This poem contains ten sentences, describing his life and feelings in the tone of a shepherd boy. The first eight sentences of this poem concentrate on the joy of a shepherd boy getting along with cattle. The first two sentences, the horns are bent, and my oxtail is bald. It is planned to set up a dialogue between shepherd teenagers: your horns are bent, my oxtail is thin and hairy. In fact, horns and oxtails are like this, so it doesn't matter whether the horns are bent or not, and whether the tail is bald or not. The love of poets and shepherds for their livestock. In this way, it can be said that the shepherd boy's voice was heard first, and the image of the shepherd boy was vividly portrayed. Three or four sentences * * * came piccolo and whip, and the South Longdong gang went after each other. Following the first two sentences, they wrote that the shepherd boy they met in the morning went out to herd cattle. They have piccolo and whip in their hands, driving cattle, or in the south. Whips, originally used by shepherds to drive cattle, have become toys that they and piccolo chase each other here. Nanlong and Donggang pointed out where shepherds chased each other. Of course, this is not necessarily a real reference, but refers to the shepherd chasing and playing everywhere. Here, the poet vividly reproduces the scene of playing between shepherds with the help of line drawing. The next four sentences are: the sun is setting, the cows are late, and the cows are tired. This paper focuses on the happiness of shepherds and cows. The word "sunset" in the poem is generally understood as sunset, that is, the sun in the evening. The author thinks that the sunset here should be understood as oblique sunshine, referring to the morning. In the morning, when the sun rises from the horizon, people see from the ground that the sun seems to hang obliquely in the sky. Therefore, it is very vivid to express the morning with sunset, which is consistent with the shepherd boy going out to herd cattle. By this time, the cow was full, and unreasonably followed the grass far away from the cow to watch the sunset, repeating the meaning of the next night. These words, or with the help of drawing. The sun sets, far away from the grassland of the cattle, and the cattle arrive late. The shepherd knows the hardships and hunger of the cattle. When they are herding cows, they sing on their backs or sit beside them to have a rest. When they came back in the evening, they came back again. The ninth sentence of this poem vividly depicts the happiness of the shepherd boy and the cow. To sum up, the key conclusion is drawn: but I am afraid of losing and renting my cattle. However, the contrast between fear and anxiety highlighted the anxiety of the shepherd boy and reflected the heavy tax burden of the society at that time. Obviously, this poem focuses on creating a happy scene, exaggerating the joy of the shepherd boy with a strong pen and ink, just to compare the worries of the shepherd boy who got this sentence ... Syaraku's mourning scene is doubled. (1) Gao Qi's "Pastoral Ci" uses the brushwork of happy writing and sad writing. With the help of the happy scenes of the cowboy drama and the joy of the cowboy and the cow, the whole poem profoundly reveals the worries of the cowboy, and then vividly reveals the cruelty of feudal exploitation, which also makes the conception of this poem obviously higher than those poems that simply reflect childlike interest. Before Gao Qi's "Cattle Pasturing Ci", it was written in depth. The grass is dense around the village. When I am hungry, I peck at the cow's back and can't play with the tap. When I entered the grass in the grass, many cows scattered. When I calf, I screamed at the reeds. When I blow leaves across the embankment, I will be accompanied by three or four whips. Niu Niu will not touch the grass, and the housekeeper will behead him. This poem is also about the life and feelings of a shepherd boy. The shepherd boy is far away from the grazing cows. He wants the cows to eat grass by themselves. So they dare not leave their cows to play. The two sentences of vicious circle are quite childlike. Later, because many cows were greedy when they entered a vicious circle, the cowboys drove away separately and contacted each other in a unique way such as blowing leaves. Three sentences in the vicious circle vividly reproduce the scene at that time, making people feel the joy of cowboys herding cattle. The last three sentences of the poem were whipped three or four times, and Niu Niu didn't touch the grass. Interesting and intriguing. The shepherd boy used the official to scare the cows, which shows that the official is awesome. It is not so much that the shepherd boy scares the cows with the official that he is afraid of the exploitation of the official himself. This kind of writing tactfully exposed the darkness of society at that time. Obviously, this poem also uses the brushwork of writing sadness with joy.
This is a new Yuefu, describing the joy of shepherds herding together. The whole poem vividly describes in detail the joy of getting along between shepherds, between people and cows, and the deep feelings of shepherds for cows. At the end of the poem, "I'm afraid of losing rent, I'm afraid of selling cattle" tells us that this simple life may not last long, exposing the social reality of heavy taxes, cruel exploitation and farmers often selling cattle and losing rent. The whole poem has a strong local flavor and profound social significance.