This is a poem. What poems describe the scenery in the painting? Which sentences are associated with the scenery in the painting?

The night scene by Huichong River is a painting poem. The first three sentences in the poem are about the scenery in the painting, and the last sentence is the poet's association caused by the scenery in the painting.

The original poem is: peach blossoms outside the bamboo are three or two, and duck prophets in spring water heating. The beach is covered with wormwood, asparagus is beginning to sprout, and puffer fish are preparing to swim upstream from the sea back to the river. Two or three peach blossoms bloom outside the bamboo forest, and ducks swim in the water. They first noticed the warming of the river in early spring. The beach is covered with Artemisia selengensis, even the reeds are sprouting, and the puffer fish is about to swim from the sea to the rivers.

The first sentence of the poem "There are three or two peach blossoms outside the bamboo". Looking across the sparse bamboo, several peach blossoms are swaying. Peach blossoms and bamboo are in contrast, red and green, and spring is particularly charming. The second sentence of the poem, "Duck Prophet of Spring River Plumbing", has a vision from far to near, that is, from the river bank to the river surface. Spring water is rippling on the river, and active ducks are playing on the river. The third sentence in the poem "Artemisia selengensis is full of short reed buds" is still closely related to "early spring". Artemisia selengensis and dwarf reed buds are yellow and green, gorgeous and charming, showing a scene of spring and prosperity. The above three sentences are the scenery in chanting paintings.

The last sentence, "It's time for puffer fish to come up", takes advantage of the characteristic that puffer fish only come up when there is heating in Chunjiang, further highlighting the word "spring". This picture is beyond the reach of a brush, but the poet succeeded in "making the scene as difficult to write as it is now", injecting spring breath and vitality into the whole picture. Su Shi's association is well-founded and logical. The beauty of the poem also lies in that although the picture does not describe the action of the puffer fish, the poet knows that "the puffer fish is eager to go up" from the overgrowth of Artemisia selengensis and the germination of reeds, thus drawing the image of dolphins going up along the river when the spring river blooms, supplementing the reality with imaginary reality.