The fog is white, and the long beach is the trace of the ship.
The wine is boiling on the pavilion in the middle of the lake, and two heroes are sitting opposite each other on the carpet.
One surprised and two happy, three invited drinks, three strong drinks and a smile.
There are people as crazy as "xianggong", Zhou Zi mumbled a lot.
I always feel that this is a dream. If painted, there are at least six light ink landscapes. The first "Three-Day Snow Map" should have a tree without leaves, a faint road leading to the broken bridge, no footprints, and the rest are blank; The second painting, "The boat on the lake", is a close-up. People are the subject, clothes and fire are the details. The third picture, The Rime Map, shows a panoramic view. Rime is shaded by trees, and "one mark", "one spot", "one mustard" and "two or three grains" are particularly eye-catching. The fourth painting, Sitting on a Pavilion, depicts a pavilion with two people sitting opposite each other, and the wine on the stove is boiling and smoking. In the fifth picture, "host and guest drink together", two people advise each other and one drinks; In the sixth picture, the owner is going ashore, and in the back, there should be paddles in the boat's hands. This is Zhang Dai's masterpiece "Looking at the Lake and Pavilion Snow".
The Essence of Famous Essays in Ming and Qing Dynasties contains 2 1 essays by Zhang Dai, including 3 essays of Tao An Meng Yi/kloc-0, 2 essays of West Lake Meng Xun and 6 essays of Paradise Library, which were read twice. Zhang Dai, a typical adherent of Ming Dynasty. Memories of Tao An's dreams are mostly about the past, the dreams of West Lake are mostly about the old scenery of Hangzhou, and the collections of Paradise Library are manuscripts of later generations, including poems, articles and orderly essays. The three collections basically represent the highest achievement of Zhang Dai's prose.
Reading Tao 'an's Dream, the past is vivid, and the thoughts of my country are between the lines. "Night Show in Jinshan" connects the ticket lovers who crossed Jinshan with the old monk of the abbot Jinshan Temple. It's the story of the former King Han Qi attacking Jinshan. The details of the old monk rubbing his eyes while watching the play are unforgettable. Seeing the snow in a lake pavilion links Yin Shan Xianggong and Jinling Xianggong who live in Hangzhou with the snow in the West Lake, the wine on a small stove in a lake pavilion at night, and the homesickness that is constantly disturbed. In Buerzhai, the trees in the Spring and Autumn Period and the flowers in Xia Dong still contain nostalgia for the past, and the ending sentence is "I miss you like last life". "Furnace Peak Moon" attracted Zhang Dai, Ersanyou, their servants and monks from Mount Qiba, for fear that they would lose their way in front of a tiger. They greeted the fire, held sticks and shouted at the hillside, making such a noise that Tianshan people rumored that more than 100 thieves crossed the mountain the next day and wanted to dream afterwards.
"West Lake in July and a half" does not write about the moon, but only about people who look at the moon. There are five kinds of people who look at the moon. One is "looking at the moon but not seeing people" lost in the "sound and light chaos"; The second is to look around, "people under the moon really don't look at the moon"; The third is "shallow singing" under the moon, "those who also look at the moon and want people to see it"; Fourth, groups of three or five "noisy", pretending to be drunk and lip-synching, "The moon is also watched by some people, and those who don't look at the moon are also watched by others, but no one is watching"; Fifth, friends invite each other, hide in the shade, or escape from the lake. "Look at the moon but you can't see its state, and you don't care about the people who look at the moon." Tao An naturally shares the fifth category of "breathing, pulling and sitting together". People leave in the middle of the night, and we can sail ten miles of lotus flowers and enjoy a dream of half a night. A Mid-Autumn Night in Tiger Hill is similar to Yuan Hongdao's Tiger Hill. I also write about people, landscapes, songs, and the beauty of vocal music of the moon, the second drum, the third drum and the fifth floor. Writing about the moon only touches the moon and the solitary moon, and also emphasizes that people pass the moon and emphasize that the sound is too colorful. Tao An also wrote about the moon, such as "Moonlight pours into the water, Jiang Tao breathes, and the sky is white" and "Moonlight leaks in the forest and is as sparse as snow". Another example is "moonlight is like water, and people in the moon are like a new bath". In the middle of the night, the white clouds in Ran Ran started at the foot, and all the hills in front disappeared. Incense burner, goose nose and Tianzhu Peak only show the tips of bun, and the snow scene in Mi Jiashan seems to be seen. "They are all clear and ethereal, poetic and illusory.
Tao An writes about both groups and individuals. Liu Jingting's Ballad first describes his appearance as "dark, covered with scars, carefree and careless, with a civil skeleton", which is almost unacceptable. Let's recount the stories of "going in unscathed" and "finding a clean cut". Taking Jingyanggang Wusong as an example, it supports its momentum with huge bells and the collapse of houses, and sets off its heroism with the sound of empty jars and urns. Finally, he stressed that he was ugly. "However, his mouth is beautiful, his eyes are smooth and his clothes are quiet." He didn't lose Wang Yuesheng, a great storyteller. "Yao Bobo's Painting" begins with the full text "Yao Bobo's painting is eternal, and people are eternal", but then he writes his communication with the author first. One is to live in the author's house at first sight, and the other is to help the author make rice and salt.
The third is to invite the author to drink when he is free, and he will not return until he is drunk. The fourth is to introduce the author to him as long as he is a friend. Finally, I wrote it as the author's imitation of Su Hanchen's famous painting. When I write a painting, I feel that "my eyes have penetrated the thick paper, and my face is pale according to careful thinking", and I take pains to describe all the details of his painting. Finally, I used the word "never lose" to evaluate his paintings, which was concise.
"West Lake in July and a Half" enjoys the moon, "Autumn Night in Tiger Hill" sings, and "Qingming in Yangzhou" shows the tomb. Folk memory is a highlight of Tao An's sketches. The description of the scene, the contrast of the environment and the rendering of the atmosphere have restored a grand occasion before the court for us. At the scene of Shaoxing Lantern Festival, every family hangs lanterns, no matter rich or poor, it is dazzling, crowded and varied, and Jojo draws pictures to create a lively festive atmosphere. "Qingming in Yangzhou" is about sweeping sacrifices, and then it takes a lot of space to write a trip of eating, drinking and having fun. "The long pond is rich in grass, and the eagle is on the horse; Gaofu Pinggang, half chicken cuju; Maolin Qingle, chop Ruan and play Zheng. Prodigal sumo, childish kite, old monk cause and effect, storyteller. " A wild goose filed in, stretching for more than 30 miles, which was amazing. "West Lake Fragrant City" is about the past. In the past, "Peach is beautiful in Vitamin, advocating harmony, leaving no boat on the shore, leaving no wine for guests". Now, "but seeing the hunger in the city, shoulder to shoulder." It's changed beyond recognition, as if it was a lifetime ago. The former fragrant city has turned into a smelly city, and no one can remember the national conditions. That is, Shaoxing Deng Jing and Yangzhou Qingming can only be found in memory.
Zhang Dai was born in an official family. He is proficient in poetry, books, paintings, wine and tea. I am deeply involved in it, and I have my own strengths and weaknesses. He is at least half an opera fan. There are three notes in the Anthology of Tianku: He, Bao and Hu, which respectively talk about his unique views on piano art, poetry and painting, and tea science, which are worth learning from. As the saying goes, practice makes perfect. It is said that practice makes perfect, and playing the piano is like this. "Everything is angry about it." The "anger" here is "living spirit", that is, returning to nature. "There is a picture in the poem, and there is a poem in the picture" is good, but the beauty of poetry is ethereal. Not all poems can be painted, and the most taboo is "solidity". Zhang Gong is also familiar with the fountain for making tea, the method of picking tea, the art of making tea and the realm of tasting tea. Zhong Ming's food is gone, but his nature is hard to change.
When the Qing soldiers went south, their lives were ruined. Zhang Dai bid farewell to the West Lake, took refuge in Tunxi Mountain, and then moved to Siming Mountain. He lived like a dream with empty eyes. The battlements are as old as before, and there are many deserted graves. The porter is afraid of not dreaming, the poor are afraid of dreaming, the ants are running under the big locust tree, and the pillow in Handan is empty. Thus, there was "Tao An Meng Yi". During the Shunzhi period, I went to the West Lake for two days. In the past, I sent a garden, leaving only rubble and broken bridges. Feeling the past and present, "I only died in the butterfly temple and lay on the couch", and I dreamed of it in my dream, so I dreamed of the West Lake again. read
There is a trace of snow on the west lake embankment, and the incense burner peak tops the moon.
A glass of wine in front of Pinshantang is a butterfly in Tao An's dream.
(2021.1.12. ~13. Diary, 7.3. 14:48. Second draft)