Yang Wanli's Xiaochi Poems

Spring eyes are silent because they can't stand the thin water flow, and the shade reflects the water because it likes sunny days and the softness of the wind. The delicate little lotus leaf just emerged from the water with a sharp corner, and a naughty little dragonfly had already stood on it.

Full text: Spring eyes are silent and cherish the trickle, and the shade of trees shines on the water and loves sunny and soft. ? The delicate lotus flower bud shows a sharp corner from the water, and a naughty little dragonfly stands on its head.

Xiaochi is a seven-character quatrain written by Yang Wanli, a poet in Song Dynasty.

In this poem, the author uses rich and novel imagination and anthropomorphic techniques to describe in detail the characteristics and changes of natural scenery around Xiaochi. The first sentence says that the pond is connected with running water.

There is a shade on the pond. The third sentence says Xiao He came out of the water with a small pond. Dragonflies have feelings, come and be with Xiao He. It shows the poet's love for natural scenery.

Extended data:

This poem is small and exquisite, just like a colorful ink painting of flowers, birds, insects and fish. The pond, spring, stream, lotus and dragonfly in the picture are all small, but they are exquisite and full of vitality.

The first sentence, closely related to the topic, is the source of a small pool, a trickle of spring water. The spring water flowed out of the hole silently, of course, it was very small. The flowing spring forms a trickle, smaller. This is a very common thing, but the author added a word "poor" out of thin air, saying that Yan Quan seemed to cherish it and was reluctant to shed more money. So this poem immediately flew and became affectionate, interesting and full of humanity.

In the second sentence, write the shade in the soft sunshine and cover the water. This is also a very common thing, but the poet added the word "love", which seems to cover the pond with her shade to prevent the water from evaporating and drying up, thus turning ruthlessness into sentience. Moreover, the poem takes the form of shadow, focusing on the soft branches on the water, which is very ethereal.