Fan Song Chengda
Xia Tian scooped water out of the river, and the high ridge crossed the river and went into the ditch.
Uneven terrain and exhausted manpower, Ding Nan stepped on the front of the car.
Tilling during the day, the results are numb at night, and the children in the village are in charge.
Children and grandchildren are not prepared to farm and weave, but also learn to plant melons in the shade of mulberry trees.
Tube cutting wheat
Tang Bai Juyi
The Tian family has less leisure in the month, and people are twice as busy in May.
In the evening, the south wind rises and the wheat turns yellow.
A woman's husband is hungry and her child is pregnant with pot pulp.
Go with Tian Xiang. Ding Zhuang is in Nangang.
Summer is steaming and rustic, and the back is burning.
I don't know about the heat, but I regret the long summer.
Another poor woman, holding her son,
Grab the ear with your right hand and hang the basket with your left arm.
Listening to his words of concern is very sad.
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, Lotte, Xiangshan, and drunk. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu".
Bai Juyi's poems have a wide range of themes, various forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on.
Bai Juyi's leisurely poems have a great influence on later generations. His simple language style and indifferent and leisurely mood have been praised repeatedly. However, in contrast, the "leisure" thought of retiring from politics and being content with peace, and the attitude of returning to Buddhism and imitating Tao Yuanming in these poems have far-reaching influence because they are more in line with the psychology of later literati. For example, Bai Juyi said, "If you fight for two snail horns, you'll get a dime a dozen" (No.7 of Let's Drink Seven Songs), "If you fight for the snail horns, I'll send the body in the firelight of the stone" (No.2 of Drink Five Songs) and "I'll know what happened to the snail horns later" (No.8 of Wu Zeng's Can Change My Diet). That is to say, on the basis of the names given by the Song people, "the names of drunkards, pedants and Dongpo all come from Bai Letian's poems" (Gong Yizheng's "Notes on Mustard Seeds"). Zhou Bida, a poet in the Song Dynasty, pointed out: "Su Wenzhong, a loyal minister in this dynasty, did not pay much attention to permission, only loved Lotte and wrote poems many times. Gage's articles are all about words, but they are honest and generous, outspoken, full of words, affectionate with people and indifferent to things. Living in Huangzhou, the first name is Dongpo, which must have started from Lotte Zhongzhou. " (Poems of Erlaotang) All these show the influence track of Bai Juyi and his poems.