Christina introduced the swan song.
China ancient pipa. There is a poem in Yang Yunfu's "Luan Jing Za Yong" in Yuan Dynasty: "I love pipa and don't put my
Christina introduced the swan song.
China ancient pipa. There is a poem in Yang Yunfu's "Luan Jing Za Yong" in Yuan Dynasty: "I love pipa and don't put my glass on the moon." The new song turns to Liangzhou song, and the swan pops up to avoid the sea. "Original note: Christina Na Swan, a new sound". It shows that this piece of music appeared in the Yuan Dynasty, and it is the earliest pipa music known today.
The following is what I arranged for you: I hope you are satisfied.
Background information of Haiqingna Swan
Hai Qing, also known as Hai Dong Qing, is a kind of sculpture that hunters use to hunt birds, such as swans. This song depicts the brave Christina confronting the swan in the sky. After fierce fighting, the swan was shot down, reflecting the hunting life of the northern ethnic groups in ancient China. This song was called "Taking Goose" for short in Ming Dynasty, and Zhang Xiong, a famous pipa player in Ming Dynasty, was famous for playing this song well. This piece of music is called "Christina", which was published by Hua 18 18 and 1895. 1860, Ju Shilin compiled "Gossip and Silence" and the pipa score * * * contains this song, which is called "Pingsha Wild Goose". 1926, The Book of Yang Pipa edited by Shen Haochu was published, which was very popular. It belongs to the Wu suite in performance, but it requires the use of more suite techniques, playing with the left hand and paying attention to the control of volume and timbre with the right hand. When the wheel string is picked and wound, the wound string will swing on the product, showing the voice of swan singing. In many places, the techniques of string spelling and string sweeping are used to describe the fierce scene of Christina's struggle with the swan.
Since the Yuan Dynasty, this kind of music has not only been circulated as a pipa, but also played as an instrumental ensemble as a whole or a fragment, such as *** 1694*** in the thirty-third year of Qing Emperor Kangxi and two pieces in the music score of Beijing Zhihua Temple. In the 19th year of Jiaqing in Qing Dynasty, there was a Christina in Chord Preparation compiled by Mongolian Rongzhai. Other folk percussion scores include Christina and Goose, which shows its wide spread.