The green river makes the birds' feathers whiter, the mountains are green, and the red wildflowers seem to be burning. This spring is coming to an end. When shall I go back to my hometown?
Note 1 over (remainder): indicates more and more. Burning desire: it will burn, here is to describe the bright red color. Desire: I think so. 3 when: when. Tropical Year: When I go back.
Two quatrains, the second appreciation of "birds in the river are too white, blue flowers in the mountains are burning", which is a landscape painting embedded in a frame, depicting the beauty of late spring, with ink on the paper, colorful paintings and fascinating charm. The rippling river shows the beautiful scenery of white water birds skimming the river. All over the mountains and plains are green, blooming everywhere and extremely red. It is like a burning flame, very charming and brilliant.
White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "tide" makes the waterfowl whiter and whiter with the blue sediment of the river, and it is written in a deep and picturesque way; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye.
However, the poet's will is not here, and then, the pen road turns sharply and laments.
"I watched it again this spring. When is the year of reunification? The word "understand" in the sentence goes straight to the key point of writing poetry.
The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering. The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings.
Two quatrains and two creative backgrounds Du Fu took refuge in Shu during the Anshi Rebellion. With the support of friends, a thatched cottage was built next to Huanhuaxi in the western suburbs of Chengdu, so that the hard-working family could settle down temporarily. In Du Fu's life, the life in the thatched cottage beside Huanhuaxi was a happy time. However, even in this rare peace, the poet is always worried about the unresolved war in the Central Plains, hoping to return to his hometown as soon as possible. In this poem, Du Fu deeply expressed his homesickness by describing the beautiful spring scenery.
The second appreciation of two quatrains This is a lyric poem written by Du Fu when he was living in Sichuan. The poet painted a beautiful picture of spring scenery for us, and at the same time expressed his heavy homesickness.
The first two sentences describe scenery, and the first sentence describes rivers and waterfowl. The river is green, which sets off Wu's white feathers, and the word "Guo" sets off its color. The second clause describes the mountain flower, a word "desire", which personifies its posture and paints the four things "river", "bird", "mountain" and "flower" with a layer of green, green, white and crimson oil paint. The scenery is fresh, refreshing and dynamic.
The last two sentences are lyrical, and the third clause says that although spring scenery is good, it has flown in a hurry and touched the scene. And it took a lot of effort to tick off the fourth sentence, "When is the year of return?" The people who have not returned in spring are deeply sad and sorrowful, and a surge comes from the depths of their souls. What I have said is endless and memorable.
The artistic achievement of this poem is, first of all, the blending of scenes. Among them, the first and second sentences describe the scenery, the third and fourth sentences are lyrical, and the scenery is full of emotion and profound feelings. The second is to send homesickness by narrative. In the warm colors of spring, the poet's homesickness was revealed when he could have been delighted by things. The writing is profound and unique.
Poetry: two quatrains. Second, Du Fu's poems in Tang Dynasty: writing about scenery and homesickness.