Zhaojun’s Resentment Plum Blossoms Zheng Yu The Tao is that flowers come at the end of spring, the Tao is that snow comes with a different fragrance. There is a leaning branch outside the bamboo, a wild man's house. The deserted huts with bamboo fences, the rich and noble jade halls and pavilions. Planted differently in both places, it generally blooms. Zheng Yu, whose courtesy name is Zhongqing. Yang Shen's "Ci Pin" of the Ming Dynasty said: "Zhongqing's short poems are so refreshing, just like "Zhaojun's Resentment" and so on. The parallels are very good." This short poem about plum blossoms uses the parallel technique to express the sober and happy mood. Quite a thought-provoking place. Since the Book of Songs. Since "Plum Blossoms", poems praising plum blossoms have often appeared in Chinese poetry, but there are two different tendencies; one is refined and elegant, with lofty meanings, such as Lin Bu's "Plum Blossom Poems" and Jiang Kui's "Plum Blossom Poems". The lyrics are "Secret Fragrance" and "Sparse Shadows"; first, they are clever metaphors and thoughtful expressions, such as Chao Puzhi's "Yanjiao'er" and Zheng Yu's "Zhaojun's Resentment". This latter type is actually influenced by the argumentative nature of Song poetry, and seems to be inferior to the former in terms of the charm of poetry. Yang Shen said that this word "has a very good use of metaphors, which mainly refers to the good use of metaphors. But what it uses is not a simile, but a metaphor, just like what "The Literary Mind Diaolong. Referring to things. "This is a commonly used technique in songs about things in the Song Dynasty. For example, Lin Bu's poem about grass "Dianjiang Lip", Shi Dazu's aria about spring rain "Qiluoxiang" and poem about swallows "Shuangshuangyan", although they wrote It is delicate and expressive, but the word "grass", "rain" and "yan" are not mentioned from beginning to end. These words sound like guessing a riddle, but the answer to the riddle is very deep, and the scenery described is not. It is suggestive or figurative, both tangible and implicit. The first two sentences of this word also use the same technique. It does not directly point out the word "plum", but refers to the flowering time and the color and fragrance of the flowers. Compare it; whether it is a flower, spring is still here, and it is said to be snow, but it is surprisingly fragrant. The former implies that it blooms in the twelfth lunar month, and the latter indicates that it is white in color, not to mention wintersweet. From a structural point of view, each sentence is self-questioning and answering, and the chapters are naturally stretched and slightly frustrated, such as "Tao is the arrival of flowers - late spring, Tao is the arrival of snow - the fragrance is different." Good fun. The use of the words "snow" and "fragrance" to praise plum blossoms began in Su Ziqing's "Plum Blossoms Fall" in the Southern Dynasty: "I only say that the flowers are snow, but I don't realize that there is fragrance. Later generations chanted plum blossoms, and this word was inseparable. Wang Zishi's "Plum Blossoms" poem goes: "There are several plum blossoms in the corner, and Ling Han blooms alone." I know it's not snow from afar, because there is a faint fragrance coming. "It seems to be debating with Su Shi. Lu You's "Plum Blossom Quatrains" says: "I heard the plum blossoms in the morning breeze, and the snow piles were all over the four mountains. "The word "Xiang" was lost, and only the word "Snow" was changed. Chao Pu's poem "Yanjiao'er" grasped the word "Xiangxue" and tried its best to make full use of it: "When it blooms, it looks like snow, when it withers, it looks like snow, and the flowers are unique." The fragrance is not in the pistil, the fragrance is not in the calyx, the fragrance is deep in the bones. "When it comes to Lu Meipo's poem "Snow Plum", I think each has its own merits: "Plum plums are three points less white than snow, but snow loses some of the fragrance of plum blossoms. "This word seems to also participate in this debate, but it adds a condition before the word "Xiangxue", that is, the flowering time, which seems to be the author's original creation. The three or four sentences in the first part describe the posture of plum blossoms in the mountains and fields, which is richer. Poetry. "A branch outside the bamboo is leaning", Su Shi's poem "He Qin Taixu Plum Blossom": "A branch outside the bamboo is leaning better. " Fan Zhengmin of the Song Dynasty commented on Dongpo's sentence in "Duzhai Xianlan": "Although the language is simple, it is quite interesting in the quietness of the plum blossoms. "Cao Zu also wrote in the poem "Sudden Mountain Stream. Plum": "A branch outside the bamboo is leaning, thinking of a beautiful woman, the weather is cold and the sun is setting. "But he led his thoughts to Du's poem "The weather is cold and the green sleeves are thin, and the sun sets on bamboos" and left the plum blossoms. This poem does not forget the plum blossoms when encountering bamboos. It uses music without being restricted by classics. It is naturally pure and composed. It creates a complete artistic conception. It is based on sparse bamboos and plum blossoms as the main body. In the shadow of Yiyi green bamboo, there is a tree with sparse shadows and slanting shadows. It is quiet and lonely, and the bamboo joints are tall and straight. It highlights the character of plum blossoms and highlights the image of plum blossoms in frost and snow. The phrase "savage family" is added at the end of the sentence, which not only makes the syllables flexible and harmonious, but also makes the whole picture have a fulcrum, showing that it is not worldly. The atmosphere of life is like a firework. It transitions naturally to the next part. The next part describes the environment of the savage family. It turns out that this family lives in a very simple place with several huts surrounded by sparse fences. The cold plum tree covered with sparse bamboos described above just reflects each other: the former is more virtual, and the latter is more realistic. It constitutes a beautiful and tranquil state, which is fascinating and can easily make people think of "a scholar lying in a snow-covered mountain". , the association of "beauty coming under the moonlit forest". And after "the neglected bamboo fence cottage", it is followed by "rich and noble Yutang Qiongxie", which is intended to illustrate that the plum blossoms planted in the deceptive bamboo fence house are different from the plum blossoms planted in the Yutang Qiongxie. , although the place is different, the poet thinks of the plum blossoms in the mountains, and his thoughts are expanded to another level, but he also has his own roots. Like, a hut with sparse fences? After the sad old friend passed away, new poems were neglected. "In comparison, Li's poem wins with emotion and rhyme, while this poem wins with philosophy. In a contrasting way, it writes about the pure and proud quality of plum blossoms, embodying the noble sentiment that "poorness and lowliness cannot be moved, wealth and honor cannot be obscene" . Compared with ordinary poems about praising plum blossoms, they are more ideological. Zhang Yan of the Song Dynasty said: "Poetry is more difficult than chanting things, and lyrics are especially difficult." If the understanding is slightly true, it will be restricted and not smooth; if the imitation is far different, it will be obscure and unclear. "The meaning of a paragraph lies entirely in its conclusion."
"("Etymology") This word is valuable between spiritual similarity and physical similarity. It only captures the characteristics of wintersweet, adds a little color, and focuses on expressiveness and freehand brushwork. It is roughly similar to the requirements put forward by Zhang Yan.
The style is simple and unpretentious, the writing seems to be casual, the big is seen in the small, and there are sounds beyond the strings. It can be called a masterpiece