Yao Hebi is the first water tune written by Huang Tingjian, and it was selected in 300 Song Poems. This is an elegant and unrestrained work. Shangcheng writes elegant and pure fairyland-like beauty. Beautiful images such as Yao grass, Xianxi, peach blossom, thrush, white clouds and heroism; Blue, yellow, red, white and other delicious colors constitute a fascinating mythical world. Next, I wrote about the madness and escape when I walked in the scene. Everything you sit, lean on and brush around you is noble and beautiful. "Where is the fallen fairy?" The choice between doing and not doing is a symbolic expression of a person's noble and lofty aspirations. The wild charm of the poet at the end. The whole poem contains feelings and ideals, and it is unique in integrating the charm of Taoyuan with the customs of immortals.
original text
Water tune, song, rhyme, grass and pen
Author: Huang Tingjian
Yao Hebi (1) springs into Wuling Creek (2). There are countless peach blossoms on the stream and orioles on the branches. I want to find my way among the flowers, go straight into the depths of white clouds and show my rainbow. I'm afraid that deep in the flowers, red dew will wet people's clothes.
Sit on the jade, lean on the jade pillow, and brush the gold emblem. Where is the fallen fairy? No one to accompany me. I am Ganoderma lucidum and Xiancao, not a red face, and a long whistle is nothing. Drunk dancing down the mountain, the bright moon belongs to everyone.
To annotate ...
① Yaocao: Cao Xian.
② Wulingxi: In Changde, Hunan Province today. This refers to Xanadu.
3 "I am afraid" two sentences: describe the crystal dew of bamboo flowers.
(4) Brush gold emblem: refers to playing the piano.
⑤ two sentences in "fallen immortals": admire Li Bai's elegance and openness, and lament the lack of bosom friends.
⑥ Three sentences "I agree": Write down your interests and personality. I'd rather be a dusty fairy than a fashionable concubine.
⑦ Drunk dancing: This word refers to the ambition of indulging in idleness.
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The first word is "Spring outing", which describes the author's relegation period. The blending of the whole poem and scenery embodies the poet's outlook on life, narcissism, refusal to be kitsch for glory, and the poet's aesthetic ideal of transcending anecdotes and drifting away.
In the first sentence, the poet used metaphor to praise Yao Cao (Cao Xian) as lovely as jasper, which made the lyrics give people a good impression from the beginning, aroused people's interest, and unconsciously introduced readers into the artistic realm of his works. Starting from the second sentence, the beautiful scene of the celestial world is described layer by layer by flashback.
Spring into Wuling Creek has the function of connecting the preceding with the following. Here, the poet skillfully used the allusions in Tao Yuanming's Peach Blossom Garden. Tao Yuanming described this imaginary ideal country and showed his dissatisfaction with the real society. Huang Tingjian used this allusion, and his intention is self-evident. The author of these three sentences came to the "Peach Blossom Garden" in spring, where streams gurgled and peach blossoms were everywhere, and the orioles on the branches kept singing melodious songs.
In the sentence "I want to find my way among the flowers", the writer has to walk through the flowers in the Peach Blossom Garden, all the way to the top of the mountain where the white clouds float, spit out his pride and turn it into a rainbow. Here, the poet further twists and turns to express his dissatisfaction with reality and fantasizes that he can find an ideal world where he can freely display his talents.
But the phrase "I'm afraid of flowers, and my skirt is red and wet" reveals the contradiction that he is tired of troubled times but unwilling to leave. The metaphors and symbolism used by poets are full of poetry.
The phrase "red dew wets people's clothes" is beyond Wang Wei's poem "There is no rain on the mountain road, and the green air wets people's clothes" ("In the Mountain"). Huang Tingjian changed the "empty jade" into "red dew", which is integrated with the previous poems.
The next film follows the writer's narcissistic and unconventional ideas. With rich imagination, the poet expressed his great ambition and uniqueness by "sitting on the jade, leaning on the jade pillow and brushing the golden emblem (playing the lyre)". "Where is fallen fairy? No one accompanied me to the white snail cup. On the surface, it means that Li Bai has left, and there is no one to drink with him. The implication is that he lacks a confidant and feels extremely lonely. He took the ancients as his confidants instead of the people of the time, and expressed his dissatisfaction with reality in a tortuous way.
The words "I am ganoderma lucidum and fairy grass" express the true meaning of his exploration here. "Fairy grass" means "Yao grass" at the beginning, and the third sentence of "red lips and red face" means "peach blossom on the stream". Su Shi chanted a poem of begonia in Dinghui Garden in Huangzhou: "The lips are drunk and the sleeves are wrapped in meat." The beauty of flowers is similar, so it can also be used to say peach blossom here. These two sentences are the language of metaphor and symbol, and the intention is the fourth sentence in Li Bai's Twelve Poems of Imitating the Ancient: "Be ashamed of the world's glory and cherish your own heart". "What is a long whistle" means that you don't have to worry and sigh about not getting fame and fortune.
The protagonist in this poem, Gao Hua, is aloof and unconventional, and seems to be an outsider. The poet described the mountains and rivers in nature with a quiet and peaceful style, without a trace of dust and customs. In fact, he wants to imagine a world where he enjoys himself, is intoxicated with himself and lingers, so as to fight against the real society full of power and deception and forget the troubles of the world.
Brief introduction of the author
Huang Tingjian (1045- 1 105), whose real name is Lu Zhi, was named Fu Weng at night. Also known as Mr. Yu, Han nationality, from Fenning, Hongzhou (now Xiushui, Jiangxi). Poets, poets and calligraphers in the Northern Song Dynasty were the founders of Jiangxi Poetry School. Yingzong Zhiping for four years (1067), Jinshi. Professor Ye Xianwei from Beijing, Professor Lang Xianping from imperial academy, School Book Lang, Cao Zuolang, Secretary Cheng, Fuzhou Biejia, Guizhou Resettlement House, etc.
Huang Tingjian is good at writing, poetry and especially calligraphy. The poetic style is strange, thin and hard, and it is difficult to get rid of vulgar habits and create a generation of ethos. In his early years, he was known by Su Shi, and he was also called "Four Bachelor of Su Men" with, Chao and Qin Guan. Poetry and Su Shi are also called "Su Huang", and there is also The Collected Works of Mr. Huang. Along with Qin Guan, there are also "Guqin Interesting Tales" and "Mr. Huang's Ci". Ci is romantic and heroic, close to Su Shi, and is the ancestor of Jiangxi Poetry School. Chao Bu Zhi said: "Lu Zhi's interplay of small words is solid and wonderful, but he is not a language expert, so he sings good poems in his own tone." (See "The Poet's Jade Chips") There are many other slang words that cannot be avoided. There is "Valley Ci", also known as "Valley Qin Interesting Chapter". The main ink marks are Song Fengge Poetry, Hua Yanshu, Jingfubo Temple, Duxi, Li Bai's Nostalgia for Ancient Poems and Kuzhun Fu. The theory of this book includes On Jin and On Shu. Huang Tingjian is one of the "Four Bachelor of Su Men". His poetic style is peculiar and thin, trying to get rid of the habit of belittling vulgarity. Advocate a generation of ethos and be the originator of Jiangxi poetry school. Exquisite calligraphy, and Su, Mi and Cai are also called "". Ci is as famous as Qin Guan, but its artistic achievements are not as good as Qin Guan. In his later years, he had a close relationship with Su Shi, with a thin style of ci, deep feelings, bold and elegant, and sometimes brilliant. The Valley Collection has seventy volumes.
English translation of song ci
Prelude to water melody
Huang tingjian
How can the grass be so green in spring?
Enter fairy creek,
Countless peach blossom places,
Golden orioles are singing on the branches.
I tried to find my way among such cheerful flowers,
Straight into the white clouds
Breathe a bright rainbow,
But I'm afraid that in the depths of the flowers in my vision,
My sleeves will get wet with rose dew.
I sat on a stone.
Leaning on a jade pillow;
A golden pipa played.
Where are the poets in Wonderland?
Who will finish my spiral cup with me?
I'm looking for traces of the gods,
Not for rosy lips and a powerful face.
Why do I have to croon long and long?
When I'm drunk, I'll dance downhill soon.
Followed by the bright moon.
Brief introduction of inscription
Water turn around, one of the famous epigraph names, also known as "Hui Yuan Song", "Kaige" and "Taicheng Tour". Up and down, 95 words, flat and even rhyme (also rhyme in Song Dynasty). According to legend, when Emperor Yang Di opened the Bianhe River, he made Shuidiao, a big song performed by the Tang people. Daqu consists of three parts: order, middle sequence and breakthrough, and "song head" is the first chapter of the middle sequence. Double-tone 94-97 words, four rhymes before and after. Before and after the song dynasty, there were six words in each film, which rhymed with leaves. There are also even leaves that rhyme almost every sentence, and the * * * eight-body.
Rules and forms of classical poetry creation
Metric Control: Su Shunqin's "Water Tune, Wisdom Too Lake Shore"
Moderately even, moderately even (rhymes).
Natural and unrestrained to the shore of the lake, light to Dongting Mountain.
Average, average and average, average and average (rhymes).
The fish is in Long Yin, and the smoke is locked in a secluded room.
Moderate average, moderate average, moderate average (rhyme).
Fang Niantao, Zhu, suddenly there was a boat with a paddle, and the bass returned from the waves.
Moderately even, moderately even (rhymes).
Sunset storm, return to the road around Ting Wan.
Medium, medium, medium and flat (rhyme).
A man who aspires to prosperity is ashamed of leisure.
Average and average, average and average and average (rhyme).
What made you haggard in your prime? Fahua changed Zhu Yan.
Moderate average, moderate average, moderate average (rhyme).
I plan to go fishing in a cold pool. I am afraid of guessing gulls and refuse to go near nylon.
Average, average (rhyme).
Thorns pierce the reeds, and there is no language to see the waves.
Pay attention to the third and fourth sentences in part one and the fourth and fifth sentences in part two, which can be regarded as six times, five times and seven times. There are many places where leveling can go in and out, and it is necessary to master the deployment.