.
This poem is composed of drunken delirium. The ridiculous logic and absurd nonsense reveal the poet's innocent and unrestrained personality. The image of a drunken and drunken "wine fairy" appears in this poetic environment with a rich aroma of wine. This is not only "seeing the scene in love", but also "seeing the scene in words". It is somewhat similar to the method of verbal description in novels to show personality, and it is also an artistic treatment of turning reality into fiction in the creation of artistic conception. Jiao Ran believes that: "The scene is not the same, and it is difficult to distinguish the virtual and the real" and "it can be sometimes virtual or sometimes real." That is to say, there are many ways to deal with the scenery and emotions in the artistic conception. If the above-mentioned "feelings hidden in the scenery" appear in the form of "occasionally real", the second type of "seeing the scenery in the feeling" appears in the form of "occasionally virtual", which can still be regarded as "eventual reality". A way of blending scenes.
Blend of scenes:
For example, Su Shi's "Niannujiao. Chibi Nostalgia":
The great river goes eastward, and the waves sweep away all the romantic figures of the ages.
On the west side of the fortress, there is the humane way, Chibi, the Zhou Lang of the Three Kingdoms.
Rocks and clouds collapsed, waves cracked the shore, and thousands of piles of snow rolled up.
The country is picturesque, how many heroes are there in one moment!
Thinking back to Gong Jin’s time, Xiao Qiao got married for the first time, looking majestic and handsome.
Feather fans and silk scarves, while talking and laughing, the boats and oars disappeared into ashes.
My motherland wanders in my mind, my affection should laugh at me, and I will be born early.
The world is like a dream, a bottle returns the moonlight over the river.
This is a poem that pays tribute to history and remembers the past. It is a masterpiece of poems in Song Dynasty that has been passed down through the ages.
The first part of this poem mainly describes the scenery, mainly describing the scenery of Red Cliff