During the Eastern Han Dynasty, literati poems began to rise, and literati tried to write five-character poems under the influence of Yuefu folk songs. Nineteen Ancient Poems, produced at the end of the Eastern Han Dynasty, became a symbol of the maturity and literary prosperity of the five-character poems of medieval literati. By the Jian 'an period, the long-term war and famine had left a deep imprint on the hearts of literati. In troubled times, people are more likely to feel the short and insignificant sadness of life. As a result, a group of tragic and generous men emerged, namely Jian 'an literati, who lamented that life was short and were eager to make contributions and inject their thoughts into poetry, and their poetic style was Jian 'an style. Liu Xie's "Wen Xin Diao Long": "When you look at it, it is elegant and generous, good at being scattered in the world, light and vulgar, with deep aspirations and long pens, so it is generous." Jian 'an style emphasizes an expression of inner enthusiasm, anger and appeal. The lofty political ideal, short life lament, strong personality and rich tragedy have become the style of this era. Cao Cao is the founder of Jian 'an's poetic style. His "A Journey to the Miles" embodies the disaster and pain brought by the war, and also embodies the mind and ambition of a generation of fierce people who want to save the people from fire and water. "Short Songs" fully expressed his ambition of seeking talents and ruling the world. Although the tortoise has a long life, there are times when the tortoise has a long life ... The martyr's later years are full of generous feelings. Cao Zhi's poems are full of optimism and romance, praising his ideal and ambition of serving the country. Cao Zhi's early works are full of optimism and romance, mainly praising his ideals and ambitions. For example, White Horse.
White horse decorated with gold, flying northwest. Excuse me, who is the family? You are a ranger.
Young people go to villages and towns, raising their voices and hanging in the desert. I used to have a good bow, but my arrows were uneven.
If the string is controlled to break the left, the right hair will destroy the moon branch. Raise your hand to catch flies and bend down to lay horseshoes.
Smarter than monkeys and apes, as brave as leopards. There are many policemen in the border town, and the number of Land Rover has also moved.
Feathers come from the north, and horses climb the embankment. The dragon drove to the Huns, and the left was Xianbei.
Give up your life on the blade, and your life will be safe? Parents don't care, how can you talk about children and wives?
A famous person is a strong person, and he can't be selfish. Forget the national disaster at the risk of life, and suddenly feel life and death.
It reflects the poet's high confidence in politics and literature. However, after a bad career, his later works mainly focus on the resentment of persecuting himself and his friends. He also compared his own life experience with thinking about women and abandoning his wife, and wrote the famous Beautiful Woman. Cai Wenji's five-character poem Poem of Sorrow and Indignation reflects the turmoil of the times, people's sufferings and personal misfortunes. It is a historical scroll interwoven with blood and tears, which makes people cry, and its structure is exquisite enough to become an excellent representative of five-character poetry.
In 265 AD, after Sima Qian abolished Wei, due to the great changes in political relations, the personal consciousness of literati was weakened, and literature seemed relaxed and gentle, with little exciting power. That is to say, "the article was flawed for 500 years, and the Han and Wei dynasties were strong, but it was not passed down in Jin and Song Dynasties." Songs in Jin and Song Dynasties mainly reflected people's daily life and the poet's understanding of life. Poets pay more attention to natural landscapes, women and love between men and women, and praise the enjoyment of life unabashedly. Lack of understanding and evaluation of current events and society. There is only helplessness or even emptiness in poetry, and few of them are as intense, tense and full of connotation as Han and Wei Dynasties. The language of Song poetry in the Jin Dynasty obviously tended to be written, paying too much attention to the carving of words and expressions, with beautiful and complicated poetic style and deep regret and elegance. Arrange at will, blindly show off literary talent. "Wen Xin Diao Long": "Laozi and Zhuangzi have a long speech, and the mountains and rivers are graceful and graceful, so they choose hundreds of couples to compete for the price of a strange sentence. They must write in a good way, and they must try to catch up with the new ones. " Elegant and gorgeous language, skillful essence and dual use have formed a gorgeous and vulgar style. All these reflect the differences between Jin and Song Dynasties and Han and Wei Dynasties, completely divorced from the chic and atmosphere of Jian 'an style, and embodied the euphemistic charm of Wusheng western music.
When it came to Qi, Chen and Liang, Yongming style and colorful poems appeared, and the poetic style was more beautiful than that of the previous generation. Until the Tang Dynasty, the development of poetry reached a climax, which opened up a prosperous period of China's poetry history, leaving precious literary historical materials and magnificent cultural heritage for later generations, with great influence. .......
Poetry developed into the Tang Dynasty and ushered in a highly mature golden age. Nearly 300 years ago, the Tang Dynasty left nearly 50,000 poems, and there were about 50 or 60 famous poets with unique styles.
Poetry did not develop as brilliantly as in the Tang Dynasty, but it has its own unique style, that is, reducing lyrical elements, increasing narrative and discussion elements, emphasizing description, and widely using prose syntax, which alienated poetry from music.
Poetry in the Ming Dynasty moved forward in the repetition of imitation and anti-imitation, and there were no outstanding works and poets.
In the May 4th literary revolution, modern literature in China was born. After the pioneering stage, new poetry has formed a relatively perfect form, mainly free poetry, both new metrical poetry and symbolic poetry.
In the May 4th literary revolution, modern literature in China was born. After the pioneering stage, new poetry has formed a relatively perfect form, mainly free poetry, both new metrical poetry and symbolic poetry.
In the second half of the 1940s, new poems, which were later called folk songs, matured in the rural areas of the liberated areas. The narrative poems of Li Ji and Ruan embody the outstanding achievements of new poetry.
1949 after the founding of new China, poetry entered a new stage of development, and new themes and themes emerged with the new life. The poet wrote an ode to the new era with passion. At the same time, the new society has also created a group of new people and brand-new poetry works.
Since the new era, the poetry circle, which has been silent for ten years, has shown a new scene of a hundred flowers blooming. Poetry can be widely used for reference in expression, but its form tends to be loose and free, with diverse styles. In the early days of the new period, the poems cheering for victory and reflecting on history inherited the tradition of realism and made it continue to develop. At the same time, a group of young poets, such as Shu Ting, Gu Cheng and He Jiang, grew up rapidly in the late 1970s and early 1980s. Their poems usually show an obscure and unusual complex emotion, which is called "misty poetry".
After the middle and late 1980s, the modernist trend of thought called "the third generation poet" appeared in the poetry circle.