Modern: Mao Zedong
The Red Army/not afraid/expedition/difficulties. Stress (fear, difficulty)
Wanshui/Qian Shan/just idle. (ten thousand, etc. ) pressure
Wuling is winding/rough. (Teng, Lang) Stress
Wumeng majestic/walking/mud pill. Stress (Mongolian and Malu)
Jinsha/Shuipai/Yunya is warm. Pressure (water, temperature)
Dadu/Qiao Heng/Tiesuo Factory. Pressure (bridge, cold)
Geng Xi/Minshan/Li Qianxue. (More, snow) pressure
After/after/after/after/after the start of the three armies. Stress (military, fatigue)
Translation:
The Red Army is not afraid of all the difficulties and hardships on the Long March, and regards Qian Shan as ordinary. Wuling Mountain is endless, but in the eyes of the Red Army, it is like a small billowing wave. Wumeng Mountain is tall and majestic, but in the eyes of the Red Army, it is like a mud ball rolled under its feet.
The Jinsha River is covered with turbid waves, and the rushing water beats against the towering cliffs, giving people a warm feeling. The Luding Bridge on the Dadu River spans the east and west banks, and the iron cable hanging high in the air is shaking and chilly. What is even more gratifying is that the mountains are thousands of miles away and covered with snow. After the Red Army crossed, everyone was in high spirits and laughed.
Extended data:
The Seven Laws Long March was written in late September of 1935 and finalized in June of 10. The first seven laws were written by Red Army soldiers after crossing Minshan Mountain and shortly before the end of the Long March. As the leader of the Red Army, Mao Zedong has withstood numerous tests. Now, dawn is coming and victory is in sight. He wrote this magnificent poem with excitement.
"The Red Army is not afraid of the expedition, and Wanshui Qian Shan is only idle." The first couplet comes straight to the point, praising the revolutionary spirit of the Red Army, which is not afraid of difficulties, brave and tenacious. This is the central idea of the whole article and the artistic tone of the whole poem. It is the beginning of the whole poem spirit and the end of the whole poem artistic conception.
The word "not afraid" is the poetic eye of the whole poem, and "just waiting for leisure" strengthens and reiterates "not afraid"; Difficulty in Expedition covers this extraordinary historical process, while Wan Shui Qian Shan outlines the internal and external meaning of "difficulty". This couplet is like a falling stone, rolling down, affecting the whole article and hanging over the whole poem.
The whole poem begins with the first couplet, develops two ideas and constructs two time and space. One is the objective reality: "Expedition is difficult" and "Qianshan" is full of dangers; One is subjective psychology: "not afraid" and "just idle". This constitutes a strong contrast, casting a vast physical space and magnificent psychological space, laying a bold and broad tone for the whole poem.