The quatrains are all nine pinyin versions;
This is a good example.
The diameter of poplar flowers is covered with white felt, and the lo
The quatrains are all nine pinyin versions;
This is a good example.
The diameter of poplar flowers is covered with white felt, and the lotus leaves in the stream are stacked with green money.
Sǔn and m ǔ mian.
No one has seen bamboo shoots, and the chicks on the beach sleep next to their mothers.
Translate quatrains into seven of the nine poems;
The poplars that fell on the road were covered with a layer of white felt, and the lotus leaves stuck on the stream were like folded green money.
The pheasant in bamboo shoots is hard to find, and the pheasant on the beach by the stream sleeps beside his mother.
Appreciation of quatrains, nine poems and seven poems;
Write about the scenery in early summer. The first two sentences describe the scenery, and the last two sentences describe the objects in the scenery. The scenery blends with each other and has its own charm. The poem shows a beautiful early summer landscape: flying poplars are scattered on the path, as if covered with a layer of white felt; And patches of green lotus leaves in the stream are dyed, like round green money piled on the water. The poet turned his eyes and suddenly found a young pheasant hiding beside the root of a bamboo shoot, which was really hard to see. On the beach, the chicks snuggled up to their mothers and fell asleep peacefully. "Tan Jing" in the first sentence describes the flowers scattered on the road, with refined words and full images. The words "dot" and "fold" in the second sentence vividly describe the state of lotus leaves in the stream, which makes the whole sentence come alive. In the last two sentences, Pu Yin Long said when reading Du Xinjie that it "has a slight pity for Xiao Ji". Judging from the whole poem, there may be some, but unfortunately the feeling is too deep. These four poems, one sentence and one scene, literally seem to be independent, one poem and one painting; Together, they form the natural landscape of the countryside in early summer. Careful observation and description reveal the author's lingering appreciation of the wonderful natural scenery in early summer when he strolls through the forest stream, and he feels lonely when he is quiet. These four sentences, such as couplets in the seven laws, are correct and can be carefully stitched back and forth and taken care of. The first two sentences describe Huayang and He Qing clearly, which implies the meaning of streams in the forest. The last two sentences describe pheasants and chickens, but they are all in the sand of the forest. Take care of the front and back, set off each other, and blend in the sloppy. This poem is exquisite and lifelike, its language is popular and vivid, its artistic conception is fresh and meaningful, and it is full of profound and simple life interest.
Du Fu's middle-aged poems are called "the history of poetry" because of his gloomy poetic style and feelings of worrying about the country and the people. His poems are good at antique and rhythmic poems, and have various styles. He accurately summed up his work style with the words "depressed and frustrated", mainly focusing on depression. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty. Most of his poems involve social unrest, political darkness and people's sufferings. His poems reflected the social contradictions and people's sufferings at that time. His poems recorded the historical changes of the Tang Dynasty from prosperity to decline, and expressed the lofty Confucian spirit of benevolence and strong sense of hardship, so they were called "the history of poetry". Du Fu is concerned about the country and the people, with noble personality and exquisite poetic skills. Du Fu wrote more than 1500 poems in his life, many of which are famous works that have been celebrated through the ages, such as Three Officials and Three Farewells. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems handed down from generation to generation are the most extensive in the Tang Dynasty, and he is one of the most outstanding poets in the Tang Dynasty, which has a far-reaching influence on later generations. Du Fu's works are known as the scars of the world and the sages in poetry. The people are in poverty, and the bottom of the pen is turbulent. It is a masterpiece of realistic poetry.
Rhyme plays an extremely important role in Du Fu's poems. The achievement of Du Fu's metrical poems lies in expanding the scope of expression of metrical poems. He not only writes about entertainment, nostalgia, travel, feasts and landscapes with Chang Song poems, but also writes about current events with Chang Song poems. It is difficult to write current affairs with metrical poems, but Du Fu can use them freely. Du Fu writes metrical poems freely, changes as much as he can, conforms to the law without seeing the shackles of metrical poems, and is in neat opposition without seeing the traces of antithesis. For example, there is such a poem in Yang Lun's Ascending the Mountain, which is called "The Seven-character Law of Du Ji": "There is a flurry in the sky, apes crow and birds crow, blue lakes and white sands, and birds crow at home. The endless trees are rustling leaves, and the Yangtze River is rolling unpredictably. Li in the sad autumn scenery, a wanderer all the year round, lives alone on the high platform in today's illness. Bad luck has a bitter frost on my temples, and heartache and fatigue are a thick layer of dust in my wine. " The whole poem is also very precise and elegant in tonal sentence patterns. Eight sentences are all right, so is the first sentence. Strict antithesis is concealed by the fluency of the image, and strictness becomes sparse.