On the characteristics of Tao Yuanming's poems in combination with returning to the garden and living in the third place

Tao Yuanming's poetic language is unpretentious, unpretentious and pure and beautiful. The charm of Tao Yuanming's poetry lies in the words naturally revealed in his temperament and the emotional power in his heart. Tao Yuanming yearns for a leisurely and indifferent life. He expressed the feeling of a pure heart, so he chose pure language to do all the ostentation. Tao Yuanming uses simple and natural language and sparse brushstrokes to concisely outline vivid images and convey profound meanings, thus achieving the artistic effect of freehand brushwork and vivid expression. Although Shi Tao's language is a very common "Tianjia dialect", it is not a product of free play, but a product of high artistry. Although it is deliberately exquisite, it is subtle. Its essence is exquisite, pure exquisiteness. In Returning to the Garden, Tao Yuanming used square houses, grass houses, elm willows, peaches and plums, villages, dogs barking, chickens crowing, Sang Ma, grasshoppers, lotus hoes and mountain ridges. At the same time, the language of Tao poetry is highly concise after being processed and tempered and stripped of glitz. For example, "rhyme", seemingly simple, actually points out the author's interest, and an elegant and refined artistic conception emerges; The straightforward language of "clean and miscellaneous sex, empty rooms and leisure" is ostensibly about rooms and houses, but in fact it shows the author's leisurely mood of seclusion in the countryside; The precise words "hide" and "absolutely" in "The Day Covers the Fine Points and the Empty Room Thinks the Dust" show that the author is determined to separate the noise of the world from vulgar thoughts. The "wish" of "clothing is not enough, I wish not to violate it" implies that the author should not lose himself in the dirty real world ... Tao Yuanming's poems create a vivid, harmonious and cheerful pastoral life in plain. Mei, a poet in the Northern Song Dynasty, said: "Poetry is plain and difficult to create. "Shi Tao's words can be so plain, simple and profound, which is really commendable. In this way, the language of Tao poetry shows its skill in simplicity and nature, not in "drinking" but in "taste".