It means that flowers and plants do not express gratitude for the caress of the spring breeze, and fallen leaves do not complain about the withering of the autumn wind. It means that the prosperity and decline of grass and trees, the rise and decline of all things, are all manifestations of natural laws. They prosper and fall naturally. There is no need to thank anyone for their prosperity, and no need to resent anyone for their decline, because there is no supernatural "god" at all. "It governs the changes of the four seasons.
The two sentences "Cao Bu" and "Mu Bu", using two words "No" in succession, strengthen the affirmative tone and appear decisive and powerful. The question "who wields the whip to drive away the four fortunes" further enhances the momentum.
The original poem is as follows
The sun goes out/the sun goes in and out
Tang Dynasty: Li Bai
The sun rises in the east, as if it comes from the ground .
Li Tian has entered the West Sea again. Is the place where the six dragons are safe?
The beginning and the end are eternal. People are not vital, can they linger with them for a long time?
The grass does not thank and thrives in the spring breeze, and the trees do not complain and fall in the autumn.
Who wields the whip to drive away the four fortunes? All things rise and fall naturally.
Xihe! Xihe! Are you drowning in the wave of debauchery?
What virtue is there in Luyang? Standing in the scene and waving arms?
Going against the will and nature, there are many false accusations.
I will cover a lot of them, Haoran and Mingju are in the same class!
Translation
The sun rises from the east, as if coming from the ground. Year after year, day after day, it passes through the sky and sinks into the Western Sea.
This has always been the case since ancient times. If people are not vital, how can they last forever like the sun? The flowers and plants do not express gratitude for the caress of the spring breeze, and the fallen leaves do not complain about the withering of the autumn wind.
Where is there anyone who is waving a whip to drive the four seasons? In fact, the rise and fall of all things is determined by nature. Xihe, Xihe, who asked you to carry the sun into the sea? What kind of virtue does Lu Yang have that allows him to station his troops in Japan? These legends are contrary to nature and are absolutely ridiculous! I will become one with heaven and earth, and aura and vitality will become one. Extended information
Creative background
There is a chapter "Sunrise and Entry" in the Yuefu of the Han Dynasty. It chants that the sun comes in and out infinitely, but human life is limited, so he imagines riding on six dragons and becoming an immortal. God. This poem by Li Bai goes against its meaning. This poem is not reasoning out of thin air, but is inspired by reality.
This poem reflects the ancient meaning of Han Yuefu and believes that people cannot "go against the will and nature" but must adapt to the laws of nature. It shows a simple materialistic thought and fully demonstrates the poet's positive romance. spirit of doctrine.
The whole poem combines narration, lyricism and reasoning. It makes sense in emotion and embodies emotion in reason. It seems very comfortable and appropriate, and the emotion and reason fit together seamlessly. The poem adopts a miscellaneous sentence pattern, which is eclectic. , flexible and free, asking or answering, ups and downs, expressing profound philosophy, argumentative and persuasive.
Zhou Jue of the Ming Dynasty wrote in "Selected Poems of the Tang Dynasty Pulse Huitong Pinglin": It is exquisite and mysterious, going out of the sky and into the abyss. He also said: Arguments must be used, but they are followed by wandering, and the meaning of Quzi's "Heavenly Questions" has been dreamed of by people for more than a thousand years.
Wang Qi of the Qing Dynasty annotated "The Complete Works of Li Taibai": Hu Zhenheng said: Han Dynasty's "Song of Suburban Sacrifice: Sunrise and Ingress" says that the sun comes and goes endlessly, and human life is short. I wish to ride on the six dragons and ascend to heaven. Taibai went against his will and said that people's safety is as good as the sun and the moon. It should not go against heaven and make false accusations. You should rest assured and be natural, which is the same as Mingtong.
Poems of the Tang and Song Dynasties compiled by Emperor Gaozong of the Qing Dynasty: Poetry seems to be inspired by those who seek immortality, so it is said before that "when people are full of vitality, they can linger with them for a long time", and later it is said that "Lu Yang wields his sword and corrects himself." "There are many false accusations", and the knot is "the same subject as Mingju". It is better to obey the fate than to say anything. If it is said that when writing, it is wonderful that things come into being, it is a philosophical language. It's also boring. Looking at this, I know that Bai's xuexiangai has some support.
Japanese Kondo Gensui's "Li Taibai's Poetry": Yan Yun: I don't believe in Shi Dian Xumi's theory, but I say it is suspicious. The strange words are scattered and the sentences are strange and unimaginable (the fourth sentence of "The grass does not thank you for the glory"). Yan Yun: Cross-examination is rarely good (bottom of the sixth sentence of "Xihe"). A knot is so superb that it cannot be explained without being too free.
Key points for reciting
When reciting this poem, you should pay attention to the grasp of rhyme and characters. ***The rhymes are changed three times, and three levels of development are analyzed. It is necessary to pay attention to the changes in the relationship between the author's emotions and rhymes.
Chapter 1 (first six sentences), "Eastern Kuma, coming from the ground, peaceful, lingering for a long time...", Ye Shangping has ten gray rhymes, and the gray rhyme originates from the ancient words "zhi" and "wei". The rhyme part has a medium opening, or decreases from medium to small, and has the feeling of being pushed from back to front and flat, so it often means "suppressed, pushed, broad". When reciting, it should be slow and flexible, slow and urgent, and the tone must be powerful.
Chapter 2 (four sentences in the middle), "Autumn, nature..." Ye Xiaping's first rhyme is derived from the three rhymes of "Yuan, Zhen, and Wen" in ancient times, most of which are spoken. The degree changes from small to large and then small again, ending in the front nasal sound. The feeling of change highlights the openness of the middle vowel. Therefore, its characters often mean "stretch, reach far, and finally close".
The third chapter (the last eight sentences), "Xihe, Zhibo, Huige, Shiduo, Tongke..." is the rhyme of Ye Xiaping's five songs. The ancient song part of the song has a wide-open vowel sound, which has a sense of retraction. Therefore, its characters often mean "stretch, burden, or depression". Therefore, when chanting, the voice should have a sense of recovery after stretching, the pitch should be slightly lowered, and the voice should be collected steadily. Especially where there are "many" parts, pay attention to recycling, otherwise you won't be able to sing later.
The last two sentences are full of heroic spirit and reflect the poet's ideological realm of integrating with nature.
"I will capture the big chunk" is high-pitched, powerful and passionate. You can use your own extreme pitch to stretch to your heart's content. The last sentence gradually stabilized in the majestic atmosphere.