Wang chuanxue
In Tang and Song Ci, there are also many excellent works praising lotus flowers.
First look at Nanxiangzi written by Li Xun, a five-pronoun person;
Riding on a float and crossing the lotus pond, the song is melodious and wakes up the sleeping mandarin duck. Girls full of fragrance only feel smiling at their companions. These girls are all beautiful. They are smiling. They fold lotus leaves to keep out the sunset.
This poem was written by the poet in his early days. Li Xun * * * has the word "Nanxiangzi" 17, which describes the local customs of southern water towns, with distinctive local colors, strong flavor of life and strong flavor of folk songs. This word, written by a girl from a water town in the south of the Yangtze River, is very touching. It was written in Li Antang, Takanashi.
"Take a float boat, cross the lotus pond and sing a song called Sleeping Mandarin Duck." Write about girls roaming the lotus pond. In summer, the pond is full of lotus flowers, clear water rippling, clear sky and sunset glow, and the scenery is harmonious. A group of girls are riding colorful cruise ships, paddling leisurely and swimming in faith. They entertain themselves, sing in harmony, and the elegant and quiet atmosphere is intoxicating. Inadvertently, the melodious song alarmed the sleeping mandarin duck between the lotus leaves. This broke the quiet situation, aroused the girls' reverie, aroused infinite interest, and led to the following.
As the saying goes: which girl doesn't love spring! The last three sentences are exactly the state in which girls are touching the scene and expressing their desire for love.
The phrase "The girl swims with fragrance and laughs with her" is followed by "Sleeping Yuanyang wakes up", which depicts a girl playing with meticulous brushwork. The wandering girl shocked Yuanyang, who lived alone, and Yuanyang shocked the girl's longing for love and longing for happy love. The word "fragrant" gives people the feeling that "my words haven't been spit out yet, and my spirit is like an orchid", which is a true portrayal of a girl. They looked at Yuanyang who occasionally lived together in front of them and thought about the people in their hearts. They have a tacit understanding of each other. With their charming smiles, they reveal their inner tenderness and sweetness, exude the delicate fragrance of girls and touch people's hearts.
Girls who are immersed in the sweet love of chasing taste are more shy and gorgeous than each other. In a word, it is not allowed to describe them one by one. Thanks to the author's idea of "competing for beauty", he tried his best to write a beautiful girl who fell in love with spring, leaving readers with unlimited imagination.
The girls' strange gestures may have attracted the attention of other tourists. They find it hard to be affectionate, so they are ashamed and then quick, and take a round lotus leaf from the water to block the sunset and avoid the onlookers, just to enjoy the sweet taste of yearning for love. The phrase "competing with the lotus for the evening photo" not only depicts the lively behavior of the girl, but also reveals a shy expression. Brilliant sunshine, green lotus and blushing face constitute a bright and wonderful picture.
This poem draws a lively and pretty genre painting with a gorgeous and bright surface. The scenery is beautiful, the characters have both form and spirit, the witty remarks are vivid, beautiful but not demon, gorgeous and capable, and won the charm of folk songs.
Ouyang Xiu, a poet in the Northern Song Dynasty, wrote The Beauty of Lotus and Yue Nv.
Yue Nv autumn waters, narrow sleeves and light, double gold cymbals hidden. Taking pictures and picking flowers like an airplane leaves only chaos in my heart. ? ? The beach is stormy late, the dew is heavy, the smoke is light, and no companions are seen. The faint song went away, leaving sadness to lead Jiang Nanan.
Next to the clear autumn water, a beautiful Jiangnan girl is picking lotus. Lightweight sleeves and a gold ring hidden on the jade wrist outline her graceful posture and figure. Her charming face is reflected on the water, competing with the lotus flower. Her delicate hands picked the fragrant lotus root, but it didn't hinder the fall of the stem, which lifted her endless feelings ... In a blink of an eye, it was late and the wind was falling, and the girl immersed in reverie suddenly came to her senses and saw a group of frivolous evening smoke, thinking of her companions. At this time, there was a faint song in the distance, only to hear it farther and farther, and the lingering sound curled up on the bank of the south of the Yangtze River, as if it had spilled all the way.
The first film was about the beauty of a girl picking lotus in Vietnam. "Narrow sleeves are light, revealing double gold." "Narrow sleeves and light trousers" refers to thin short-sleeved trousers. The poet's description of clothes is only a part of Yue Nv's clothes. The clever use of a word "narrow" and a word "light" not only shows that this dress meets the needs of lotus picking in Yue Nv, but also highlights the graceful beauty of Yue Nv. Keep writing about dressing up. "Dark dew double gold cymbals." "Dark dew" appears and disappears instantly, full of subtle and hazy beauty. The gold hidden dew on the jade wrist has a wonderful aesthetic feeling, and it is meaningless to show it completely. "Take a picture, pick flowers like noodles, and your heart is only struggling." The first sentence is about Yue Nv's beautiful face. Yue Nv reaches for the lotus, his shadow is reflected in the water, and his face is like a beautiful lotus (flowers here are like people's faces). In fact, flowers are a metaphor for people here, which shows the beauty of Yue Nv. The next sentence is "the heart is only * * silk." "Heart" describes Yue Nv's beautiful heart, and it often refers to the girl's heart in "Seeds of Love". "Silk" refers to the silk torn from the broken lotus stalk. "Silk" and "thinking" are homophonic, meaning "acacia". "Desire for chaos" means the chaos of lovesickness, suggesting that Yue Nv is full of emotion. It can be said that these two sentences vividly and implicitly show Yue Nv's "heart" and his yearning for a better love life.
The writing environment of the next film suddenly changed, and the feelings of the girl picking lotus flowers gradually became obvious. "? The wind and waves at the seaside are late, heavy smoke is light, and no companions are seen. "These words mean that it's getting late, the wind is blowing on the beach, the lotus pond is choppy, the fog and smoke on the lotus pond are diffuse, and no companions are coming together. "? The storm on the beach came late, which rendered the tense atmosphere and showed the change and passage of time. "There are? The image of Zhen, also called Zi Yuanyang, is often paired. How does Yue Nv feel when he can't find a companion? The poet does not write directly, but leaves it to the reader to think. But at the end, it says: "The faint song is far away, and the sorrow leads to Jiang Nanan." I vaguely heard my friends singing home. Singing means a kind of happiness, which creates an atmosphere for eliciting Yue Nv's "sadness". Then, the last sentence, "Sadness leads to Jiang Nanan", filled with the cheerful songs of his companions on the south bank, which triggered the loneliness of Yue Nv. What is "leaving sorrow"? Perhaps it is the sadness of parting, or it may be the trouble of lovesickness, or it may be a person's bitterness. In this way, it is not only subtle and profound, but also can arouse people's reverie and have infinite aesthetic effect to end with a happy scene ("A faint song goes far away") to express sadness ("Leaving sorrow to Jiang Nanan").
Zhou Bangyan, a poet in the Northern Song Dynasty, wrote a poem "Lotus after the Rain" in "Su Mu Zhe", which is vivid:
Burn incense and cool off the heat. Birds call clear, intrude into the eaves. The leaves of Chuyang withered all night, the water was clear and round, and the wind and lotus rose one by one. My hometown is far away. When will I go? I live in Wumen and have been traveling in Chang 'an for a long time. Do the fishermen in May remember each other? Xiaobian canoe, dream into furongpu.
Although this word is written about the feeling of living in Bianjing for a long time and wanting to go home in summer, it is famous for describing the wind god of lotus flowers and is praised by Wang Guowei as "the god who can really win the lotus." The poem takes the lotus after the rain as the object of description, and in a few words, it shows the beautiful scenery of the lotus pond after the rain to the fullest. The main purpose of poetry is not to chant things, but to express the poet's homesickness. The whole poem ends with a dream, which leads the reader into the same real and illusory dream.
The first movie was about what I saw and felt when I woke up. The first four sentences describe the characteristics of time and season, which seem ordinary, but in fact they are quite ingenious and meticulous. Although the phrase "burning agarwood" can form a smoky picture, it is not a description of action, but a description of smell. When the poet woke up, he smelled that the agarwood lit last night was still in the room, and the sultry summer heat had disappeared. The phrase "relieving summer heat" contains tactile reaction, which is the poet's first feeling after waking up. "Birds Singing Clear" is the second feeling after waking up, and it is written from the aspect of hearing. The summer heat is gone, the weather is fine, and the birds are also very active, revealing the joy brought by the new sunshine after the rain from the noisy songs. "Peeping at the eaves at dawn" is the third feeling after waking up. It was written from the visual aspect, which further supplemented Hu Qing. When the poet heard the birds chirping, he immediately opened his eyes and looked out of the window, because he was concerned about the weather. The first thing Fu saw was the birds standing on the eaves peeping down and barking at each other. The "language" here is not just singing, but focuses on describing the movements of birds shaking their heads, opening their mouths and wagging their tails when singing, which is a visual image. The last four sentences are on the first floor.
The sentence "Chu Yang dries the night rain on the leaves" is the second floor. These three sentences are the key words in the poem, and they are what the poet saw when he came outdoors. After "Chuyang" comes "Sunny", and after "Su Yu" comes "Summer". Lotus leaves reflect the brilliance of the rising sun, further visualizing and concretizing the word "sunny". The evaporation and drying of "Su Yu" not only highlights the word "sunny" but also closely follows the seasonal characteristics of "summer". This sentence is like a close-up, even the raindrops on the lotus leaf and the process of raindrops being "dried" are taken into the picture. The image is so realistic! "The water is clear and round" is an extension of the sentence "on the leaves". The poet opened the camera very far and pushed it very high, then looked down at the whole lotus pond and finally photographed the round lotus leaf covered with water. Then, pull down the camera, shift the angle and take horizontal photography. The camera moves slowly on the water: the slender lotus leaf seems to be held high, swaying in the morning breeze and shrinking in front of the camera. These three sentences, from different angles, different sides and different lenses, make the image of lotus colorful and lifelike. Wang Guowei praised these words in "Words on Earth" and said, "He who can truly get the truth of the lotus."
The next movie is about nostalgia for my hometown. The first four sentences are homesick. Change the first two sentences and pretend to push them down. The brushwork turns from reality to emptiness, thinking of the distant hometown from the lotus in front of me, which leads to deep homesickness. The phrase "staying at the meridian gate for a long time and visiting Chang 'an for a long time" connects the past and the future, and puts the imagination of space at two points: one is the meridian gate and the other is Chang 'an. But the two places are still linked by lotus flowers. Three sentences of "Possibility" write sleepwalking. These three sentences further narrow down and concretize the isolated two points. Wumen became Yu Lang and Chang 'an became the poet himself. The word "possible" is a long line connecting time. It connects the past at one end and the present at the other end ("summer"), and even involves the poet's dream. "Dream in Furong Pu" finally narrowed the distance between time and space, and made the poet satisfied with his homesickness for a moment. The next film is lyrical, narrates dreams, looks at the scenery in love, echoes the sentences with the method of holding back, and complements the picture of "clear and round water".
The content of this word is very simple, the whole article is 62 words, which is nothing more than lotus and its related events. However, the poet is good at condensing the lotus image and its related events and comparing them from different sides and angles. Thus, the aesthetic feeling of the work is clearly displayed in front of the readers, so that the readers have an immersive feeling. This is reflected in the first movie of word. Although the seven sentences in the last movie have different sides, it is commendable that each sentence is action or visual, and almost every sentence can form one or several pictures and a lens from different angles. The connecting medium between the shots is almost compressed by the poet to a unique tiny degree. The poet's feelings and aesthetic feeling are expressed through the combination of pictures, shots and montages.
The word focuses on the lotus, scatters from this point, and finally focuses on this point. The whole word can be divided into four layers, and the first four sentences of the first part are one layer, which sets off the atmosphere in the early morning after the rain in May. The last three sentences describe the Shen Feng of Lotus in many ways. The first four sentences of the next film are on the first floor, with two different positions of "Wumen Gate" and "Chang 'an" overprinted respectively. In the last three sentences, the scattered side of the first few floors is summarized and collected by Dream into the Lotus Shop.
Zhou Bangyan is a master who is good at using artistic language. He often creates vivid images with beautiful words, sometimes carefully carved and colorful. Sometimes, we use allusions to melt the ancient poems and songs. However, this poem neither uses allusions nor melts the poems of predecessors, but mainly uses words extracted from life, which accurately and vividly shows the charm of lotus flowers, expresses their homesickness, and has a calm, elegant, natural and fresh charm.
Re-examine the Song Dynasty poet Jiang Kui s Nian Nujiao;
Ke Wuling, a native of Xianzhi, Hubei Province, is in Yan. The ancient city is wild with water and towering trees. On the same day, I went boating with two or three friends, during which I spent mint and got drunk, and my image was carefree and unlike people. Autumn water is dry, and lotus leaves come out to find their feet. Because the pillar sits under them, they can't see the sun, and the breeze automatically passes over Xu Lai and Lv Yun. It is also a pleasure to catch a glimpse of tourists drawing boats in sparsely populated places. When I came to Xing Wu, I counted among the sheep and the lotus. At night, the West Lake is flooded and the scenery is amazing. So write in this sentence.
Make a scene. Remember to try Yuanyang for company when you come. Thirty-six cruel people have not arrived, and there are countless water clothes. The green leaves are cool, the jade capacity sells wine, and the rain falls. Shake, Leng Xiang flies to the poem. ? At dusk, my lover disappeared, and I struggled to endure Ling Bo. I'm afraid the dance clothes will fall off easily when they get cold, and I'm afraid I'll enter Nanpu and Xifeng. High willows hang in the shade, old fish blow the waves, leaving me to live in the flower room. How many fields, how much back to the sand.
This is a poem about objects, which uses lotus flowers to express a person's life. This poem "Ode to the Lotus" brings readers to a wonderful quiet and ethereal world, where people have been looking for beautiful women and dreams ... From the preface of this poem, we know that Jiang Kui has spent many times with friends in the scenery of the lotus pond in the south of the Yangtze River, because he thinks it is "a leisurely image, not like a humanistic environment".
The beginning of the word brings the reader to that beautiful realm: it is the time when the lotus is in full bloom, and couples of mandarin ducks are boating along the way. It's really a lotus world. There are few people here, only the lotus pond can't be seen, the blue waves are rippling and the lotus leaves are flying. "Water wears clothes and dresses" originally refers to beauty ornaments, but instead refers to lotus leaves and lotus flowers. Zhou Bangyan's "One Wind Lotus Lift" won the lotus spirit. From the green lotus leaves, a cool breeze blows, and the bright lotus flowers seem to turn red when the beauty's jade face fades due to alcohol. A burst of rain drifted from the branches, and the lotus flowers were graceful, smiling and spitting a faint Leng Xiang. Aroused the poet's poetic interest and wrote beautiful poems.
How nostalgic this beautiful scenery is. However, time has passed quietly, and it is dusk. I saw a hooded violet, slim and graceful, just like Ling Boxian waiting for her lover. No one saw it and wanted to go and stay. I am afraid that the west wind will blow, such as the leaves in the dance clothes can't stand the bleak autumn wind, and I am even more afraid that the ruthless autumn wind will turn Nanpu into a depression and sorrow. There are tall willows hanging down from the shade, and fat old fish making waves, all of which must make him live among the lotus flowers. The poet said: There are countless lotus leaves in Tian Tian. Do you remember how many times I wandered by the sand embankment on my way home?
Jiang Kui described the scenery of the lotus pond very vividly and emptied the elegant words and ink. The recited lotus not only has the physical state of lotus, but also makes people vaguely see a beautiful lotus incarnation fresh and fragrant. She "sells wine with jade capacity" blushes like a lotus, and she "smiles" like a blooming flower. Lotus grows in the water, she is like a fairy; Lotus fragrance is quiet, and she is a beauty "Leng Xiang". Flowers are like beauties, and beauties are like flowers. They are in a trance and have hazy beauty.
What's more, the word "Jiang Kui" expresses the most sincere love for lotus. Jiang Kui's life is broad-minded and poetic. He wrote "the lotus pond with a leisurely image, unlike people", in fact, in order to reflect an ideal realm he pursued. In this pure and flawless realm, there is a beauty on the water side. "The green leaves are cool, the jade capacity sells wine, and the drizzle sprinkles. And shook it, and Leng Xiang came and laughed. Isn't this a poetic and romantic relationship? "The sunset is green and graceful, and my lover has gone, so I will fight for Ling Bo." The lotus flower is so affectionate to the poet, and the poet is also infinitely attached to the lotus flower. "I am afraid that the dance clothes will be cold and easy to fall, and I am worried about the west wind Nanpu." Therefore, it may be said that Jiang Kui's Nian Nujiao is really a lotus love song. Because lotus is a symbol of noble character in China literature, doesn't Jiang Kui's love for lotus lie in his own pursuit of an extraordinary ideal of life? Jiang Kui writes about lotus flowers, not only describing the shape of lotus flowers, but absorbing the spirit of lotus flowers, integrating his own feelings and experiences, and integrating his own personality and charm. Writing flowers is actually writing people. Jiang Kui's poetic pen is vivid and full of wonderful imagination and enlightenment. This kind of writing is quite different from the way ordinary people actually describe the scenery. For example, readers must give full play to their imagination to taste the poem "Shake with a smile, Leng Xiang flies in poetry", otherwise it will be like Wang Guowei's "seeing flowers in the fog". Write a paragraph of pity and attachment to the lotus, lingering, deep feelings, people feel the author's broad mind and emotional attachment.
In the poem "Water White Lotus" written by the poet Wang of the Southern Song Dynasty, the lotus flower was written as a lady who washed away lead flowers and jade bone ice muscles;
Cui Yun hugged Huan Fei from a distance and danced in the night. Lead flowers are washed clean and slowly flow out of the bathtub, Ying Ying explained. It's too cold, too cold. The seamounts are all here according to the contract. What's the harm? Even on earth, there is no ice and snow, but it is helpless and frequent. Thirty-six vicious misty rains. Old and desolate, who can I complain to? Now it is said that the fairy posture is self-purification and the heart is more bitter. When the socks just stopped, Yu untied them and went to the waves early. Try to ride the wind and come back at the end of the month to trim the flower spectrum.
The blooming white lotus in the pool was transformed into the dead soul of Yang Guifei by the poet's imagination, while the lotus leaf was compared to Yun Lan, who surrounded the dancing imperial concubine. Graceful Bai Lianhua, like Yang Guifei stepping on the melody in front of the candlelight lamp, presented a costume dance to the Tang Emperor; The net beauty of hibiscus water is naturally related to Yang's posture out of the bath. Yang Fei is empty, the white lotus is real, and the virtual and the real coexist, which makes people feel the elegant beauty of the white lotus when it blooms. The poet compared the white lotus to the imperial concubine, which not only described the shape of the white lotus, but also revealed the charm of the lotus. However, at the beginning of the Anshi Rebellion, Yang Fei hanged himself on Maweipo, and the Great grandfather pool was desolate from then on, and the vows of the Palace of Eternal Life were unbearable with the loss of the fragrant soul. Xia Kun described his misery and misfortune after he fell into the world, and lamented the tragic fate under the ups and downs of the times. "The fairy posture is self-purification, and the heart is more bitter." There can only be some good hopes and expectations, which are difficult to achieve in the troubled times of the military. Obviously, this word implies the bleak experience of palace concubines after they came out of the dust. But by extension, it is also a lament for those literati who want to keep moral integrity in troubled times.
On Yan by Jie Jiang, a poet in the Southern Song Dynasty;
Dream of the Tang dynasty, the palace in the late spring, it is the time to dance. Choe Yun's team wore crimson clothes, and slowly, they hung their hands. Suddenly, I got up in a hurry and flew out like Cai Feng. I dreamed of seeing Princess Wan Qiong and seeing the lotus being blown by the wind.
Jie Jiang likes to sing lotus, and this word is his work of singing wind and lotus. "I dreamed of the Tang Dynasty, and at the end of spring in the palace, I was dancing." In the poet's imagination, Lotus is a beauty of Tang Palace dancing in clothes. The scenery is blurred, the skirt is foggy, and with the radiant posture, it keeps spinning in people's minds. But "until the drums of war, from Yuyang, shook the earth" broke the dance music, and the dream of greed was suddenly disillusioned. I Can't See Princess Wan Qiong in My Dream is a sad song about the decline of my old country. At the end of the topic, "Look at the lotus, blown by the wind", the dream was completely wiped out.
This word gives people a beautiful realm. In the days after summer, the morning light penetrates the horizon, and the cool wind blows gently, rolling up many lotus umbrellas on the water. He Shili Pound is flying. Although the lotus is facing autumn and will wither, readers still seem to understand its emptiness and confusion in depicting the realm.
This word is Feng He's swan song, which gives people a beautiful enjoyment.
In artistic conception, poets also have "extraordinary" ideas. Use wind and lotus to convey spirit and express emotional sustenance without trace. The poet personifies the wind lotus in a dream way. The writing is fluent. And the artistic conception is particularly deep. The poet wrote an elegy for the Southern Song Dynasty through the romantic expression in his ci.
The homonym "love" of lotus is often used as an image to express love in ancient poetry. There is a saying in "Midnight Summer Song" written by Yuefu in the Six Dynasties: "Pick hibiscus every month and get lotus seeds every night". The word "lotus" is homophonic with the word "pity", which means love for lovers and expresses love by picking lotus.
A person who has two flowers in one stem is called "Bing Xu Lian" and is regarded as a symbol of a couple or husband and wife. Such as the Yuefu poem "Qingyang Crossing": "Green lotus covers green water, and hibiscus is red and fresh. There are lotus roots on the bottom and lotus roots on the top. " . Zhong Shu, a monk in the Song Dynasty, said in Lotus: "I think the head of a mandarin duck died in vain, and the two souls turned into good flowers." After the death of Yuanyang, the two souls turned into ice love, which is sincere love.
Yuan Haowen, a poet in Jin Dynasty, touched the fish? Use the word "ask lotus root" to describe the loyal love with ice land. There is a small order before words:
In Taihe, there are celebrities and children, and some people go to the water with their own feelings. Officials are traces, but there is nothing to see. After that, the person who stepped on the lotus root got two bodies in the water, and the clothes could be checked, but they were white. It is another year in which the lotus flowers are in full bloom, without exception. Qin Shuiliang, the judge made a record for Li, John said. This song is Yuefu's Double Bitterness. The mouth contains five-color ganoderma lucidum, which is fragrant and gives birth to nine orifices; Three dangers swallow dew, seven emotions spring' is a preface in Han Wo's cantaloupe collection.
Ask lotus root how much silk it has, and lotus knows who it is suffering for. Two flowers fall in love, just children from their hometown. It has been allowed. If you don't teach, you will live; if you teach, you will die. The sunset is speechless. In the smoke of thanking the guests, Fei Xianghe was not heartbroken. ? Sweet dreams. Fortunately, Ganoderma lucidum. The world is pitching today and tomorrow. Haizhe stone is rotten, but you wish you couldn't bury the loess. Acacia, fleeting, was mistakenly by the west wind for no reason. Blue boat lives less. I'm afraid to mention wine again, and my red skirt is half hanging and I'm lying in the wind and rain.
In the preface, the poet told us a sad love story. During the Taihe period, there were two young men and women in Daming House, Hebei Province. They love each other, but they are opposed by their families. They jumped into the water angrily. Only later did people find their bodies in the pond. The lotus flowers in this pond were all arranged side by side that year. The story is both sad and touching. This is the first sentence that the poet expressed his feelings and sympathy for the young men and women who died for the freedom of love.
Write a love tragedy completely and tell the truth. The first film is about the wonders of the lotus, revealing the source of the story. The first word "Wen" in the three sentences of "Asked Lotus Root" has attracted people's attention. The combination of "silk" and "thinking" means that young men and women who died of love are still dependent on each other in the lotus pond, and their love lasts forever. "Lotus Heart" actually refers to the human heart, but only when we love each other can we die together. It is conceivable that they hate each other. This kind of opening sentence shows that the poet can't hold back his inner excitement and emotional excitement after hearing this story. He wants to ask questions, blame questions and scold questions. Why is this happening? What you feel deeply and what you touch are obvious. Two images, such as Double Flowers, show the immortal love of infatuated men and women. The sentence "Heaven has an appointment" shows the poet's angry mood. Their love was so moved that even heaven allowed them to become ice lotus, sharing life and death. Why don't people let them grow old together? This question, with a stronger emotional color, directly points to the feudal ethics that imprisoned the freedom of love between men and women, and shows the author's progressive view of love. In the face of the poet's righteous words, no one can answer the four sentences of "the sunset is silent". Only the sunset is also meditating and mourning the bad karma of Yuanyang. Faced with this situation, even the sad words written by Xie Lingyun and ChristianRandPhillips's sadness, such as E Huang and Nv Ying throwing themselves into the river, can't keep up with the sadness brought by the double suicide of young men and women. "Xie Ke" refers to Xie Lingyun, who is good at writing sad words and creating sad situations. According to legend, Yao's two daughters married Shun, and Shun died on his way to southern China. The Second Princess died in Xiangshui because she couldn't find it. Later people called them ChristianRandPhillips. With these two allusions, the poet's sadness about such a thing is even more set off. "It's not a sad place", Xie Ke's injury word is not, and ChristianRandPhillips's suicide by throwing himself into the river is not, so the answer is self-evident.
The next movie even praised the love spirit of young men and women. "Sweet Dream" quoted the preface of Han Wo's "Sweet Dream" in the preface, and set off the purity and sacredness of their love with fairy things like Ganoderma lucidum and Lu Rui.
In the last three sentences of "On Earth", it is a pity that such love has become a thing of the past in intonation. But the following "The seas run dry and the rocks crumble, do you wish you could bury the loess" is that you praise their faithfulness in love, regardless of the seas run dry and the rocks crumble. Their resentment against the world, even if the loess covers itself up, can't disappear. Three sentences, such as "acacia tree", more accurately show the poet's progressive position. Although the love between the young men and women was mistakenly hit by the stubborn west wind (referring to the stubborn and conservative feudal forces), their love lasted forever. Therefore, there are four sentences such as "Lanzhou is waiting for less". The poet was restless, but he stayed in the boat and stayed less, all because of the lotus flowers formed by the young men and women with their lives. The poet knows that the stubborn old forces will not let it go. If they don't pay homage in time, I'm afraid they will be "half dressed in red" or even "lying in a mess" if they come back late. The depth of sympathy and cherish can be expressed. At the end of the sentence, the author's expectation and inference reveal the darkness of the birth path, which makes the whole word more tragic.
"Xie Tao hibiscus wins my concubine, so I came to the river to pick hibiscus. Why is Tan Lang a rogue? He doesn't look at hibiscus, only at Nong. " The Song of Picking Lotus by Shen Ye, a poet in Ming Dynasty, is fresh and lively, writing the love between men and women in charming language. However, Wang's poem "Lotus" in the Song Dynasty uses lotus flowers to express the endless sigh of spring resentment and the melancholy feeling that youth is dying: "White lotus root is autumn, so turn around if you can't sleep." In the evening, the clouds fly with rain and go to the west window to worry for a night. According to legend, Zhao, a poet at that time, read this poem of Wang and admired it very much, so he married her.
In the long river of literature, lotus is dotted with China's classical poems with its graceful figure. The poet perceives the lotus poetically from an aesthetic point of view, which makes people feel the aesthetic and emotional significance given to the lotus by the poet and the massiness and profundity of China traditional culture.