Evaluation of Wang Shen's Seven Wounded Poems (No Chaos in Xijing)

Baidu Encyclopedia, website: /view/592 123.htm, is a traditional poetry genre in China, which started at the end of the Han Dynasty and mainly reflects war, plague, death, parting and frustration. "Seven Wounded Poems" is a portrayal of people's life, corresponding to court poems, with distinctive folk color. From RoyceWong, the seventh son of Jian 'an in Han Dynasty, to Zhang Zai in Jin Dynasty, and then to Du Fu in Tang Dynasty, the form, content and level of poetry are expanding, enriching and improving step by step. Although "Seven Wounded Poems" is a weak group in China's traditional poetry team, it has been neglected for a long time, but its existence and achievements cannot be ignored. The achievement of Seven Wounded Poems lies in its compassion, meticulous description and true and objective record. The seven-wound poems that have been preserved to this day can still be seen. Seven Wounded Poems by RoyceWong, the seventh son of Jian 'an in Han Dynasty, is the earliest, among which the poem "Chaos in Xijing" best represents the character of Han and Wei Dynasties and is a model work. Using the method of lifting weights easily, it typically summarizes the disasters brought by war, which makes people cry. Seven Wounded Poems written by Zhang Zai in Jin Dynasty is also very famous, and its works are sad and touching. At the end of the poem, the phrase "Bei Mang He Lei Base", "In the past, Wan Chengjun, but now it is a hilly middle-earth place", makes life more impermanent. Everyone is familiar with Du Fu's "Three Officials" and "Three Farewells" in the Tang Dynasty, so I won't go into details here. The appearance of "Seven Wounded Poems" is often accompanied by wars and wars, followed by the replacement of dynasties or the decline of the imperial court. The formation and development of "Seven Wounded Poems" is a witness to the change of dynasties, and its functions are like cameras, microphones and close-ups of stories. Seven Wounded Poems are literary, news and documentary. In ancient China, where information was underdeveloped, poems often had multiple functions, among which seven-wound poems were the most representative. Later, it was due to the rise of metrical poetry, Tang poetry, Song poetry and Yuanqu. In the history of China's ancient poetry, it flooded the Yuefu of ancient poetry, swallowed up Bailiang style, swept parallel prose, and swallowed up four-character poems and six-character poems. Naturally, as a vulnerable group in the poetry world, Seven Wounded Poems also suffered a devastating blow. In the later anthology of China's poems and songs, "Seven Wounded Poems" rarely appeared. Therefore, it is more urgent and necessary to excavate, sink, collect, sort out and study the endangered rare poetry variety "Seven Wounded Poems". The seven-wound poems of Wang Shen in Han Dynasty and Zhang Zai in Jin Dynasty are mainly manifested in five-character poems. RoyceWong's seven-wound poems mostly use flat rhyme, while Zhang Zai's seven-wound poems mainly use rhyme. By the end of the Ming Dynasty and the beginning of the Qing Dynasty, Wang Mawei's Seven Sorrow Poems were mainly seven-character poems with additional words at the end of the sentence. The number of sentences is not equal, either symmetrical or asymmetrical. In addition to adding lines to the sentence, it also shifts the rhyme. Flat rhyme is often used in front, but at the turning point and the end of the sentence, rhyme feet are used instead. Rainbow Mawei, Li was active in the poems of Ai Yuan in the late Ming and early Qing Dynasties. The number of words was between three, four, five, six, seven, nine and eleven, with three-character poems in the majority, followed by seven-character poems, followed by four-character poems and five-character poems. In terms of rhyme, it is also an exchange of flat and even tones. This fully shows that the expression of Seven Wounded Poems is lively and changeable. It is certainly possible to express painful wars and plagues in this form, but what about other aspects? Can't you indulge Wang Yang? One of the seven mourning poems, the chaos in Xijing, is a disaster. After abandoning China, I devoted myself to Yu Shuai. My relatives are sad for me, and my friends are chasing me. I didn't see anything when I went out, and the bones covered the plain. There was a hungry woman on the road, holding her child in her arms and leaving the grass. Wen Gu wailed and wept alone. I don't know where I'm going to die, so how do I end it? I can't bear to hear that. Go south to the Baling River and look back at Chang 'an. You will feel sad when you realize that you are in spring. Secondly, Jing is not my hometown, so what is long-term stagnation? The ark belongs to the river, and the dusk worries my heart. The mountains are full of shade and the rocks are full of shade. The fox rushed to the cave and the bird flew to the forest. The waves are ringing and monkeys are singing on the shore. The wind blows the robe, and the dew touches the skirt. I couldn't sleep all night, so I took my clothes and played the piano. Sitong touched people's hearts and gave me a mournful cry. The journey is endless, and it is difficult to have concerns. Its three-sided city makes me sad, and I loved it more in the past. Snow and ice cut the skin, and the wind drifted endlessly. No one is seen in a hundred miles, and whoever is planted will be late. Go to the city to watch the pavilion and hang the flag. Monkey ignored the rebellion and went out to say goodbye to his family. Children are many prisoners and have no time to cry. The world is heaven, what is staying. Don't ask for advice when you come or go. This is a poem of "Seven Wounded Poems" written by Cao Zhi, which is representative of thinking about women and expressing political frustration-the bright moon shines on tall buildings and time drifts. There is a sad woman sighing upstairs. Who is the sigh upstairs? Yun is his son's wife. My husband has been away for more than ten years, and he is often timid alone. My husband is like dust on the road, like mud in dirty water. Floating dust and mud are different, when can we meet harmoniously? Yes, I want to turn into a southwest wind and disappear into my husband's arms! My husband's heart is no longer open to me. What can I rely on?