1, requirements for rhyming words. The rhyming words of metrical poems must use the same rhyming words and cannot be mixed. Flat and even rhymes are generally used in metrical poems, that is, flat and even rhymes must be used for rhyming feet. If you rhyme, you must rhyme with the same rhyme.
2. The position of rhyme. The rhyme position of metrical poems is generally on even sentences, that is, the second, fourth, sixth and eighth sentences. The first sentence can rhyme, but rarely.
3. Rhyming format. The rhyming format of rhythmic poetry is generally "135 regardless, 246 distinct". That is to say, in even-numbered sentences, the rhyming words can be in the second, fourth and sixth positions, but the words in the first, third and fifth positions can be flush and flexible. However, the second, fourth and sixth characters must strictly follow the principle of alternating flat and flat lines, that is, flat and flat lines cannot be used together.
4. rhymes. The rhyme of metrical poems requires strict compliance with the rules of rhyme, and different rhymes will affect the rhythm and aesthetic feeling of poems. In metrical poems, two rhymes are usually used: flat and new rhyme. In the ancient phonology, it is divided into four tones, of which Yin Ping and Yang Ping are equally divided, and all three tones are dull.
5. rhyming skills. There are many rhyming techniques in rhythmic poetry, such as overlapping words and antithesis, which increase the sense of rhythm and beauty of poetry. For example, the words "Dongli" and "Nanshan" in "Picking Chrysanthemums under the East Hedgerow" are antithetical techniques, and there is a strong sense of rhythm between the two sentences.
The related knowledge of rhyme is as follows:
1, on the carrier of poetry, belongs to the category of modern poetry. The origin of the name "metrical poem" is because it is written according to a certain metrical form, and the even sentences of each poem (such as couplets and necklaces) are required to have a specific antithesis and rhyme.
2. Structurally, metrical poems are usually divided into four parts, namely, the first couplet, the parallel couplet, the neck couplet and the tail couplet. These four elements all have specific dual and meaning requirements. The first couplet usually introduces the theme or the poet himself, the parallel couplet usually describes the scenery or things, the neck couplet usually expresses the poet's feelings or thoughts, and the tail couplet usually summarizes the whole poem or leaves a aftertaste.
3. In phonology, metrical poetry requires that the last word of two or four adjacent sentences be the same or similar, so that the poem can produce a harmonious musical effect when read aloud. At the same time, the requirements for the leveling of regular poems are also very strict. Through the alternation and opposition of flat tones, we can form a sense of rhythm and cadence of musical beauty.
4. In terms of expression, metrical poems often use symbols, metaphors, hyperbole and antithesis to express themes and emotions. The use of these techniques makes the expression of metrical poems more rich, vivid and implicit.