(1) Strong and natural body
Aesthetically speaking, beauty is interpreted as "sheep are beautiful" and "sheep are great". In the era of The Book of Songs, "big" and "high" were beautiful, that is, "giant was beautiful", which advocated the huge and stubborn female beauty in form, which had formed an aesthetic concept at that time. For example, the first sentence of "Feng Wei Shuo Ren" is "Shuo Ren Qi Hao", in which "Shuo Ren" is explained in "Li Fengjian Xi" and looks very tall. "Qi", looks like. There is a saying in Feng Qi Ziyi that men and women in ancient times were tall and thin. Therefore, although Feng Wei tells people is not a love poem, the woman at that time was beautiful in terms of her height. Of course, there is also a love poem Martin Moonrise, which describes the slim figure of women: the word "correction" in the sentence "Shu Yao corrects Xi" describes the slim figure of women. If you read this sentence carefully in the poem, its physical beauty is not a problem, but it is not as extensive as the "huge" recognized at that time.
In addition to the above two overall descriptions of formal beauty, there are many other love poems in the Book of Songs, which only express the beauty of women by writing a certain part. For example, "Yang Qingwan Xi" and "Qing Yang" in Zheng Fengye Creep show the beautiful eyes of women, with clear eyes and flowing eyes, which set off the beautiful beauty of women from the side. In Xiaoya Durham, the beauty of women's hair is described as "straight as silk", "thick as curly hair" and "fine hair". The hair is thick and straight, and the sideburns are slightly curled and blown, which also describes the natural and healthy beauty of female hair. Yan Ru Shun Hua in Zheng Feng has a lesbian car describes the beauty of a woman's face, and there are even poems that sum up the beauty of a woman's body in a single word, such as kindness, kindness and beauty, which are found in Guan Lang, Jing Nv and Sang Zhong respectively.
(2) dexterous and graceful posture
The appearances and expressions in the love poems in The Book of Songs are vivid, which not only highlights the agility and vividness of organs or actions, but also shows the aesthetic standards and pursuits in the era of The Book of Songs. For example, in Nan Zhou Guanluo, the opening work of The Book of Songs, the girl picking wild leeks is trying to collect the "flow" in the "left and right flow" of wild leeks. It can be seen that the graceful posture of the girl when picking enamel attracts the singer's mind. Another example is "Wan" and "There is a beautiful woman, young and graceful" in "The Creeping Wind". The charming appearance depicts a watery girl, God. Another example is "Zitang" in "Zitang" in Chen Qiu. The dancing is swaying, and only one word conveys the graceful dancing of the witch, giving people unlimited room for daydreaming.