On Li He's Strange Poetic Style in Leng Yan

On "Ghosts and Ghosts" in He's Poems

-"Long Matrix" Poetic Style

There are many famous poets in the Tang Dynasty, and there are countless immortal poems. In this flowery poetry garden, there is a dazzling flower, that is, Li He's poem.

Li He (790-8 16) was a unique romantic poet in the middle Tang Dynasty. In the dilemma of career and poverty and illness, he only spent 27 years of his life. Although his life was short, Li He, as the "grandson of the Tang King", witnessed the chaos of state affairs, the decline of the country, and his own ups and downs, so he was furious. He integrated this kind of thought and emotion into his own creation, forming a poetic style of "dragon auspicious style" Li He's genius is magical. He combines the past with the present and creates his own way. With extraordinary creativity, his poetic style is always full of strangeness, giving people a creepy sense of ghosts. Outstanding in the history of Tang poetry, which is beyond the reach of future generations. The "ghostly" style of Li He's poetry is mainly manifested in the following aspects:

1. Li He's poems, with their rich and peculiar imagination and fantastic ideas, have brought people into a mysterious and colorful artistic realm.

Rich and peculiar imagination and fantastic ideas are the most successful factors of Changji style. Hegel once said: "The most outstanding artistic skill is the artist's imagination." Li He's poems are full of passion and thoughts. No matter what the theme is, the poet's rich imagination and completely different artistic ideas make the picture colorful and innovative. Imagination plays an important role in Tang poetry, which is closely related to metaphor and exaggeration. Many vivid metaphors and strange exaggerations come from the poet's rich imagination. Li Bai and Li He are both models. However, the biggest difference between Li He and Li Bai is that the imagination of Li He's poems is very strange, and he skillfully uses a lot of synaesthesia to make people understand objective things more comprehensively and clearly, thus obtaining a higher level of aesthetic enjoyment. Make the work more artistic and shocking, and achieve the effect of attacking people's hearts and spleen.

For example, in Dream of Heaven, the poet imagines the dim light of the moon as the tears of toads and rabbits, and depicts the clouds in the sky as a magnificent building. For example, the phrase "the jade wheel shows wet light" refers to the moon floating in the clouds as "the jade wheel shows dew", which is really whimsical. "Dream of Heaven" is not only unique in image, but also unique in conception. It's strange to invite you to visit the Moon Palace. It is even more strange to suddenly turn to the exploration of philosophy; In artistic conception, it is different from Li Bai's "XIX". As a sleepwalking poem, Li Bai's poems have two parts: one is illusory, the other is real, and the other is illusory, while Li He's poems are more subtle. Li Jian said: "On Changji, every word is a genius, but it is a fairy tale. Li Bai is far behind, and Kyushu is a wonder of the ages." (3) Poetic taste instrument is meaningful, fascinating and has a sense of idleness under the great pen of the poet.

Secondly, Li He's poetry, with its hazy, magnificent and cold artistic conception, constructs the aesthetic characteristics of meaning and context, giving people profound spiritual enlightenment and aesthetic taste.

The realm of Li He's poems is mysterious and hazy, which makes people think endlessly, blurred like a dream, with boundless imagination and multi-layered implications. This is similar to that of Li Shangyin, but the difference between Li Heshi and Li Shangyin is that Li Heshi constitutes a magnificent and desolate artistic conception. Li He's poems are beautiful, quiet and dynamic, giving people a feeling of fear of God. For example, a series of allusions in the poem "The Rhyme of Wang Liping" make people feel like falling into a fog. This is hazy. If we understand its allusions, we can know the author's exquisite skills. The center of the whole poem is Li Ping's superb acting skills, and the author describes it everywhere according to the artistic effect of the performance-clouds don't flow, so Shunji Motome is disappointed, her voice is like jade, round like lotus dew, and her smile is like vanilla ... All these have to mobilize the imagination of readers to improve the performance effect that is not mentioned in the poem. This kind of allusion is flexible and free, and turns into a poetic soul. At the same time, many allusions have "multi-subjectivity" and their expressions are more profound and lofty.

The difference between Li He's poems and Li Shangyin's lies in the mysterious and gloomy atmosphere and the magnificent and cold artistic conception, which fully expresses the poet's boredom, depression, desolation and anger towards a morbid society. For example, in front of the poem "Into the Wine", there is a wonderful smoke picture of a banquet. The scene is colorful and gives people a strong sense of understanding. Good wine and wine, singing and dancing, the joy of life seems to be so much, but in the end, the pen suddenly turned and introduced the idea of death and the sadness of death, a bitter and resentful mood. In "Qiu Lai", the poet deeply feels that youth is fleeting, and no one appreciates the thoughts of spitting and lamenting. Only the souls of ancient poets who are in the same boat come to comfort each other, which means that there is a feeling of compassion for others and it is an eternal gift. Sad thoughts and beautiful artistic conception strengthen Leng Yan's strangeness and beauty.

Thirdly, Li Heshi gives people a strong artistic appeal with vivid, smart, magical and extraordinary images.

All art must be vivid, so that people can really feel the connotation of the work. The image that constitutes artistic characteristics is the image in poetry. Image is the attachment of the soul and the coincidence of the inside story and the outside scene. Images include realistic images reconstructed according to real scenes of life and surreal images that jump out of natural life. Many poets create with realistic images, but few with surrealist images. Li He was the only one who dared to use surreal images in the Tang Dynasty. The successful creation of novel images makes Li He an outstanding poetic genius.

Novel essence, detached from things. Li He's Song of the Old Lady Picking Jade, Bai Juyi's Selling Charcoal and Wei's Picking Jade define different artistic realms. The Charcoal Man tells the story of the old man selling charcoal in strict accordance with the development order of the story, which implies an allegory of current politics and is not active in ideology, but this realistic image lacks creativity and poetic aesthetic value, and so does Wei's Jade Picking. Li He, who also writes about the sufferings of people's livelihood, is an artistic expression of the poet's anxiety and anger internalization. The poet has an extraordinary imagination and a painful style. The surreal image of "the old man is hungry and cold, and the blue stream is innocent" is constructed, and it is expounded that the old man who has gathered jade in the blue stream for many years has stirred up the water of dragon and tiger leaping, but it is difficult to fill the desire of the ruler. "The water of the blue stream hates strangers, but hates the stream after a thousand years." The poet seems to be saying that the water in Blue Creek has forged an incomprehensible resentment with the working people. In fact, it is a subtle quip of the poet to inspire people, euphemistically and implicitly point out who is the culprit, and express his deep hatred for the ruler by hating Xiaoxi, which is even more ingenious. This surreal image endows Lanxi with humanity, leaving a rich imagination space, so as to appreciate its interest and produce pleasant aesthetic pleasure. This is the beauty of Li Heshi's magical image. Amazing, unbelievable. For example, in Li Ping's quotations, the wings of the poet's imagination flew into ancient myths and legends, and beautiful music aroused the interest of the gods. The wonderful feeling of music and its otherness make the fish jump. "Spring Square is a sword song" in "Jing Xibaidi, Gui Muqiu suburbs cry! For example, surreal images such as the sword light and the fear of Gui Mu, which shocked even Bai Di, are mostly derived from myths, which are the supplement to the realistic description and the outstanding performance of the poet's artistic originality.

Fourth, Li Heshi's colorful and striking language art is amazing and gives people a beautiful feeling.

The language of Li He's poems does not accept the wisdom of others and does not follow the usual attack. His building is carved with jade and colorful. Du Mu said that "beauty is not enough for beauty in color" (5), and Lu You compared Li He's poems to "a hundred brocade sleeves, dazzling five colors and dazzling eyes" (6). Li He's poems are rich and colorful, which is the inheritance of the court of the Six Dynasties. However, Li He transformed the palace, helping it with strange police, which was colorful and unique. "Coming into Wine" "Glass clock, amber thick, small ditch wine drops really pearl red. Cooking dragons and firecrackers, the wind blowing jade weeping, Luowei township curtain surrounded by incense wind. " All kinds of treasures look at the delicious jade liquid and nectar, and once the poet writes, it will be colorful. "butterflies flying" "tortoise shell screen drunk." Although the interior furnishings only mention the "tortoise shell screen", readers can imagine a rich and luxurious scene. "Guo," Hua Tuo weaves green, and gold rings are exquisite. Horseshoe rumbling in the hidden ear, eyes like a rainbow. " Describe gorgeous cars and the rainbow-like momentum of Yu and Kun, with gorgeous words and bright colors. This strong sense of beauty and color has reached a pleasant artistic realm.

In the use of language, Li Heli avoids dullness and pursues surprise and preciseness in rich colors. Refined words and sentences are vivid and distinctive. Li Heshan uses synaesthesia to connect things with feelings and feelings, such as "laughing red", "cold red", "old red" and "falling red" in the red sun, "weeping dew" in the dew, "tongfeng" and "sour wind" in the wind, "fragrant rain" in the rain and "hating bones" in the bones. Li He attaches great importance to the creativity of language, chooses words and makes sentences, tries to avoid statements, is ashamed to use the same words and creates new words. For example, wine is called amber, sword is called Yulong, Tianhe is called Yunpu, Biepu and Tianjiang, beauty is called Ke, WU GANG is called Wu Zhi, Jia is called Cui Candle, and Chang 'e is called Fairy, reading. These new languages make his poems take on a tortuous and peculiar appearance.

Li He was one of the outstanding poets in Tang Dynasty. He was born more than 20 years after the death of Li Bai and Du Fu, and contended with Han Yu, Bai Juyi, Liu Zongyuan, Wei, Lu Quan and Meng Jiao. His works hurt Han Yu's heart. Han Yu was wild and uninhibited, and became famous for a while. After more than ten years of death, he became a school of poetry in the Tang Dynasty, influenced by Wen and Li Shangyin. After more than 1000 years in Song, Yuan, Ming and Qing Dynasties, his poems have been imitated and imitated by poets. Li Heshi was cherished, loved, praised and used for reference by Mao Zedong. As a poet with great artistic personality, Li He enjoys almost the same status as Li Bai, Du Fu and Wang Wei in the West. Li He is a romantic poet with a unique style. His poems are different from those of Qu Yuan and Li Bai, and he uses romantic creative methods. Qu Yuan is magnificent, Li Bai is elegant and fresh, and Li He is solemn and stirring. Both Qu Yuan and Li Bai wrote dreams and fairyland, especially Li He wrote "ghosts", so he was called "Shi Gui" by later generations. His poetic style is characterized by his own "ghost", that is, "long auspicious style" To evaluate Li He's poems, it is most appropriate to describe them with sentences in Li He's own poems. Looking at nine cigarettes in qi zhou in the distance, a glass of seawater poured down. "