He is honest, frank and quick-witted. His works are passionate and magnificent, including Cui Haoji.
Chinese Name: Nationality: China Tang Dynasty Nationality: Native place of Han nationality: Bianzhou (now Kaifeng City, Henan Province) Date of birth: Date of death in 704: Occupation in 754: poet, commander in chief Yuan Wailang's main achievements: creating the beauty of youth, strength and health. The Complete Poem of Tang Dynasty contains 42 representative works: ". Tang Xuanzong was a scholar in the 11th year of Kaiyuan (AD 723). Wen Yuan Biography of Old Tang Dynasty mentioned him together with Wang Changling, Gao Shi and Meng Haoran, but his official career was ups and downs and ended in failure. Cui Hao is honest and quick-thinking, and his works are passionate, bold and magnificent, including Cui Haoji. Tianbao is a member of the foreign ministers of Shangshu Sixun. Teenagers are poems, colorful and frivolous; The festival at night suddenly became normal and windy. At first glance, the fortress wall looks like a grand journey, and strange creations often drive rivers and abalones together. After swimming in Wuchang, I boarded the Yellow Crane Tower and wrote poems with emotion. Li Bai came and said, "There is a scene in front of me, and Cui Hao wrote a poem on it." Do nothing, gather hands for philosophers. And those who are slightly inferior, eager to learn, addicted to alcohol, marry and choose beauty, will be disgusted if they are slightly dissatisfied, and it is easy to be inseparable. Li Yong heard his name and invited him. Li Zhi presented a poem, the first chapter of which said, "Marry Wang Chang at the age of fifteen." Forever scold: "Children are rude! Do not connect. When the illness cleared up, my friend said, "It's not a child's illness, but a bitter poem and a thin ear!" "Therefore, this is a solid excuse. Tianbao died in the thirteenth year. There is a volume of poetry, and this trip. (Xin's Biography of Talented Talents in Yuan and Tang Dynasties, Volume 1) His poems are famous all over the world, but his deeds are rarely circulated, and there are only 40 existing poems. Cui Hao was an official of Taibu Temple, and Tianbao was a foreign minister of Sixun. Legend has it that Li Bai traveled around the world in his prime, leaving poems everywhere. When he and Du Fu boarded the Yellow Crane Tower, they were fascinated by the beautiful scenery upstairs and downstairs. When they wanted to write a poem as a souvenir, they suddenly looked up and saw the Yellow Crane Tower in Cui Hao: a long time ago, a yellow crane carried a saint to heaven, and now there is nothing left but the Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves. The meaning of this poem is: all the immortals in the past flew away with the Yellow Crane, leaving only an empty Yellow Crane Tower here; The yellow crane never revisited earth, I saw a thousand years of white clouds; Hanyang trees are clearly visible in the sun, and Nautilus Island is covered with green grass. It is getting late. Looking into the distance, where is my hometown? In front of me, I saw a mist hanging over the river, which brought people deep sorrow. The Yellow Crane Tower is named after its Yellow Crane Mountain (also known as Snake Mountain) in Wuchang. Legend has it that in ancient times there was a fairy who crossed here by yellow crane (see Zhi); It is also said that Fei went to the immortal to drive a crane (see "Taiping Universe", quoted from "Tu Jing"). Poetry is to think about the origin of the name of a building, from legend to writing, and then grow out. What is the fairy crossing the crane? What is it now? If it is said to be "gone forever", there will be regrets that the years are gone and the ancients are gone; The fairy went to the empty building, leaving only the white clouds in the sky, which lasted for thousands of years and could show the boundless generosity of the world. The poet's strokes describe the feelings that people who boarded the Yellow Crane Tower at that time often felt, with boundless spirit and sincere feelings. There used to be a saying that "writing is based on qi". The first four sentences of this poem seem to be spoken casually, spinning in one breath and going down the trend without hindrance. The word "Yellow Crane" appears repeatedly, but because of its momentum, readers "wave five strings to see Hong Fei" and read on in a hurry, which is a taboo in metrical poems. The poet seems to have forgotten that he wrote the seven laws of "floating before cutting", and every word has a fixed tone. Try it: the five or six words in the first couplet are the same as "Yellow Crane"; The third sentence is almost all snoring; The fourth sentence ends with a three-level tone such as "empty leisurely"; No matter any confrontation, it is based on the syntax of ancient poetry. Is this because the seven laws were not finalized at that time? No, there are already seven standardized laws, which were written by Cui Hao himself. Is it the poet who deliberately writes disharmonious laws? Not necessarily. He is different from Du Fu's later metrical poems in that he deliberately created his own tune. It seems that I still ignored it. For example, when Lin Daiyu taught people to write poems in A Dream of Red Mansions, she said, "There are strange sentences that are not even true or false." Here, Cui Hao practiced according to the principles of "focusing on intention" and "not hurting meaning with words", which is why he wrote such a rare poem in the Seven Laws. Shen Deqian commented on this poem, thinking that "the meaning is like the first, the implication is between the lines, and he writes with a vertical pen, so he is good at making great achievements through the ages" (Volume XIII of Tang Poetry), which means this. In the first half of this poem, the Yellow Crane Tower changed its style with scattered sounds, and in the second half, it turned to the reform of arrangement. It is actually about what you see and feel in the building, and it is about the grass and trees overlooking Hanyang City and Nautilus Island from upstairs and the homesickness caused by it. This is put first and then collected. If you just let nature take its course, don't accept it, don't stick to the rules, and don't return to the meter, then it's not seven tones, but seven ancient ones. This poem seems to be divided into two parts. In fact, the text is the focus from beginning to end, with only one breath in the middle. This seemingly continuous connection is also the most organized from the perspective of the beginning, inheritance, transformation and combination of rhythmic poetry. When discussing that the second couplet of legal poetry should be attached to the first couplet, Yuan Yang, a poet and legalist, said, "This couplet should be broken (the first couplet), and it should be like a dragon ball, and it should be held tightly. "This is the case with the first four sentences of this poem, which describe the legend of a fairy riding a crane. The couplets and crossword puzzles embrace each other and are integrated. Yang Zai also said the "turn" of the neck couplet: "Avoid the meaning of the former couplet, and change it, like thunder breaking the mountain, the viewer is amazed. The metaphor of "thunder" is intended to show that there should be a sudden change in the first five or six sentences, which is unexpected. At the turning point of this poem, the style turns from right to right, and the realm is completely different from that of the former couplet, which just meets this requirement of the law. The sudden death of a native Syrian yellow crane gives people a feeling of unknowability. Suddenly it became a grass tree in Qingchuan, and I can vividly see the scene in front of Manchuria. This contrast can not only dye away the sadness of those who climb the building and overlook, but also make the literature change. It is also in line with the law of poetry to let poetry return to the invisible state at the beginning to cope with the "combination" in front, such as the tail of a leopard. It is precisely because of its superb art and great success that this poem is regarded as the swan song of the Yellow Crane Tower, which is understandable. Kou Heng's works &; Later, when Li Bai went upstairs, he was also full of poetry. When he found Cui's poem in the building, he even called it "wonderful, wonderful!" According to legend, Li Bai wrote four doggerel poems to express his feelings: "Hit the Yellow Crane Tower with one punch and kick over the parrot island with one foot. There is a scene in front of him, on which Cui Hao wrote a poem. "I stopped writing. Young Ding laughed at Li Bai: "The Yellow Crane Tower is still intact, but it can't be beaten." Li Bai also explained in a poem: "It's really a disaster. It was only because yellow Crane Immortal cried to the Jade Emperor that the Yellow Crane Tower was rebuilt, and yellow Crane Immortal returned upstairs. "It's really serious. That's great. Later generations built a pavilion on the east side of the Yellow Crane Tower, named Li Bai's Writing Pavilion, to show his ambition. On the double eaves, it re-entered the Tao and became a place for Yan You. In fact, Li Bai's love for the Yellow Crane Tower is hard to find. He is passionate and even called it "one guest in Qingyun, three guests in Yellow Crane Tower". Mountains and rivers depend on humanities, and the name of Yellow Crane Tower is more prominent. Later, when Li Bai boarded the Phoenix Terrace behind the Yellow Crane Tower in Nanjing, he also wrote: The phoenixes who used to play here named this place after them, and now they have abandoned it to this desolate river. Martial arts flowers were laid on deserted paths, and the number of relatives and friends in the Jin Dynasty has become a famine. The mountains are shrouded in clouds, such as blue sky, and the river is divided into two. There is always a traitor in power, like covering the sky, and Chang' an is depressed when he can't see it. The anecdote of "words without deeds" tells that the Yellow Crane Tower in Cui Hao is famous all over the world. With this poem, Cui Jieben can be a household name, but why, as mentioned at the beginning of this article, there are not many descriptions of him in previous dynasties? Some materials even have doubts about his date of birth, written as (704? -754). I checked the old version of Ci Yuan, and the notes about Cui Hao, except Li Bai's "There is a scene in front of me", are only "Tang poets have words but no lines". In the end, Mr. Si Xun was a foreign minister ... "Sentence. Why is there no line? There is no record. Cui Hao's life is full of ups and downs. He only confuses a Taipu Temple Cheng with a humble official Si Xun, which makes people want to know more. Later, I finally found some sayings from some ancient books: on the one hand, Cui Hao's early poems "wrote too much boudoir feelings and became superficial", on the other hand, he said that "those who choose beauty marry, Russia abandons them and marries every four or five times". It's not good to write poems for nothing, or even bad. But we should not only look at his early works, but also look at his development and whether he has changed in the later period. As for those who choose beauty for their wives, it should not be regarded as evil. Everyone has a love of beauty, who doesn't? What about "Russia abandoned it again", which can be called the embodiment of its evil traces. Although many people defend it, it can be combined with context. If you are not beautiful, don't marry. If you marry, you will abandon it. It was really the devil who abandoned it! But Cui Hao's evil deeds and his articles and poems are two different things, and we can't deny everything about him. In my opinion, the main reason for his bad impression may be that Cui Hao's "arrogance, indulgence and discrimination against women in his youth" harmed him. According to legend, Li Yong (Tang Beihai) was a satrap, so he was called Li Beihai. I have heard the name of Cui Hao's poem, but I invited it, and I presented a poem. The first chapter says "Marry Wang Chang on 15th", and I say "My child is rude and refuses to accept it. "Let's see how Cui Hao wrote this dedication!" The Wangs * * * "(some people write" ancient meaning ") is as follows:" I married Wang Chang on the 15th, and Yingying entered the painting hall. I am proud of my youth, and I rely on my husband A Lang. Love the green of Qianxi and sing Reiko Long Night. Playing a hundred herbs when you have time can't make up for it. "Is such a poem about boudoir music, angered founder Li Yong, refused to accept it. This really makes people feel sorry for Cui Hao's lack of loyal humanity. It is precisely because of the lack of recommendation from powerful people that Cui Hao had to stay away from the capital Chang 'an and wander the rivers and lakes after winning the Jinshi. In 20 years, he traveled all over the country, from Huaichu to Wuchang, Hedong and finally to Northeast China. It is estimated that in the past 20 years, he released foreign officials, or followed them as aides, and finally returned to Chang 'an as a Beijing official, ending the dusty suffering. However, Cui Hao's 20-year roaming, especially his trip to the northeast frontier, is still romantic, humiliating and disloyal, but it can also be said to be a good thing. Since then, his poetic style has changed greatly and become bold. His frontier poems praised the bravery of the soldiers guarding the frontier and expressed their lofty desire to serve the country and go to disaster. They are full of enthusiasm, awe-inspiring and impressive. Give an example of "Ancient Rangers appeared in front of military generals": "Young people are timid and dare to regain knowledge. When you go out with a sword, the lonely city meets the encirclement. Kill people, lead horses to fish and return to the sun on the Liaohe River. Loose gold chain mail, velvet mink clothing. Going back to China to hunt, the bow and arrow are as fast as flying. The grass is deep and the fox is fat. Two locks at the waist turned into brilliance. Gu said, why not build prestige in today's war? "Another example is" Liaoxi Zuo ":Yanjiao is late, and the residual snow freezes the border town. In April, the grass is green and Liaoyang is born in spring. Hu people were horse herders, and the Han Dynasty recruited soldiers every day. The heavy nod is wet, the sand is empty, and the golden drum is ringing. The cold clothes are gone, who will be the spring clothes? Send a message to Ambassador Luoyang in order to spread the border feelings. Yin Zan, editor of The Legend of Heroes Crossing the River, said, "It is awe-inspiring to suddenly become a normal person at night. When he caught a glimpse of the wall, he said that he would try his best to travel. "However, some people still only look at his early works and judge his writing style by combining his life's evil deeds, which is really inappropriate. Not all boudoir poems are flashy 1. According to the contents of 42 poems handed down from generation to generation, Cui Hao's poems can be roughly divided into three categories: poems describing women, frontier poems and landscape poems, and poems giving answers. There are 15 poems describing women handed down from ancient times, which is probably one of the reasons why he is "ignorant and frivolous". However, all his poems are not necessarily "flashy". Take the poem "The Wangs * * *" written by Cui Hao to Li Yong as an example. The last sentence "live without make-up" just shows that these women are full of resentment and helplessness, even though they have no worries about food and clothing and compete for beauty. Especially in his "Meet", the phrase "My younger brother is the new favorite, and all my brothers are close to Hou" indicates that Yang Guifei and her subordinate brother Yang are alluded to. When the imperial concubine was in favor, Yang stole the handle and played politics. He was a very important figure. Most people dared to be angry and dare not speak, and dared to point it out. They wrote "Today's life is arrogant, but Lu Ji is subtle" (see Lu Ji pian) and "Mo Yan is hot, but the fire will soon go out" (see Chang 'an Road). If we don't confine ourselves to the preaching of the ancients and look at Cui Hao comprehensively, we should say that most of Cui Hao's poems about women are healthy and artistic. Although he wrote several poems reflecting the life of lower-class women, his "Women on the River" describes the life of boatmen and women: "Women on the river wear fresh makeup in the evening, and when the sun sets, flowers come home from the boat. At dusk, the wind turns tight, saying that this is going to cross the pond, and there is no companion at night in Qinghe, and it is lonely to walk alone." I still wrote the thoughts and feelings of the boatwoman. The style is fresh, lively and natural, which makes people feel very cordial. 2. In Cui Hao's early poems, most of them reflected women's feelings; Later, I went to the frontier fortress, and the frontier fortress poems I wrote were generous and heroic, and my poetic style became bold and unrestrained. But Cui Hao's most famous poem is the Yellow Crane Tower. According to legend, this poem touched the great poet Li Bai. In the Song Dynasty, the Chronicle of Tang Poetry in Jigong made a bet on the poem Yellow Crane Tower, saying, "The legend in the world is too white:' There is no road in front of you, and Cui Hao inscribed a poem on it.' He wrote the poem Phoenix Terrace to compare the ending. Yuan Fang's Biography of Tang Caizi also recorded Li's Yellow Crane Tower, because he saw the poem, which is "Doing nothing, gathering hands to be philosophers". Of course, this legend is not necessarily true. Ji Yougong expressed his doubts behind the note. However, Li Bai's poem "On Nanjing Going to the Phoenix Tower" is indeed similar to Cui Zuo in writing. As for his poem "Nautilus Island": "Parrots have been to Wujiang River, and Jiangshangzhou passed on the name of parrots. Parrot flies west to Longshan, he is green, the tree of Zhou Fang! Spring breeze and warm clouds bring the fragrance of orchids, and peach blossoms fall into the river to form layers of brocade waves. At this time, the relocation of guests is extremely eye-catching. Who belongs to Cheung Chau alone? " Then not only the first four sentences are similar to Cui Shi's poems in format, but also the style of the whole poem is forced to be very simple. The first volume of Ying Lu Kui Sui, written by Fang Hui in Song and Yuan Dynasties, pointed out: "Taibai's poem is a poem with great influence. It was processed in May and June, and the ending sentence contains a sigh, so it is still not very restrained." Therefore, this poem has always been highly respected. Yan Yu's Cang Lang Shi Hua in the Southern Song Dynasty holds that "Cui Hao's Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." It was not until Sun Zhu's Three Hundred Tang Poems in Qing Dynasty that Cui Hao's Yellow Crane Tower was placed in the first poem of "Seven-character Rhyme". He never retired to Cui Hao, Bianzhou, and lived in Kaifeng, Henan as a teenager. There are many theories about the time when he left his hometown in Henan to engage in scientific research in Chang 'an. Chen Sunzhen in Song Dynasty wrote in Volume 19 of "The Problem of Jiezhizhai in Shu Lu" that "Tang Sixun, Foreign Minister, was a scholar in the 10th year of Kaiyuan". Yuan Xinwen's Biography of Talented Scholars in Tang Dynasty said that he was a scholar in the 11th year of Kaiyuan. Cui Hao's Ten-year Poetry of Zheng De notes that Yao Chongsheng was a scholar in the 12th year of Kaiyuan. No matter which statement is correct, Cui Hao was only 18 ~ 20 years old when he entered Jinshi. (According to Mr. Wen Yiduo's Series of Tang Poems, he thinks that Jinshi is very young around the age of 20, and 18 is a little young, so Mr. Wen Yiduo said that Cui Hao's birth date can be pushed back to around 700 AD. This is the beginning of this article. Cui Hao was born in 704? Reason. ) That is to say, Cui Hao left his hometown Bianzhou to take an exam in Chang 'an at the latest at the age of 20, then wandered for 20 years, and then went to Xi 'an, Kyoto to be an official. In my hometown Kaifeng, except adolescence, the time is very short. Among his poems, there is only one about his return to his hometown, "Entering Bianshui Late": "Last night, I went to Chu in the south, and now I go to Jiang in the north. How long can guests worry? There are fewer and fewer rural roads. Sunny scenery shakes Tianjin trees, and spring breeze sings Acura. Changhuai is exhausted, so it is better to fear the tide. " (The first sentence in the poem refers to Chuzhou. During the Tang Dynasty, Chuzhou was ruled by Yang Shan, which is now Huai 'an County, Jiangsu Province. Therefore, when Huai 'an returned to Kaifeng, there was a saying of returning to Bianshui. ) From the perspective of poetry, Cui Hao still misses his hometown and has the intention of returning to his hometown to support the elderly and retire. But because he was eager for fame, he returned to Chang 'an, died in the 13th year of Tang Tianbao (754), and never returned to his hometown. This may be the main reason why Cui Hao's story has not been widely circulated in Kaifeng. However, as Kaifeng people, we should have a comprehensive, correct and appropriate understanding of Cui Hao today, and should not deny his achievements because of his low personality. History should be correctly evaluated. Appreciation of works Cui Hao is famous for his talent and fame. He likes drinking and gambling, and his erotic stories with women are often ignored by time. The early years were poetry, and the mood was erratic. Later, I visited the mountains and rivers, experienced the frontier fortress, broadened my spiritual vision, and became vigorous and natural in style. The poem Yellow Crane Tower is said to have been written by Li Bai, who once praised "Cui Hao wrote a poem on it". Yellow Crane Tower A long time ago, a yellow crane carried a saint to heaven. Now there is nothing left but the Yellow Crane Tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked at my hometown, and the twilight was getting thicker, and the mist of sadness was filled on the river waves. This poem is written with an open artistic conception, great verve, picturesque scenery and sincere feelings. And simple and vivid, just like spoken English, can't help but be amazing. This poem is not only Cui Hao's masterpiece and handed down from generation to generation, but also established his title as a poet. "Three Hundred Poems of Tang Poetry" is an anthology of the essence of Tang poetry by later generations, so Cui Hao's poem is listed as the first of the seven laws, which shows that the world attaches importance to this poem. In the Yuan Dynasty, the new biography of talented people in Tang Dynasty recorded that Li Bai boarded the Yellow Crane Tower to write poems. Seeing Cui Hao's works, he closed his hand and said, "There is no road ahead, and Cui Hao wrote a poem on it." Some people say that this is not necessarily because it was attached by later generations. But I don't think it's all fake. I have two poems written by Li Bai about the Yellow Crane Tower. One is "Yellow Crane Tower Farewell to Meng Haoran on the way to Yangzhou": "An old friend said goodbye to the West Yellow Crane Tower, and fireworks went down to Yangzhou in March. Lonely sails are far away from the sky. I only saw the Yangtze River flowing in the sky. " The other is "Listening to the Yellow Crane Tower Flute with Shilang Zhong Qin": "One is to move a guest to Changsha and look at Chang 'an in the west without seeing home. The Jade Emperor blows the Yellow Crane Tower, and plum blossoms fall into Jiangcheng in May. " Although they are all related to the Yellow Crane Tower, they are all entrusted with other purposes, not entirely to describe the scenery. At the same time, the first four sentences of his Nautilus Island, "The parrot crossed the Wujiang River eastward, and the name of the parrot spread in Jiangshangzhou. Parrots fly to Longshan in the west, and the trees are similar to Cui Shifa. The same is true of his Poems of Going to Nanjing and Climbing the Phoenix Terrace, all of which have obvious traces of imitating Cui Shi's style. Therefore, it is not Li Bai's words to admit that Cui's poems are excellent, such as "there is no scenery in front of me, and poetry is on it". "Cang Hua" (Yan Yu) said: "The Yellow Crane Tower should be the first of seven-character poems in the Tang Dynasty." Although controversial, for example, Hu Yinglin called Du Fu's ascent the highest of the seven laws in ancient and modern times, it is indeed a pertinent word representing everyone's opinions. In this way, the Yellow Crane Tower in Cui Hao is even more famous. Note: Qingchuan refers to the Han River that shines during the day. Sichuan, plain. Hanyang: Hanyang District, Wuhan City, Hubei Province, located at the angle between the Yangtze River and Hanshui River, facing the Yellow Crane Tower in Wuchang across the river. Vivid: vivid appearance. Parrot Island: Located on the Yangtze River in Erli, southeast of Hanyang, it is gradually washed away by the river. At the end of the Eastern Han Dynasty, Huang Zu killed Miheng and was buried in the mainland. Mi Fei once wrote "Parrot Fu", which was later called Parrot Island. Xiangguan: hometown. A brief analysis of attracting readers into the past and returning to reality with rich imagination. All kinds of feelings and natural scenery blend together, and no one can but feel its sadness and desolation. This poem has always been highly praised by people and is listed as the first of the seven laws in the Tang Dynasty. Give a gift to the master, Southeast Xiu and Shi's son. I have had my hair cut for twelve years and have been chanting in Emei. Since then, according to the outstanding group, it is Dao Xiong. Seeing that life is all wrong, I realize that everything is empty. Clean and clean, painstakingly return to Miaozong. As soon as the letter arrived, he was called to Cheng Ming Palace. It is said that burning incense is forbidden in the golden palace. The city was brightly lit, and sticks and iron sheets swam around the princes. The son of heaven praised the wonderful words, and the ministers fell behind. I can't. I came from Lin. Because of experience, urban transformation, medicine is given with illness. Going to the yellow house, except for the shackles of life. As soon as I entered the princess's door, I said I was unconscious. The emperor is the wheel king, and the teacher is the first teacher. Feng Xuan sprinkles nectar, and Buddha's rain gives birth to kindness. However, there is a sense of extinction, which gave birth to charity. It can be a custom to listen to Jiang Hai Qu again. The emperor said I was the master here to get rid of my lust. Qichun from the west of Qin to the southeast. The wind will connect Henggui and the land will be adjacent to Wu Chu. There were many fishermen and hunters in the old society. As soon as I heard that the teacher was coming, I abandoned the Internet and Jianghu. Do evil before the ceremony, and be honest after the ceremony. Because of the long time, things are not preserved. More out of Huai Chu, back to Jinghekou. Jing Hema Qing Cen, we are near Daolin. When it comes to birds, they are always opinionated and determined that beasts will not invade. None of them are unfinished, and they have been taught before. So, when I come, I will always inherit the subtle voice. See the clothes in the bamboo building, and Song Yuqing's body and mind. Regret your career early, but discover it later. Kindness is far from justice, pure as gold. Yanjiao in western Liaoning (a trip to Kansai) is late, and the residual snow freezes the border town. In April, the grass is green and Liaoyang is born in spring. Hu people were horse herders, and the Han Dynasty recruited soldiers every day. The heavy nod is wet, the sand is empty, and the golden drum is ringing. The cold clothes are gone, who will be the spring clothes? Send a message to Ambassador Luoyang in order to spread the border feelings. It's hard to go. You can't see the golden branches of Zhang Jian Palace. Thousands of long strips are hanging on the ground. February and March are like flowers, but I don't see nine secluded places. The colorful king dynasty contains the four treasures palace, and the fragrant wind enters the cloud hall. The ladies-in-waiting of the Korean family love to use this fragrance every morning and evening. It seems that I can't forget my heart when I look at it, and I will put it on the mirror. You can't cut two pairs of plain hands, and two pairs of red makeup smile at each other. Zhang Jian's spring breeze last night, a flower flew to Changxin Palace. Chang Xinmei cried when she saw the flowers. She remembered what this precious tree was. When I was in Zhaoyang yesterday, I climbed the Jade Hill at dusk. Just say that the years are long and I don't feel homesick today. Chang 'an Road (belonging to General Huo) is the tallest in Chang 'an, and people live in General Huo. On the evening of the same day, the DPRK returned to welcome guests and bowed by the roadside. Mo Yan was hot, and the fire soon went out. Mo Yan is poor and can be bullied, but he is rich and sometimes rich. As soon as the emperor winks, you should know that the world is long. You should know when the world grows: you should know when you grow, and you should know when you grow. After Huayin, the master of the capital, sharp, non-world, big flowers wear the sky at three o'clock.
The clouds in front of the emperor's temple will dissipate and the cactus will be green.
Depending on the terrain of this land, it is very difficult to reach Han Zhi through Chang 'an to the west.
Ask the person who pursues fame and fortune by the roadside. Why don't you learn to seek eternal life in this temple? (He: No) Four leaders' songs (a Jiangnan song) tell me, where do you live? Near here, next to the fishing pond? . Let's catch our boat together and see if we belong to the same town. ..
My home is near Jiujiang, often near Jiujiang. We were both born in Chang Gan, you and me! I have been a stranger since I was a child.
Zhu Xia is rainy and windy, and the lotus boat is getting thinner and thinner. Then you can't treat each other and fight the trend alone.
Three rivers are urgent, and five lakes are surging. The origin of flowers is light, but the lotus boat in Mo Wei is heavy. The old people on the riverside are worried that Jiangnan will be eighteen or nineteen years old and want to cross Qingxikou by boat. An old man in Qingxikou,
White temples. I said that my family has always been an official in Chen Liang, and I was dragged down by thirty people.
The two dynasties will return to each other, and the fifth will ride a bamboo wheel. Father, brother and three leaves all respect God.
Four generations of concubines. Nanshan gave the site to the Royal Garden, and the first company in Gong Bei was Chen Zi.
Frankly speaking, there is no rest for glory, and I don't think that the earth will collapse and the vicissitudes of life will dry up. The soldiers entered the health city in confusion,
Fireworks are burning in Weiyangque. A well-dressed man is trapped in a sharp edge, and a good minister is buried.
Mountains and rivers are easily lost, and the road is full of bones. The old man, a fashionable teenager,
If you leave, you must go to the beach. I went to my hometown for three years before I dared to go out
Artemisia selengensis forgets the five city houses, and the vegetation does not know Qingxi field. Although I had to go back to the countryside,
It is difficult to be poor and humble. Picking firewood often goes into Liyang Mountain, and cutting rice often goes through Xinlinpu.
If a teenager wants to know the age of an old man, he will be 150 this year. You are young, I am old,
I used to be a teenager. When life is different, don't look down on your old age.
It's sad to say that you are begging for each other for you. The Wangs * * * (ancient meaning) married Wang Chang on 15th, and Yingying entered the painting hall. Be proud of your least years and rely on your husband, A Lang.
Love the green of Qianxi and sing Reiko Long Night. You can't make up for it if you have nothing to do.