I seem to be the Hou Yi who "strayed into the starry sky of Wang Wei's life".
Since 1993, the first article about Wang Wei's research was published in Humanities magazine, after more than ten years of research, I willingly endured the entanglement and torture of Wang Wei, an elf. I also enjoy myself and improve myself in such a happy entanglement and torture.
In the days when I was in love with Wang Wei for more than ten years, I looked up to him and talked with him as an equal.
So I deeply feel that Wang Wei is more approachable than Li Bai and Du Fu. Among many famous poets, he seems to be the most approachable and has no style and temper. As the modern poet Zhu Xiang said: Wang Wei is an imaginative and kind portrait of an old man in China.
Then, I deeply found that my mind actually has a profound and subtle fit with Wang Wei. I belong to Wang Wei, and Wang Wei belongs to me. I got through to Wang Wei, who came back to life in my mind and breathed in my body. Wang Wei gave me the impulse and inspiration to create, and also gave me the way of life and wisdom.
In the long March to Wang Wei, I became an ascetic. When the moon is dark and windy, when there are few stars, or when the moon is full of flowers, I can feel the illusion of all kinds of things, and I am surprised and happy.
I am going to Wang Wei, appreciating Wang Wei and thanking Wang Wei.
In my opinion, Wang Wei's influence on later generations mainly lies not in poetry, but in his artistic spirit and care for life. As Mr. Wen Yiduo said: the poet's contribution to poetry is a secondary issue, and it is important to make people's spirit have sustenance. From this perspective, Wang Wei established the authentic tradition of China's poetry for China's poetry, and China people's concept of poetry is mostly based on this, that is, to recuperate their temperament and enjoy nature. People's satisfaction with the enjoyment of artistic spirit shows the inner echo of Wang Wei's interest in his bones, which is very meaningful. Wang Wei's emptiness and quietness strengthened the spirit of quietness in China culture, penetrated into the national texture and bone marrow, and internalized it into my artistic aesthetic psychological structure.
Wang Wei has a sky-blue soul, as light as wind, as misty as haze, as misty as smoke.
Wang Wei is a psychedelic landscape, sometimes touching the sun and the moon, sometimes chasing birds, and sometimes deep in the mountains and forests.
I gave a "definition" to Wang Wei, who is good at depicting natural colors, and tried to interpret a unique China culture, a refined and elegant Wang Wei, a water-like Wang Wei who is like a moon-a Wei who is integrated with Lin Quan's rocks.
Wang's charm, transcendental ethereal spirit and insight of Zhuang Zen became the aesthetic standard in the prosperous Tang Dynasty. He used foreign objects to blur the spirit of life, which represented China's cosmic consciousness and China's aesthetic spirit.
Wang Wangwei, you are the most beautiful scenery in the sky in the eighth century and the moonlight in the hearts of China people.