From a macro perspective, the prosperity of China's poetry has undergone two major changes, one from the early primitive poetry to the period of The Book of Songs. Due to the constraints of the conditions at that time, the original poem was rough, simple and lack of discipline. By the time of The Book of Songs, the prosodic elements such as rhyme feet and rhythm had made a great leap, the rules of rhyming even sentences were basically established, and more complex and exquisite rhymes such as double-span and rhyme were successfully used, so that poems or stanzas tended to be neat. The second time was from the Qin, Han and Six Dynasties to the Tang, Song and Yuan Dynasties. As Shen Yue and others put forward the theory of temperament in the Six Dynasties, and quickly applied these important research achievements in language to poetry creation, parallelism became the constituent element of China's poetry rhythm, which greatly improved the rhythm system of China's poetry and made the rhythm of China's poetry reach an unprecedented level in the Tang Dynasty-the most exquisite and strict.
Mr. Wang Li believes that the rhyme of The Book of Songs is based on spoken language and can be divided into about 30 parts. The rhyme of Tang Dynasty was based on the rhyme book of Sui Dynasty, but on the basis of 206 rhymes of Sui Dynasty, it was reduced to 1 12 rhyme in actual use, and was adjusted to 108 rhyme in Song Dynasty, which was not much different from the rhyme of 1 12 actually used in Tang Dynasty. By the end of the Yuan Dynasty, the rhyme department followed the Song Dynasty and fell to 106, with no significant change.
19 17 vernacular poetry was born. At first, although it opposed the bondage of old rhyme, it emphasized the stylistic value of rhyme. In The Future of Poetry, Wu Zhou said: "As for rhyme, it is also his unique element, but it has evolved and improved and has not been fundamentally removed." As the pioneer of new poetry, Hu Shi pointed out: "Modern people often write poems without syllables." Mr. Shen said that syllables are indispensable in writing vernacular poems, and what he said was absolutely right. The 28th sentence of Guo Moruo's early exquisite rhyme "Bottle" enters the rhyme: "I look from the south window,/the setting sun is shining in the west,/it is the hometown of Bai Yutang,/there are golden stars wandering there. //Night breeze, you are so cool./Soon you will blow to the edge of the West Lake./If you meet my girl,/Please tell me that you are safe.
Hu Shi first tried to write poems in vernacular, that is, he tried to "use vernacular as verse" instead of non-verse. The development of new poetry at the beginning of its establishment did not deviate from the requirements of style, which was probably one of the reasons why new poetry was widely welcomed at that time. Therefore, with the use of vernacular language, especially the new spirit of the 20th century, it is easier to enter China's poetry, while China's poetry has obviously flourished in the early 20th century. Since then, the style and language have not changed, but there is a more prosaic tendency in form, and phonology is constantly being abandoned. As a result, poetry gradually lost its distinctive features as a style and became indifferent. From the end of 1970s to the beginning of 1980s, misty poetry and returnee poetry were reversed in both connotation and form, and the rhythm was restored, and poetry flourished accordingly. From the late 1980s to the present, especially in the 1990s, the trend of abolishing rhyme prevailed and poetry was at a low ebb.
At the beginning of 2000, vincent fang, a famous poet in Taiwan Province Province, was the first to carry the standard of "flat" and put forward the concept of "flat", which was defined as a pure Chinese face without using cosmetics such as punctuation marks, foreign characters, Arabic numerals and images. In fact, as early as the early 1930s, the famous poet Cang Kejia had already created similar rhyming poems. However, because there was no substantial influence in the early poetry era, it will not be shown for the time being. However, A Dream of Red Mansions also has some shortcomings (unfinished). Plain rhyming poems are always in the primary stage and are not perfect. Its illusory and hazy characteristics doomed it to need further purification and consolidation. Since then, the concept of rhyming poetry, represented by the online writer Elvis Presley, has risen, which has pushed the rhyming prose of Pingcuo to the peak of rhyming poetry creation and laid the embryonic form of China's rhyming poetry. Since then, rhyming poems have developed from the rhyming intervals or rhymes of flat tones to a new era of full rhyming. It can be said that Fang Zhouzi was the founder of China's metrical poems, the reconstructor who promoted the perfection of metrical poems, contributed to the climax and maturity of metrical poems, and finally formed two creative forms of metrical poems: full metrical poems and flat metrical poems.
However, as a new type of poetry initiated in the 2nd/kloc-0th century, rhyme poetry is still on the road, simple rhyme poetry needs to be improved, and full rhyme poetry needs to be further deepened. Rhyme poetry is beginning to "the Spring and Autumn Period and the Warring States Period, and princes strive for hegemony". Just like unfinished business in the world, everything is waiting to be completed. The most beautiful painting, the greatest script and the most beautiful poem have not yet been written. Friends, work hard. Your task is to become the next Einstein in the field of poetry.