Liu Yong, an iris
This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow, and the sky was dark." "Spring sorrow" means to bid farewell to sadness with a vision for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, it tries to avoid platitudes, trying to turn intangible into tangible, abstract into concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky.
Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts.
In the next film, the hero decided to drink a crazy song to get rid of his troubles: "I'm going to get drunk." However, forcing a smile will eventually make you feel "tasteless." From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. The knot "the belt is getting wider and wider" writes tenderness with a healthy pen and swears that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's resolute character and persistent attitude, and thus the realm of poetry can be sublimated.
He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Who is a young romantic stranger? I doubt whether I will get married and rest all my life. Even if you are mercilessly abandoned, you can't be ashamed. This is "decisive speech is wonderful"; The last two sentences of this word are based on Wei's words, but "the spirit is gentle" In fact, Yan Feng has said in "A Magpie Treading on the Moon" that "wine is often ill before flowers bloom every day, and you are not afraid of thinness in the mirror". Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in The Tales of the World that "those who have achieved great success in ancient and modern times must go through three realms when asked by universities", and he borrowed it to describe the "second realm" as "clothes are getting wider and wider, but they never regret it, and people are haggard for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.
Swallow tree in Huanxi
Although this word contains the meaning of hurting spring and cherishing time, it is actually a feeling of expressing feelings. Uptown: blending the past and the present, overlapping time and space, and reflecting on the past; Xia Tan skillfully borrowed the scenery in front of him and focused on today's sadness.
The language of the whole word is popular and fluent, beautiful and natural, with profound implications, inspiring and intriguing. The profound thinking on the life of the universe in Ci gives people philosophical enlightenment and artistic aesthetic enjoyment. From the sentence "a new word, a glass of wine, the weather was old last year", write about the present situation of listening to songs with wine. The author recalled the old amusement life of drinking with colleagues and filling in new words for performers. From the complex sentence patterns and light and smooth intonation, we can realize that the poet started with a relaxed and happy mood and a carefree attitude when facing the present situation. However, while listening and drinking, this situation triggered his memories of the similar realm of "last year": it was the same late spring weather as this year, facing the same pavilions, songs and wine as before. But it seems that under all the static appearances, it is obvious that something has changed irreversibly, that is, the long-lost years and a series of personnel related to them. So the poet could not help but pour out such a sigh from the bottom of his heart: "When does the sun set?" Sunset is a beautiful prospect. However, the poet's nostalgia for the beautiful scenery and the past, disappointment for the passage of time, and faint hope for the reappearance of good things. This is a feeling of the moment, but this feeling is actually not limited to the immediate scene, but extends to the whole life, including not only emotional activities, but also some philosophical meditation. The sunset cannot be stopped, and we can only hope that it will reappear in the East, but the passage of time and the change of personnel will never happen again.
The combination of "I can't help but feel deja vu" is skillful, fluent and subtle. It shows the originality and affection of the poet who used function words to form a neat antithesis and sang a sigh vividly, which is also the reason why this word is famous. But what is more worth pondering is the implication of this couplet: the withering of flowers, the fading of spring and the passing of time are irresistible natural laws, and even if you regret lingering, it will not help, so it is said that "there is nothing to do", which inherits the "sunset"; However, in this late spring weather, I feel not only helpless disappearance, but also gratifying reappearance. Isn't that a swallow who came back from dancing like an old acquaintance who built a nest here last year? This sentence should be "when will you come back". Although Flower Falls and Yan Hui are also prospects, once they are associated with "helplessness" and "deja vu", their connotations become very extensive and have the symbolic significance of beautiful things. In the interweaving of regret and comfort, there is a certain philosophy of life: all the good things that are bound to disappear can't stop them from disappearing, but at the same time, there are still good things reappearing, and life will not become nothingness because of disappearance. It's just that this reappearance doesn't mean the reappearance of beautiful things intact, but "deja vu".
The reason why this word is popular; Reading it widely, the fundamental reason lies in thinking in love. Ci seems to inadvertently describe some common phenomena, but it has philosophical significance and inspires people to think about the universe and life from a higher level. Ci involves such a profound thought that time is eternal and life is limited, but it is very implicit.
Looking back at this word, the author is recalling the good life in the past, but when will the old scene reappear when the sun sets and time flies? Falling flowers have also triggered a sense of helplessness in the passage of time; The swallows of deja vu flew away last year and will come back this year, but the past years are gone forever.
Thinking of this, the poet can't help wandering alone on the path full of flowers in the garden. Thoughts and actions form a double superposition, which echoes the memories of the last film in wandering meditation, creating a cyclical situation, making readers feel the preciousness of time more, with a strong poet's voice.
Picking mulberry seeds Ouyang Xiu
The first film is written on the scene of Yingzhou's late spring, and a "remnant spring picture" is dyed layer by layer. The author, on the other hand, dominated the whole poem with the praise of "West Lake is good", opposed the depression of poets in the Southern Tang Dynasty, enthusiastically praised the beauty of late spring, and wrote about the leisure when retiring.
In the next film, the tourists dispersed and the West Lake was exceptionally quiet. The word "spring day" creates an ethereal, quiet and leisurely artistic conception. In this silence, the poet suddenly discovered that in the late spring, there are also "extravagant" natural beauty, a quiet environment, and Tao Yuanming's pastoral charm of "the mountains are getting better and better, and the birds are going home". "The Return of Two Swallows" is a metaphor for Ouyang Xiu's retreat to Yingzhou, and his body and mind have gained a natural leisure that officialdom does not have. When he was lonely, he asked the swallows to whisper and chat with his companions to comfort him.
The whole poem not only describes the loss of the beauty of prosperity, but also discovers the beauty of emptiness. Although it is melancholy, it is more broad-minded, and some are lofty, which fully shows Ouyang Xiu's broad-minded mind about mountains and rivers.
Jiangchengzi? Sushi went hunting in Michigan.
The first film in the poem tells the story of hunting. Su Shi, at the age of 40, called himself an "old father-in-law", which was rather disconsolate. At first I said I shouldn't be crazy, but I said it myself, trying to find out the lofty sentiments of young people. The yellow dog leads with his left hand, and the goshawk carries it with his right arm. He wore a brocade hat and a mink coat. They led many followers through the hills quickly. It shows that this is a well-equipped and crowded hunting. The words and deeds of "Hu Anping Gang" go very fast, which shows that the hunters are in high spirits and full of energy. Low-level writers came out to watch the satrap hunt in return for people's connivance. He wants to shoot the tiger with a bow in front of the horse, just like Sun Quan did. Sun Lang is Sun Quan. The History of the Three Kingdoms records that during a trip, Sun Quan's mount was injured by a tiger. He calmly killed the tiger in front of the horse. After describing the mass scene of hunting to a great extent, it particularly highlights the author's arrogance when he was young.
The following films are mainly lyrical. What does it matter that the writer's chest is a little white after drinking? The author doesn't care about his aging, but more hopes that the court can reuse him and give him the opportunity to make contributions. Here, the author uses an allusion. According to Records of Historical Records and Biography of Feng Tang, during the reign of Emperor Wen of Han Dynasty, Shang Wei was the satrap of Yunzhong and made contributions to the fight against Xiongnu. He was convicted and dismissed only because he missed six heads when he reported his merits. Later, Emperor Wendi took Feng Tang's advice and sent Feng Tang and Jeff to the cloud to pardon Shang Wei. Here, the author uses Shang Wei as a metaphor, saying that when can the court reuse itself as it sent Feng Tang to forgive Shang Wei? Finally, the author expressed his ambition to contribute to the defense of the enemy of the country, saying that I will definitely pull the bow and shoot at Sirius in the northwest. Sirius, according to the "main invasion and plunder" contained in Jin Zhi, here refers to the Xixia army invading from the northwest. At the end of the sentence, Su Shi expressed his patriotic spirit of serving the country and caring about the destiny of the country.
This word is bold and unconstrained in theme, emotion, artistic image and language style. It is completely different from Yan Shu's Huanxisha. After writing this poem, Su Shi wrote a letter to a friend, saying that this poem "is a family although it doesn't smell like Liu Yong" (Jane), indicating that the author at that time realized that there were two different styles of ci, and Su Shi consciously created his own style in some of his own ci works.
Ding Fengbo Su Shi
This word was written in the third spring after Su Shi was demoted to Huangzhou. Through the encounter of wind and rain on the way to the wild, I saw the profound meaning in simplicity, gave birth to a strange alarm in the ordinary, showed a broad-minded and detached mind, and embodied an extraordinary life ideal.
The first sentence, "don't listen to the sound of leaves beating in the forest", on the one hand makes the storm crazy, on the other hand points out that foreign things are not enough. "Why not sing and walk slowly" is an extension of the previous sentence. Walking in the rain as usual, echoing the small sequence "My colleagues are in a mess, I don't feel lonely", which leads to the following "Who is afraid", that is, I am not afraid to come. Xu Xing's chanting is to be written twice as much: the word "Why not do it" reveals a little playfulness and adds a more challenging color. The first two sentences are the pivot of the whole article, and the words and feelings behind them are born from this.
"Bamboo shoes are lighter than horses", the lyricist, bamboo shoes, braved the wind and rain and walked calmly, conveying a relaxed, happy and heroic feeling of fighting the storm and facing life with a smile. The sentence "a misty rain will last a lifetime" goes further, pushing it from the immediate wind and rain to the whole life, effectively strengthening the author's detached feelings in the face of ups and downs in life, not afraid of ups and downs, and taking his own path. The above sentences show broad-minded and detached mind, full of open and bold spirit, and contain unique life feelings. Reading them makes people refreshed and relaxed.
After the film, the phrase "the hills are slanted but greeted with each other" is written after the rain clears. These words not only correspond to the wind and rain written in the last film, but also pave the way for the following life feelings.
"Looking back at the bleak land, rain or shine." This is the crowning touch full of philosophy of life, which tells the epiphany and enlightenment that the poet got at a subtle moment in nature: rain or shine in nature is ordinary, and there is no difference. What is the political situation, honor and disgrace in social life? The word "bleak" in the sentence means the sound of wind and rain, which corresponds to the sound of "beating leaves through the forest" in the previous work The word "wind and rain" is a pun, which refers not only to the wind and rain encountered in the wild, but also to the political "wind and rain" and the dangerous road of life that almost killed him.
Throughout the poem, readers are presented with a sober, happy and sad life philosophy and attitude. Looking at the complete word, we will have a new understanding of the ups and downs of life and the sadness of emotions.
Li Chi Ngai of Boolean Operators
This poem "Bu Operator" is the representative work of Li Zhiyi, a poet in the Northern Song Dynasty. Appreciating this word may have a deeper understanding of the love and friendship of the ancients and the unique emotional differences of the Chinese nation.
This seemingly clear word, in fact, is very profound, showing a lovesick woman's deep and endless mental state of missing her husband. "Me" and "Jun" may be a couple from childhood, or an affectionate woman working by the river met her husband. At this time, they have lived in the head and tail of the Yangtze River for a long time, so the woman expressed the lovesickness psychology of "thinking about you every day". This long-awaited psychological torture has not been seen for a long time, and the more I think about it, the more I rise to anxiety and desire, including hidden worries. However, although these various emotions are complex, the surface is unusually calm, and the whole emotional tone is strong and sincere, but the language is indifferent and natural. This inner burning is hidden. At the same time, it also embodies China's traditional aesthetic style of "neutralization".
Next, the author deepened the voice of the lovesick woman and conveyed her firm belief that "when the Yangtze River runs out, lovesick" and hated "when will it stop!" Here, "love" has accumulated over time and turned into "hate", but this is not "negative love and hate" but "infatuated hate". The last sentence expresses the expectation of Mr. Lang. Although a little sad, it shows that women have a heart like a rock, a feeling like a river, and an unswerving belief.
Acacia is a woman's psychology, which is difficult to describe, and the traditional psychological modality of ancient women in China is the most important. However, the author successfully describes this psychological and emotional difference. In this poem, the author tries to use simple and natural language, which is implicit and meaningful, showing that the feelings of lovesick women are firm and sincere, but graceful and gentle, and the language is extremely weak. The lighter the language, the stronger the feelings and the deeper the light, which has the effect of storing water and fire. The word is cleverly conceived. The whole article is linked with the specific scenery of "Yangtze River Water", and every sentence is linked with "Acacia", which naturally and skillfully combines "Yangtze River Water" with "Acacia".
The author's "Busuan Fu" has won the charm of folk songs and is as clear as words. At the same time, it has a new originality in the conception of literati's words, which has turned the direct enthusiasm of folk songs and folk words into a profound and graceful song, and turned the emphasis on words into a simple and subtle one.
At the end of this word, eternal love is written in isolation, giving people a feeling that rivers and streams will flow forever. The whole poem takes the Yangtze River water as a lyric clue. The long Yangtze River water is not only a natural barrier on both sides of Wan Li, but also a natural carrier to connect with each other and send affection to distant places. It is not only the trigger and symbol of long lovesickness and endless hatred, but also the witness of eternal love and expectation between the two sides. With the development of ci poetry, its functions are constantly changing, which can be described as inexhaustible.
Jane yimei and Li Qingzhao
This poem was written after Qingzhao and her husband Zhao Mingcheng left, which conveyed the author's deep affection for parting. This is a skillful lyric poem.
The first sentence of the word "Red Lotus Fragrant Jade Autumn" is quoted in the whole article. The first half of the sentence "the lingering fragrance of red lotus" is about outdoor scenery, and the second half of the sentence "Yuqiu" is about indoor things, which plays a role in the clear autumn season. The whole sentence is colorful and vivid, which not only depicts the surrounding scenery, but also sets off the poet's feelings. The artistic conception is cold and quiet, with fairy wind aura. Flowers bloom and fall, which is not only a natural phenomenon, but also a personnel symbol of joys and sorrows; The cold pillow is not only the touch between the skin, but also the desolation and loneliness inside. The first sentence sets a beautiful lyric tone for the whole poem.
The next five sentences, from day to night, describe what the poet did, touched and felt in turn. The first two sentences, "Let Luo Shang leave lightly and get on the green boat alone", are about boating on the water during the day, implying the situation and insinuating feelings with the word "independence". The following sentence "Who sent Yunjin Book" clearly explains the suspense after leaving. Followed by the words "the geese return, and the West Building will be full in the next month", which constitutes an artistic conception. In order, it should be the full moon, go to the west wing, watch the clouds, watch the geese return, and think about who sent the brocade book. The word "who" naturally implies Zhao Mingcheng. But the bright moon is complacent, but people are not round; The word "wild goose" is empty, there is no brocade book, and there is a sigh of "who sent it". If you say "who sent it", you can know that no one sent it. The poet missed the whereabouts of the wanderer and looked forward to the arrival of the brocade book, so he drew the daydream of passing the book by wild goose feet in the distance. And this fascinating feeling and reverie, far away from the horizon, haunts the poet's mind all the time.
The sentence "Flowers drift from one place to another, and water flows from one place to another" is a connecting link. This is both temporary and exciting. The scene of falling out of the water is far in line with Shangluo's words of "red lotus root fragrance" and "being alone in Lanzhou". And the life, years, love and parting it symbolizes give people a desolate and helpless hate.
Since then, the next film has become a direct lyric, which is unfolded in a lonely way. The phrase "one kind of lovesickness, two places of idleness" reminds the other party of his lovesickness and idleness at the same time, knowing that this lovesickness and idleness are not one-sided, but two-sided, thus seeing that the two hearts are printed together. These two sentences are also the supplement and extension of Shang Gan's sentence "Up in the clouds", which shows that although the water is far away, the book is in the future, and the love between the two places is the same at the beginning, which fully proves the deep affection and mutual trust between the two sides. These two sentences are both separate and integrated. Taken together, from "one kind of lovesickness" to "two kinds of leisure worries" is the separation and deepening of two kinds of feelings. Its combination shows that this situation is one and two, two and one; Its deepening tells us that this situation has changed from "thinking" to "worrying". The next sentence "I can't eliminate this situation" is followed by these two sentences. It is precisely because people are divided into two places that deep sadness has been hanging over their hearts. Of course, it is hard not to consider this situation, but "only under the eyebrows, but in my heart."
"This situation can be eliminated, only frowning, but in my heart." Three sentences are most praised by the world. Here, "frown" corresponds to the ups and downs of "heart", "talent below" and "frustration above" The sentence structure is very neat, and the expression technique is also very clever, which has a strong artistic appeal. Of course, these two four-character sentences are only an organic part of the whole word, not the only one. It depends on the contrast of the whole article, especially because it contrasts with the other two sentences, "one kind of lovesickness, two leisure worries", which complement each other.
Su Shi in Huanxisha
The word Huanxisha was written by Su Shi at the age of 43 (1078) when he was a magistrate in Xuzhou. There was a serious drought in Xuzhou that spring. As a local official, Su Shi led the masses to the stone beach 20 miles east of the city for rain. After the rain, he went to the stone beach to thank the people for the rain and dew. This group of words was written on the way to Xumen Stone Beach to thank the rain.
The beginning of the sound of "clothes and towels rustling jujube flowers" reflects the joy of a satrap who cares about the life of the people in the new countryside after the rain. The sound of jujube falling on the towel is slight, but it is so real in the author's ear. "South Village North Village" summarizes the sound of "pulling a cart", which shows how earnest, careful and excited the author is. "Cow clothes and ancient willows", the author wrote his happy mood for vegetable harvest from another angle. Three sentences and three pictures seem to have nothing to do with each other. However, using this line on the road in Xie Yu makes people feel that this cartoon has a strong three-dimensional sense. This set of pictures is not only beautiful in color but also beautiful in music. Whether it is the rustle of falling flowers, the hum of cars or the cries of melon farmers, they are full of rich life breath and vividly show the thriving scene in rural areas.
The first part is about the busy scene of rural productive labor, and the second part is about the hardships on Xie Yu's road. Walking from one village to another, it was already very hot and people were thirsty. Besides, they are sleepy and sleepy. I can't help thinking of quenching my thirst with tea and refreshing myself with tea. The word "question" is used with great care, which not only expresses the author's desire to have a cup of tea to quench his thirst, but also worries that it is inconvenient to rush in without farmers during the busy farming season. It depicts a well-known image of modesty and approachability, and describes the relationship between a satrap and ordinary farmers in a cordial and natural way. The scenery and characters in the whole poem are vivid and vivid, with strong local flavor, which opens up a new world for the theme of Song Ci.
The word "knock on the door and ask the savage" came to an abrupt end here. What is the result of the poet knocking at the door? Did you drink tea? How did the farmers entertain him? There is no explanation between the lines, leaving the reader to imagine, endless. This is what classical poetry pays attention to, that is, "the implication between the lines is endless."
There is a sentence in the word "Huanxisha", which is actually an inverted sentence of "jujube flowers falling off clothes and towels"; In Du Fu's poem "Flourishing Autumn", there is the original meaning of "fragrant rice pecks at parrot grains, phoenix perches on old phoenix branches". While the subject and object are reversed, the objects "Xiang Dao Li" and "the place of competition" are also dismantled and belong to the subject and object position. Hong, a poet in A Qing, said: "Only when poets use inverted sentences can they feel strange and vivid." .
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