There is a poem 1 about landscapes and pastoral areas. There is a poem describing landscapes and pastoral areas.
Four seasons pastoral miscellaneous interest
(Song) Fan Chengda
Tilling during the day, numb at night,
The children in the village are responsible for their own affairs.
Children and grandchildren have not been liberated to engage in farming and textile,
And learn to grow melons in the shade of mulberry trees.
Niaomingjian
Don
When people are idle, sweet-scented osmanthus falls,
The night is quiet and the mountains are empty.
The moon is full of surprises,
In the spring stream.
Guogurenzhuang
meng haoran
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
Wang Wei
Chai Lu
There seems to be no one on the empty mountain.
However, I think I heard a voice.
Sunlight enters the Woods,
Reflected from the green moss to me.
Qingpingle country house
Xin Qiji
The thatched roof of the hut is low and small, and the stream is covered with green grass. When you are drunk, your voice is charming and your hair is white.
The eldest son is weeding in the bean field on the east side of the stream, and the second son is busy knitting chicken cages. I like children and scoundrels best, lying on the head of the stream peeling lotus flowers.
Wang Wei
Mountain house in autumn
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Tour of Shanxi village
Lu you
Don't laugh at the farmhouse music brewed in the muddled month. In the harvest month, the dishes for guests are very rich.
There is no way to go because of the winding water flow in the mountains, and a mountain village suddenly appears in the willow-green flower bay.
The day of playing flute and drums is approaching, and the villagers are still dressed simply.
In the future, if you can go out in the moonlight, I will knock on your door at any time with my cane.
Wait, wait ~ ~
There are many pastoral poems. The poems of several famous poets, such as Wang Wei, Meng Haoran, Tao Yuanming and Fan Chengda, are mostly idyllic.
2. 10 pastoral poetry
Lecture 12 on Poetry Appreciation: China's pastoral poems have a long history and there are many poets with different styles. Poets such as Tao Yuanming formed the pastoral school in the Eastern Jin Dynasty, poets such as Xie Lingyun and Xie Tiao formed the pastoral school in the Southern Dynasty, and poets such as Wang Wei and Meng Haoran formed the pastoral school in the prosperous Tang Dynasty. The poet takes pastoral scenery as the aesthetic object, and puts delicate brushstrokes into quiet mountains and leisurely fields to create an idyllic style. In order to express their dissatisfaction with reality and yearning for a quiet and peaceful life, these poems have more or less the same characteristics. First of all, they all showed great interest in mountains and rivers, gave incomparable attention to other poets and writers, and spared no expense in depicting the mountains, rivers, trees and grass of nature with rich colors. For example, Meng Haoran's Passing the Old People's Village: Prepare chicken and rice for me, old friend. You entertain me on your farm. We look at the green trees around your village and the light blue in remote mountainous areas. To say that Sang Ma is holding our cups, I will come back in chrysanthemum time when we have a holiday on the mountain. After the first couplet of the poem explains the reason, the couplet is the natural scenery that the poet saw when he entered the village. The poet seems to have come to the common scenery in the countryside with his bare hands, but his profound skill and careful tempering can be seen in the plain. These two sentences not only accurately and vividly describe the dense green trees beside the village, but also describe the sloping green hills outside the village, presenting us with a fresh and vivid mountain village landscape; Moreover, the words "He" and "Xie" point out the expressions of mountain villages surrounded by green trees and villages outside the green hills, as if the natural scenery is integrated with the people in the mountain villages, full of deep affection, intimacy and appeal. The necklace is written in the scene where the host and guests are talking about each other behind the house. If couplets describe the overall environment of the whole village, necklaces are descriptions of old friends. Besides, the host and guests know each other, and they have the same feelings and tastes. They frequently raise their glasses and talk about Sang Ma, and their mood is so carefree and warm. Couplets tell us that it is another day's date, and the feelings and things in the poem are integrated into nature. Secondly, the landscape, plants and flowers and birds in the poet's works are not isolated, but form a harmonious whole, forming a picture full of life consciousness. Look at Du Fu's paintings with poems. The flowers and plants in the spring breeze are very fragrant. Swallows melt in the mud, while mandarin ducks sleep in the sand. The poem begins with a big picture, which depicts the beautiful spring scenery around Huanhuaxi under the bright sunshine in early spring. The second sentence further shows the beautiful spring scenery with warm spring breeze, blooming flowers and lush grass. The third sentence depicts the most common and distinctive dynamic scenery in early spring. Spring is full of flowers and mud. Build a nest with mud. The fourth sentence is to outline the static scenery. It's sunny in spring, and Yuanyang should also enjoy the warmth of this spring and stay quietly on the sandbar by the stream. Judging from the description of the scenery, this sentence contrasts with the third sentence, which is full of movement and sets each other off. The third and fourth sentences are meticulous, with the first and second sentences. It constitutes a colorful, prosperous and beautiful picture of early spring scenery, which reflects the poet's relaxed mood of temporarily enjoying a peaceful life after long-term turmoil and displacement, and also shows the poet's joy in the vitality and prosperity of nature in early spring. Moreover, more importantly, all the landscapes written by poets serve the expression of the characters' feelings in the final analysis. For example, Du Fu's impromptu poem Jueju: Jueju. A line of egrets rose into the sky. The window contains the autumn snow in Xiling, at the gate of Wu Dong Wan Li boating. A poem written by Du Fu when he learned that his old friend Yanwu was still in Chengdu. The first part of this poem is a set of opposing sentences. There are many willows around the thatched cottage, and pairs of orioles are singing on the new green willow branches, full of joy and color, forming a fresh and beautiful artistic conception. "The second sentence is about egrets flying freely in the blue sky. These two sentences, together with four bright colors, form a beautiful picture. The first sentence is also about sound, which conveys extremely happy feelings. The second part of this poem is also composed of antitheses. The last sentence is written by the window overlooking the snow ridge. The snow on the ridge does not melt all the year round, so the "autumn snow" piles up, and the snow-capped mountains can only be seen clearly and appreciated on sunny days. It goes without saying that the poet is in a comfortable mood. When you look out of the door, you can see ships moored by the river. River boat is very common, but "Wan Li boat" is meaningful. Because they came from "Dongwu", after years of war, land and water traffic was blocked by soldiers, and ships were generally unable to sail in Wan Li. When the war is settled and the traffic is restored, you can see the ships from Soochow. How can a poet not like it? These two sentences are very long and time consuming. Poets in the thatched cottage, but thousands of years of thinking, see through Wan Li, how broad-minded! Tao Yuanming, who lived in the rural areas of Wei and Jin Dynasties, had few people in the wild and few wheels in the backcountry. During the day, he hid Fei Jing, and the empty room was full of dust. When he returned to the market, he pulled weeds. When he met you, there was no nonsense, but the road to Sang Ma was long. The days in Sang Ma are very long, and my land is very wide. He is often afraid of frost and falling, as rough as grass. Tao Yuanming, who lives in the rural areas of Wei and Jin Dynasties, is not so vulgar and sexual. Stay humble and return to the countryside. There are 10 square houses and 89 thatched houses. It's behind Liu Yin and in front of Luotang in Li Tao. The village is very warm and far away, and there is smoke in the yiyi market. In the deep alley where dogs crow and mulberry trees crow. The house is clean and messy, and the vacant rooms are idle. After staying in a cage for a long time, you will return to nature. Pastoral word is that I missed Tang Li Bai Jia Yi for three years, and I left in Wanli, Ban Chao. Thousands of trees are planted with fruits. I have been pushed and moved in Guangdong for 30 years, and I haven't met them yet. It will be late when I write the sword, and it will be dusk in the garden. Pregnant in the morning, sitting in the daytime is often confused. I envy the red owl in the sky. I fight for food and shame. I hope I can cut off the Golden Horse Gate, sing a song and get a firewood. I have no confidants in the countryside, and finally I lack relatives. Who can recommend Ganquan Fu for Yang Xiong?
3. Landscape pastoral poetry
Wang Wei's pastoral poems
Chai Lu: There seems to be no one on the empty mountain, but I think I heard a voice. The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Wu Xinyi: hibiscus flowers with red calyx in the mountains. There is no one in the stream, and it has begun to fall.
Qiu Sheng: After the rain, an empty mountain stands on an autumn night. The bright moon shed clear light from the cracks and cleared the fountain on the rocks. The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe. Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
"Bird Watching Creek" is full of people's idle osmanthus flowers, and the night is quiet and empty. When the moon comes out, the birds are startled, and the sound enters the spring stream.
A farmhouse by the Wei River: In the setting sun of the countryside, cattle and sheep go home along the path. A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy. There are whistling pheasants? Full ears of wheat, sleeping silkworms and peeled mulberry leaves. Jojo and Fu Tian greet each other cordially. No wonder I long for a simple life, and the disappointed songs are fading.
Tianjiahang
Author: Wang Jian
Farmers in the countryside are jubilant, happy, satisfied and empty, and even the tone of their words is different from usual.
In summer, the wheat grains are rolling and the summer grain is bumper.
There is also a good harvest of cocoons in summer, and the noise of cars under the eaves is endless, and the cocoons of wild silkworms are not collected, so they can only die.
There was a scene of bumper harvest, but the villagers could not enjoy the fruits of their labor, but had to pay most of the grain and silk taxes.
In the harvest year, they don't expect to spread grain and weave silk by themselves, but only hope to save the cattle in the city and hand them over to the government.
Tian Jia has no food and clothing, and he will be happy if he doesn't see the county gate!
Wild old songs were recorded.
The old farmer lives in the mountains and cultivates three or four acres of mountain fields.
Miao and Shu taxes can't be eaten, and the official warehouse is turned into soil.
At the end of the year, hoe the plow and close the empty room, shouting to climb the mountain and collect acorns.
The Xijiang River is full of pearls and pearls, and the dogs in the boat grow meat.
Nieshangtianjia
Sell new silk in February,
The new valley in May.
Heal the pain in front of your eyes,
Cut out my heart.
I hope the king's heart,
Turn into a candle.
Not according to the feast of renewing the frontier,
Take a partial view of the escape house.
Guantian author: Wei
A light rain brought new flowers, and a thunder began to wake up.
Tian Jia was idle for a few days, and farming began.
Ding Zhuang is in the wild and the nursery is in charge.
When I return to the scene, I often drink the water from Xixi.
Hunger is not self-suffering, but joy.
There is nothing in the warehouse for the night, and the corvee hasn't arrived yet.
Being ashamed of not practicing, I ate it.
Widows in the mountains
Don Du Xunhe
Because of the soldiers, the husband clung to Mao Peng and his linen clothes were burned.
Mulberry and zhe waste taxes, and the countryside is still seeking seedlings.
When picking wild vegetables and roots for cooking, spin raw wood and burn leaves.
If you are in a deep mountain, you should also avoid the levy.
A farmhouse by the Wei River.
In the countryside where the sun is setting, cattle and sheep go home along the path.
A rugged old man in a thatched door leaned against a cane and thought about his son, the shepherd boy.
Looking for wheat seedlings to embroider, the silkworm fell asleep and the mulberry leaves were peeled.
Jojo and Fu Tian greet each other cordially.
No wonder I long for a simple life and sigh the old song, oh, back to the past! .
Wang Wei in Spring
Spring pigeons are singing in the room, and apricot trees are narrating.
Hold the axe to cut down the poplar, and the lotus hoe the spring pulse.
Yan knows his lair, so he looks at the new calendar.
If you are in a hurry, you will not be royal, and if you are far away, you will travel far.
Lao Guo Ren Zhuang Meng Haoran
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
Yan Du Xing Fu
At the end of the year, there are many northerly winds, and it is snowing in Xiaoxiang Dongting. The fisherman's net was frozen in the cold,
Don't shoot the geese singing the sangbow. Last year, there was a shortage of rice in the army. This year, rice is cheap and hurts farmers.
High-tech officials hate wine and meat, and this generation is empty. Chu people valued fish more than birds,
You shouldn't have killed Nan Hong Fei for nothing. It is said that men and women are everywhere, and cutting kindness and forbearance is also a matter of renting a house.
In the past, money was used to catch private castings, but now lead, tin and bronze are used. Carving mud is the easiest way to get it.
Likes and dislikes do not match looks. When will the sadness of this song end?
Burning songs and listening to the clouds
Get up to see Nanshan, which burns Shan Ye. The reddish dusk went out and the short flame was reconnected.
The difference rocks of Lingqing wall in Ran Ran. Low with the return air, as far as the eaves are red.
Neighbors can talk, but want to die. Say Chu is more vulgar, burn her for Zaotian.
Bean seedlings and insects promote it, and flowers on the fence make a house. Abandon the stack and return to the column, and the square chicken pecks the millet.
The spring rain is fine in the New Year, and immortals are everywhere. People with money are divining and knocking on the tile forest.
Bud divined on the mountain and returned to jujube. Blow the fire to the cogongrass, and the waist sickle reflects the vine.
Wind drives mistletoe smoke, and mistletoe trees connect Pingshan. Stars fell from the sky and flying embers fell on the steps.
Groaning and sneering on her back, mother crow cursed the rich age. Who knows, lush, official tax.
Four Seasons Pastoral Miscellaneous (1) Fan Chengda
Plum golden apricot fat, wheat white, cauliflower thin.
No one has ever crossed the fence, only dragonflies and butterflies are flying.
Four Seasons Pastoral Miscellaneous (2)
During the day, weeding in the fields and rubbing hemp thread at home at night, the men and women in the village took on all the housework.
Although the children don't plow and weave, they also learn a kind of melon in the shade of mulberry trees.
4. Poems describing rural scenery
Meng Haoran's Passing the Old Village;
This old friend prepared a delicious meal and invited me to his hospitable farm.
Green Woods surround the village and green hills are located outside the city.
Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes.
Shanxi Village Tourism [Song Dynasty]
Don't laugh at farm wine,
Raise enough chickens and dolphins in good years.
The rivers and mountains may change, but not one's essential nature
There is also a village.
2. Du Fu's quatrains
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
3. Du Fu's quatrains
"Two orioles sing green willows, and egrets cover the sky."
My window framed the snow-covered western hills. My door often says "goodbye" to ships sailing eastward.
Four. Wang Wei's pastoral poems
Autumn sentiment in mountain residence
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Chai Lu
There seems to be no one on the empty mountain, but it is heard.
The shadow of the sunset shone into the depths of the forest, and the scenery on the moss was pleasant.
Nei Nei
The branches of the topmost hibiscus flowers are full of scarlet calyx in the mountains.
There is no one in the stream, and it has begun to fall.
Niaomingjian
People are idle, osmanthus flowers fall, and the night is quiet and empty.
When the moon comes out, the birds are startled, and the sound enters the spring stream.
5. What are the poems about "scenery" and "countryside"?
In the four seasons, the countryside is full of excitement (Song Dynasty). Fan Chengda tills the fields during the day, and the children in the village mind their own business. Children and grandchildren did not work for farming and weaving, but also learned to grow melons in the shade of mulberry trees. Birds talk in the Tang Dynasty, osmanthus flowers are idle, and the night is quiet in spring. When the moon surprises birds, they sing in the spring stream. They passed by old friends Zhuang (Tang) and Meng Haoran, and prepared chicken and rice for me. Old friends, you entertained me on your farm. We watched the green trees around your village and the pale blue in remote mountainous areas. We opened your windows in the gardens and fields, holding our cups to talk about mulberry and hemp until the holidays in the mountains. However, I think I heard a voice, and the sun shone on me from the green moss. Qingpingle Village lives in Xin Qiji's place, with low eaves and green grass beside the stream. When you are drunk, Wu Yin is attractive, and when you are white-haired, who is old is knitting a chicken coop. You like kids and hooligans best, lying on the stream head peeling lotus flowers. Wang Wei's "Life in Autumn" is an empty mountain after the rain, standing in the pine forest under the moonlight on an autumn night. When you're here, oh, a friend's prince? . "A Tour of Shanxi Village" The farmhouse in Xiao Mo is full of wine, and there are enough chickens and dolphins to stay in good years. The mountains are heavy and the waters are suspicious, and there is no way out. The flute and drum are close to the Spring Club, and the clothes are simple and antique. From now on, if you ride leisurely on the moon, you will knock on the door all night with a cane. Landscape pastoral poetry is one of the ancient Chinese poems.
Xie Lingyun and Tao Yuanming, who originated in the Southern and Northern Dynasties, were represented by Wang Wei and Meng Haoran in the Tang Dynasty. This kind of poetry is good at describing natural scenery, pastoral scenery and comfortable seclusion.
Poetry and painting are meaningful and beautiful, the style is quiet and elegant, the language is beautiful and refined, and the line drawing technique is used. Poets such as Tao Yuanming formed the pastoral school in the Eastern Jin Dynasty, poets such as Xie Lingyun and Xie Tiao formed the landscape school in the Southern Dynasties, and poets such as Wang Wei and Meng Haoran formed the pastoral school in the prosperous Tang Dynasty.
The poet takes landscape and countryside as aesthetic objects, and throws delicate brushstrokes into quiet mountains and leisurely fields to create an idyllic life to express his dissatisfaction with reality and his yearning for a quiet and peaceful life. Tao Qian Xie Tao, the representative poet of The Poet's Editor, is an idyllic poet in the mountains. They are obviously influenced by metaphysics, but because of their different status and life path, metaphysics has different marks in their poems.
The mystery and interest in reason in Tao's poems are not only reflected in the fact that there are many insightful opinions full of life experience in his poems, but more importantly, the mystery permeates the pastoral picture of "having its truth" in his poems. Xie Shi's poems are mainly expressed by metaphysical thoughts such as "an empty jade is hard to name, the hook is easy to bend" and "it is better to be born in a wonderful period", but the metaphysical purpose is not fully integrated into his poems.
Although Tao poetry takes nature as the aesthetic object and advocates nature, it pursues the interest of the soul, not the external object itself. His poems are freehand brushwork, not imitation.
Tao Yuanming was originally an intelligent bird flying in the countryside. Affectionate freedom is his nature. Because of his frankness, he can't be a good official in a dirty world. Once out of the cage, he will return to nature and be happy.
Returning to the garden (5) and migrating (2) vividly outline a great poet who is detached, leisurely and adaptable. Through the morning mist and dusk, he came in wearing clothes, sandals and hoes.
Simple houses, ordinary villages, but the author came one by one with a very appreciative tone, willing to be indifferent, conservative and true. The poet's frank mind and outstanding integrity are like a roll of lotus, and the moon is white and clear.
His pastoral poems are the externalization of his personality spirit. Therefore, he gives priority to freehand brushwork, and only pursues the integration of a peaceful and leisurely state of mind and a simple physical environment, showing a natural state. Writing poetry, for him, is just a natural expression of "open and true" embrace.
Su Dongpo said, "Tao Yuanming's intention is not poetry, but poetry conveys his meaning." Yuan Hao asked, "Does this man write poems, directly on his chest?" If Xie Lingyun is Tao Yuanming who created the pastoral landscape, Xie Lingyun, who was contemporary and later with Tao, created the words of "Mo Shan Pan Shui" and "Diao Lu".
Xie Lingyun's landscape poems are skillful in using words, such as a craftsman who is good at scheduling language, often conveying the modality of landscape in one word. He has an extraordinary talent in refining poetry and understanding language, which even Li Bai admires. For example, "there is darkness in the forest and clouds gather at dusk."
(The graceful building on the stone wall returns to the lake) "Turbulence tends to be absolute, and the island is in the middle of the river." ("Climbing the Mountain to an Isolated Island") "White clouds hold secluded stones, which are green and beautiful."
(Ye Ning after Conception) "Spring grass grows in a long pond, and the willow garden becomes a songbird". ("Climbing the Pool Upstairs") "The Spring Festival Evening is green and the rock is high."
("Entering the Penghu Estuary") "The wild land is clean and the sky is high and autumn is bright." (First Visit to the County) describes the changes of mountain posture, water state, twilight and sunny day very exquisitely, and the exquisite and unique description reproduces an artistic realm of natural beauty.
From this point of view, Xie Lingyun is absolutely brilliant. He observes things in detail and has a good command of language. After editing the scenery of mountains and rivers by his skillful hands, he immediately made a colorful picture, which is unique in Wei Jinhan's poems, making later generations say that "Xie's poems are like new hibiscus, natural and lovely". Meng Haoran, a native of Lumenshan, Xiangyang, was one of the few poets who lived in cloth for a long time in feudal times.
Li Bai has a poem for Meng Haoran: "Master, I cheer you from my heart, and your reputation has risen to the sky." In the rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now whitehead.
Drunk moon, sage of dreams, bewitched by flowers, you turned a deaf ear to the emperor. Gaoshan, how I long to reach you, that's all. "
Meng Haoran is a real hermit. The ancient scholar "If you are rich, you will help the world, and if you are poor, you will be immune to it."
He chose the second way, gave up his desire, indulged in natural landscapes indifferently and quietly, and pursued the highest realm of poetry-natural beauty. His poems are close to Tao's, but they have their own style.
"Clouds dream and fog come, and Yueyang City is trapped" and "stormy as snow, you can't sit still" are rare. Representative poems are those that present a quiet, cold and steep artistic conception and are deeply imprinted with hermit feelings.
He wrote about the hermit's feelings: "On the North Peak among the white clouds, you found a quiet seclusion. Now, when I climb this mountain to see you, my heart flies with the geese.
……"。 His poem describes the joy of the Tian family: "Old friend, you prepared chicken and rice for me and entertained me on your farm.
The edge of the green forest, and the pale blue in the remote mountainous areas. Open the window facing the valley vegetable garden and pass the glass to talk about crops.
Please come here to see chrysanthemums when the ninth festival comes. "("Passing through the Old Village ") The quiet and cold artistic conception and natural and quiet interest can't hide the loneliness and loneliness inside.
Holding the examination paper in meditation, we seem to see a poet with a high heart walking alone on the mountain road, and the mountain wind is blowing his elegant gown. Wang's political poems and frontier poems were written by Wei, but neither of them can reflect him.
6. What poems describe "rural scenery"?
Few people do as the Romans do. Their nature is to love nature.
_ _ _ _ Tao Yuanming's "Return to the Garden Part I" said that there was a good year in the fragrance of rice flowers. Listen to the frogs.
_ _ _ _ Xin Qiji's "Night Walk on the Xijiang River on Huangsha Road", an egret flies in the quiet swamp, and mango trees sing in the trees in midsummer. _ _ _ _ Wang Wei's "Stay in Wangchuan Village after a Long Rain/Return to Wangchuan Village in Autumn" hoes and sweats at noon.
_ _ _ _ Li Shen's "Two Ancient Poems/Two Peasant Poems" is full of mountains and mountains, and it is raining in the sound of Zigui. _ _ _ _ Weng Juan's April in the Country Sunflowers in the green garden are basking in the sun.
_ _ _ _ Anonymous "Long Songs" Plum apricot fat, wheat gray, cauliflower thin. _ _ _ _ Fan Chengda's children and grandchildren did not solve the problem of farming and weaving, but also learned to grow melons by mulberry shade.
_ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village planted beans at the foot of Nanshan, and the grass was covered with bean sprouts. _ _ _ _ Tao Yuanming's "Return to the Garden Part III" came out from Qianmen Station to see Noda. The bright moon is in the sky and buckwheat is like snow.
_ _ _ _ Bai Juyi's "Village Night" is fruitful at night, and the children in the village are in charge. _ _ _ _ Fan Chengda's Miscellaneous Seven in Summer Village is long and narrow, and the evening dew is stained with my clothes.
_ _ _ _ Tao Yuanming's "Return to the Garden, the Third" is a ripe rice fragrance in the west, with long bamboo filaments on the hibiscus fence and green fruits. _ _ _ _ Fan Chengda's "Shajiang Village Road in Huanxi" has no idle fields in the four seas, and farmers still starve to death.
_ _ _ _ Li Shen's Two Ancient Poems/Two Poems for Farmers, Hoho, Fu Tian, cordially exchanged greetings. _ _ _ _ Wang Wei's "Weishui Farmhouse" opened up wasteland and returned to the garden in the south.
_ _ _ _ Tao Yuanming's "Returning to the Garden, Part I" is a rain curtain outside the pigeon, and several idle fields are separated by water to move the spring hoe. _ _ _ _ Zhang Yan's "Walking across the river and clouds for a long time, remembering the spring of West Shu and Hangzhou" was ridiculous in the morning and took the lotus home with the moon.
_ _ _ _ Tao Yuanming's "Returning to the Garden", Mei Ziqing, Huang and Cai Feimai are busy raising silkworms. _ _ _ _ The first summer mountain in Zhu Yunming's poem, seagulls hover under the sand and egrets fly on the river.
When people don't know the hardships of farmers, they call Tanaka Valley "South Crossing of Lizhou" in _ _ _ _. _ _ _ _ Yan's "Nongjiale" is like dancing without fields, not to mention yearning for the years in the fields.
_ _ _ _ Once upon a time, "Su Daozhi" set in the sunset, and cattle and sheep went home along the path. _ _ _ _ Wang Wei's "Weishui Farmhouse" Tianjia hedge has a small winding path.
Clouds and trees are open and clear. _ _ _ _ Zhou Bangyan's "Yu Meiren Shuli Amethyst Family Filial Piety", in the middle of the night, the tiger occupied Xiao Geng, and the cow could not walk any further.
_ _ _ _ Yan's "Nongjiale" Father plows the fields, son? This mountain is barren. _ _ _ _ Nie Zhongyi's "Tian Jia" cuckoo flies to persuade early ploughing and hoes to pounce on spring eyes.
_ _ _ _ Yao Nai's "The cuckoo flies in the mountains to persuade early ploughing" prepares chicken rice for me, old friend, you entertain me on your farm. _ _ _ _ Meng Haoran's Passing through an Old Friend's Village My fields and gardens were destroyed by war, and my own flesh and blood became the dregs of the street.
_ _ _ _ Bai Juyi's "Looking at the Moon", Noda's spring water is better than Kagami Akira's, and his figure is not surprised to cross the gull. _ _ _ _ Wang Zao's "It's sunny in the spring on the 10th", the water surrounds the bamboo fence, and the elm flowers are sparse.
_ _ _ _ Zhang Shunmin's "Village House, Water Around the Hedge" I passed a friend's farmhouse, and his children let out a cry from a thorn crack. _ _ _ _ Li Bai's "From the Lower Zhongnanshan to the Kind Pillow Bowl" has been studied by Confucian scholars for three winters, and thousands of couples have also cultivated from their elders.
_ _ _ _ Lu You's "Watching Children Play in the Village Stream" At the end of the year, the plough was hoed, and the tiger went up the mountain to pick acorns. _ _ _ _ Zhang Ji's "Wild Old Songs/Shan Nong Ci" After a light rain, people on both sides of the strait picked red beans at the bottom of the tree and raised their hands.
_ _ _ _ Ouyang Jiong's "Nanxiangzi Road into the South Middle School" is drizzling, flowers bloom new, and thunder begins. _ _ _ _ Wei's "Tian Jia Guan" is westerly in August and September, and autumn is yellow.
_ _ _ _ Huang Xieqing's "Tian Jia Qiu Tian Zafu" Tian Jia was idle for a few days, and farming began. _ _ _ _ Wei's "Guan Tian Jia" Sangzhe abandoned it and paid taxes. After the rural famine, he was still seeking seedlings.
_ _ _ _ Du Xunhe's Widow in the Mountain/World Bank is near Sanjing Road, and thousands of trees have been planted. _ _ _ _ Meng Haoran's "Pastoral Work" A thousand-layered stone tree walks on Wan Li Road, and the sound of running water in Shan Ye.
_ _ _ _ Yao Nai's "Mountain Walking, Azalea Flying, Persuading Early Tillage" Birds bite Noda grass and stray into withered mulberry. _ _ _ _ Li Bai's Grass on the Tree Although it was hot and windy in May, the eaves were screaming.
_ _ _ _ Wang Jian's "Tian Jia Xing" cuts far and wide with an axe, and the lotus hoes the spring pulse. _ _ _ _ Wang Wei's "Pastoral Work in Spring" Gaotian is like a ladder, and Pingtian is like chess.
_ _ _ _ Yang Shen's "Out of the Suburb" was harvested on the axis, and the knowledge was lost. _ _ _ _ Wang Jian's Tian Guxing wrote the sword very late, and it was dusk in Yuan Qiu.
_ _ _ _ Meng Haoran's "Pastoral Work" has been diligent and conservative for several months. _ _ _ _ Huang Xieqing's autumn Tian family poem: Spring is early on the lake, and Tian family is not idle.
_ _ _ _ Autumn is the title of Lushe, the father of farmers. When you see rice, it smells like particles. _ _ _ _ Huang Xieqing's Odes of Akita Family.