Li Bai of Yellow Crane Tower bid farewell to Meng Haoran on his way to Yangzhou.
Gulen sichuang helu
Therefore, people left the Yellow Crane Tower in the west.
Lady Yang
Fireworks show off in Yangzhou in March.
Romance of the Three Kingdoms
Lonely sails and distant shadows are blue and empty,
This is a good example.
I only see the daytime flow of the Yangtze River.
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Yellow Crane Tower: The former site is in Huanghuangji, Wuchang, Hubei Province, with its back against Snake Mountain and overlooking the Yangtze River.
One: Go, go.
Guangling: the old name of Yangzhou.
Western Ci: Yellow Crane Tower is in the west of Guangling, so it is called "Western Ci".
Fireworks: refers to Ruyan Liu, a beautiful spring, full of flowers.
Down the river.
Only: only.
Sky: the horizon.
Modern Translation of Ancient Poetry
Old friends leave the Yellow Crane Tower in the west and go to Yangzhou in bright spring. The solitary sail is far away from the end of the water, just watching the Yangtze River rush to the horizon.
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Appreciation of famous sentences-"An old friend stayed in the Yellow Crane Tower in the west, and fireworks went down to Yangzhou in March."
The first two sentences of this poem describe a friend going down to Yangzhou along the river. The word "fireworks" touches the spring scenery and flowers in Ruyan Liu, and the poet's melancholy mood when he bid farewell to his friends is fully revealed. The last two sentences deliberately describe friends' "western words", a lonely sail, accompanied by the poet's friends drifting to the distant place connected by water and sky, until the sail shadow disappeared at the end of the blue sky, but the poet still stood on the roof, staring at the distance, unwilling to leave. There is not a word in the poem to say goodbye, but between the lines, it clearly reveals the melancholy and nostalgia for distant friends. In the poet's works, deep feelings are contained in the touching scenery description, and the feelings and scenery have reached a highly perfect fusion.
Meng Haoran is a famous poet highly respected by Li Bai. He was once praised as "Master, I sincerely salute you, and your fame has risen to the sky". Roaming around the world famous mountains and cities is the fashion and open personality of the literati in the prosperous Tang Dynasty. Li Bai, a young man living in Anlu, Hubei Province, has long had the travel experience of "serving the country with his sword, leaving his relatives behind to travel far and wide, and going to the sea in the south and the east". So he bid farewell to Meng Haoran, a famous poet in Wuchang, and went to Yangzhou, a famous city in Jiangzuo (called Guangling in ancient times). In the face of "three talents" linking famous buildings, celebrities and famous cities, he is full of poetry, and his feeling of the world is bright and beautiful, without any sadness. The first two sentences should have explained the time, place and destination of farewell, but this explanation was perceptual by the vivid image of "Fireworks March". Didn't Li Bai have a story of "dream pen gives birth to flowers"? Unexpectedly, as a symbol of his genius, flowers were born in his dream, which actually generated the March fireworks when he said goodbye. Before winning the prize, people called this sentence "eternal quatrain" The sky was also moved by the feeling of bright and beautiful world and became as empty as a shower. Beneath it, the popular Lonely Sail Far Shadow has a sense of loneliness and desolation. It draws the yearning for life in the vast sky. Life is like running water, parting is like running water. The eyes of infinite attachment, following the distant shadow of the solitary sail that disappeared out of sight, have become the great stream of the Yangtze River that lasts forever. The instant and eternal scene of sending a famous building to a famous city has become a poetic symbol of the prosperous tourism of poets in the prosperous Tang Dynasty.
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Old friends bid farewell to the Yellow Crane Tower from the west,
Go to Yangzhou, which is full of flowers in March.
The distant shadow of the lonely sailboat disappeared into the blue sky,
I only see the Yangtze River water rushing to the horizon.
Creation background
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About Yellow Crane Tower
The Yellow Crane Tower, towering above the Snake Mountain in Wuchang, enjoys the reputation of "the best scenery in the world", and is also called "the three famous buildings in the south of the Yangtze River" with Yueyang Tower in Hunan and Wangtengting Pavilion in Jiangxi. The Yellow Crane Tower was built in the Three Kingdoms Period in the second year of Wu (AD 223). Legend has it that it was built for military purposes. Sun Quan built a city to defend himself, and looked forward to "ruling the country by force" (hence the name of Wuchang). By the Tang Dynasty, its military nature had gradually evolved into a famous scenic spot, which was visited by literati of all dynasties, leaving many well-known poems. Cui Hao, a poet in the Tang Dynasty, wrote: "In ancient times, yellow cranes carried saints to heaven, but today there is no yellow crane tower. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Every tree in Hanyang has become clear due to sunlight, and Nautilus Island is covered with sweet grass. But I looked home, the twilight was getting thicker, and the river waves were filled with sad mist. " Becoming a swan song throughout the ages has also made the Yellow Crane Tower famous. The Yellow Crane Tower, known as one of the three major buildings in the south of the Yangtze River, was originally located in Fantou of Yellow Crane in Sheshan, Wuchang, Hubei. According to legend, it was built in the second year of Wu in the Three Kingdoms (AD 223), and it was built and destroyed repeatedly for more than 700 years, and was finally destroyed by a fire in the tenth year of Guangxu in the Qing Dynasty (1884). This famous building is full of legends, which makes it even more magical. According to Lu, the Yellow Crane Tower was originally a hotel opened by the Xin family. Before leaving, a Taoist drew a crane on the wall to thank her for her thousand cups and told her that it could come down and dance for fun. From then on, the guests were full and the business was booming. 10 years later, the Taoist priest came back and played with a flute. The Taoist priest set foot on the yellow crane and went straight to the sky. In memory of the fairy who helped her get rich, Xin's family built a building in her place and named it "Yellow Crane Tower". There are three different stories about this beautiful fairy tale over the years. The first thought the fairy was Huang Zi 'an, the second thought it was Fei Yi, and the third didn't have a fairy name.
About Guangling (Yangzhou)
Important cities and military towns on the north bank of the Yangtze River during the Wei, Jin, Southern and Northern Dynasties. At the end of the Spring and Autumn Period, Wu dug a ditch here to connect the Yangtze River and Huaihe River and compete for the hegemony of the Central Plains. Qin County was established, Guangling State was established in the Western Han Dynasty, and Guangling County was changed to Guangling County in the Eastern Han Dynasty, so it is located in Yangzhou City, Jiangsu Province today. Cao Wei set the county and moved to Huaiyin. Wu set Guangling County in Yangzhou today. In the Western Jin Dynasty, Guangling County was set up along Wei, and it was placed under Xuzhou. First rule Huaiyin, then move to Sheyang (now Baoying East, Jiangsu). The Eastern Jin Dynasty also ruled. Guangling County covers the area east of Hongze Lake and Liuhe at the junction of Jiangsu and Anhui, south of Siyang, Baoying and Guannan, west of Chuanchang River and north of the Yangtze River. There is Guazhou Town on the bank of the river forty miles south of the city. It is a moraine in the Yangtze River, named after it looks like a melon. The Yangtze River flows from Liuhe County in the northwest, and borders Jingkou County in Dantu County in the south. The two cities face each other across the river, and the north and south echo each other. * * * together constitute the important town of Kyoto Health in the upper reaches of Gong Wei. The river was 40 miles wide at first, then gradually narrowed, and it was only about 20 miles wide in the late Northern and Southern Dynasties. When Xie 'an Town in the Eastern Jin Dynasty was in Guangling, a base area was built twenty miles east of the city, which was called New Town. There is a dam twenty miles north of the new town, which was built by Xie An on the edge of Shaobo Lake to keep water. Later generations compared Xie An to that of Yan State in Zhou Dynasty, and called this Dai Dai. In the sixth year of Huang Chu (225), Wei Wendi Cao Pi conquered Wu and moved the capital to Guangling, the old city. He sighed on the river and said, "the sky is limited to the north and the south." In the Eastern Jin Dynasty, Guangling controlled Sanqi, and the secretariat of Qing and Yan was here. In the second year of Xianhe (327), the Soviet Union and Zuyue rebelled. At that time, Chi Jian led the troops of Guangling, Xuzhou Cishi Town, Qingdao and Yanzhou, and he put down the rebellion from Guangling Uprising. In the second year of Taiyuan (377), Xie Xuan was the secretariat of Southern Yanzhou, moved the military headquarters of Southern Yanzhou from Jingkou to Guangling, and recruited expatriates to form the northern government soldiers. During the Eastern Jin Dynasty and the Southern Dynasties, due to the chaos in the Central Plains, refugees crossed the south, and the overseas Chinese county was permanently located in Guangling. In the eighth year of Song Yuanjia (43 1), it was located in Nanyanzhou, Guangling County, followed by Qi and Liang. Northern Qi Dynasty changed to East Guangzhou, and Chen Dynasty restored South Yanzhou. After the Northern Zhou Dynasty destroyed the Northern Qi Dynasty, it was changed to Wuzhou, which was still a military center and was headed by the company commanders. At the beginning of Sui Dynasty, it was Yangzhou and general manager office, and later it was changed to Jiangdu County. The rank of governor is the same as that of mute. Emperor Yang Guang of Yang Di went to Jiangdu and wanted to move the capital here. In the Tang Dynasty, it was changed to Yanzhou, Yanzhou and Yangzhou, and later changed to Guangling County.
Yanzhou is located in the southwest plain of Shandong, with three holes in the east, Mount Tai in the north, Weishan Lake in the south and Liangshan Mountain in Shui Bo in the west. Known as "Dong Wen, Xiwu, Beidaihe and Nanhu", it is the economic center of southwestern Shandong. With a total area of 65 1 km2, 600,000 mu of cultivated land and a population of 600,000, it administers 2 sub-district offices, 492 administrative villages and 30 neighborhood committees in 10 town. In 2002, it ranked 60th and 54th respectively in the comprehensive socio-economic development index of the county and the basic competitiveness of the regional economy.
About the author
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Li Bai (70 1-762), born on February 8, 70 1, Han nationality, 6' 6 ",with the word Taibai, was born in Jiangyou, Sichuan Province, and was a great romantic poet in the Tang Dynasty. His poetic style is bold and elegant, with rich imagination, fluent and natural language and harmonious temperament. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu are also called "Da Du Li", and he is the greatest poet in China history, also known as "Poet Fairy".
Li Bai's ancestral home is in Longxi (now Ji Cheng Township, Jingning County, Gansu Province) Ji Cheng. At the end of Sui Dynasty, he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan), where Li Bai was born. At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou, Sichuan). At the age of twenty, he left Sichuan alone and began to wander widely, reaching Xiangjiang River in Dongting in the south and wuyue in the east, and living in Anlu (now Anlu City, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world. In the early years of Tianbao, on the recommendation of Taoist Wu Renyun, Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to worship the Hanlin. Soon, due to the remorse of the dignitaries, he was driven out of Beijing in Tianbao 34 (AD 744 or 745). Since then, he has been wandering in Jiang and Huai, and his thoughts are extremely boring.
In the winter of the 14th year of Tianbao (AD 755), An Lushan rebelled. At this time, he lived in seclusion in Lushan Mountain, which coincided with the great army of Wang Yong and invited Li Bai down the mountain to enter the shogunate. Later, Li Lin rebelled against Su Zong and was eliminated. Li Bai was implicated and sentenced to exile in Yelang (now Guizhou Province). He was pardoned and released halfway from Xunyang (now Jiujiang, Jiangxi) to Xuancheng (now Xuancheng, Anhui). In the first year of Baoying (AD 762), Dai Zong died in dangtu county, Anhui.
Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down in peace", and he struggled to realize this ideal all his life. A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. In art, his poems are novel in imagination, strong in emotion, magnificent in artistic conception and fresh and lively in language, forming a bold artistic style and reaching the peak of positive romantic poetry in ancient China. There are more than 900 poems, including Li Taibai's poems.
His poems are rich in imagination, unique in conception, magnificent and bold in style, and he is a representative figure of romantic poetry in the prosperous Tang Dynasty.
The old friend said goodbye to me at the West Yellow Crane Tower and went to Yangzhou in the misty and flowery spring of March. The sail shadow of the lonely boat drifted away and disappeared at the end of the blue sky, only to see the Yangtze River flowing to the horizon.
Li Bai's contact with Meng Haoran was just after he left Sichuan. At that time, he was young and happy, and the world in his eyes was almost as beautiful as gold. Meng Haoran, more than ten years older than Li Bai, has become famous for his poems. The poet sent his friend on a long trip, and he was full of envy for his old friend going to the bustling Yangzhou. His poems were filled with cheerful emotions.
centre
The poet's overlook on the river shows the deep friendship between them. An old friend said goodbye to the West Yellow Crane Tower, and fireworks went down to Yangzhou in March. "The first two sentences are aimed at pointing out the person, place, season and destination that friends are going to. Fireworks in March is bright and colorful, which is not only a real scene, but also a lyric expression of the people's spirit of striving for progress in the prosperous Tang Dynasty. From the poet's point of view, Meng Haoran sailed down the river, Li Bai stood in front of the building to bid farewell, and the white sail on the ship gradually disappeared at the far end of the blue sky where the water meets the sky, leaving only the Yangtze River as if it were flowing to the horizon. These two poems have profound implications. Li Bai stood in front of the building for a long time, showing the deep friendship and melancholy mood. It can be described as "nothing, everything is romantic." "Implicit beauty is an important aspect of China's ancient traditional aesthetics, especially in the eyes of ancient China poets. Only implicit poetry can deepen poetry, broaden the realm of poetry and expand the tension and capacity of poetry. Li Bai's poems are highly implicit models. It didn't calculate how deep and long it was, nor did it state how long it took him to stand by the river and look at each other, but the artistic effect it received made people deeply feel passionate and poetic. From this little poem, we may be able to sum up a rule, that is, it is appropriate to use implicit brushwork at the end of lyric short poems. Only the last sentence is exquisite and subtle, can we achieve the purpose of "endless words and endless meanings" and be chewed by people. The old friend said goodbye to me at the West Yellow Crane Tower and went to Yangzhou in the misty and flowery spring of March. The sail shadow of the lonely boat drifted away and disappeared at the end of the blue sky, only to see the Yangtze River flowing to the horizon.
Li Bai's contact with Meng Haoran was just after he left Sichuan. At that time, he was young and happy, and the world in his eyes was almost as beautiful as gold. Meng Haoran, more than ten years older than Li Bai, has become famous for his poems. The poet sent his friend on a long trip, and he was full of envy for his old friend going to the bustling Yangzhou. His poems were filled with cheerful emotions.
centre
The poet's overlook on the river shows the deep friendship between them. An old friend said goodbye to the West Yellow Crane Tower, and fireworks went down to Yangzhou in March. "The first two sentences are aimed at pointing out the person, place, season and destination that friends are going to. Fireworks in March is bright and colorful, which is not only a real scene, but also a lyric expression of the people's spirit of striving for progress in the prosperous Tang Dynasty. From the poet's point of view, Meng Haoran sailed down the river, Li Bai stood in front of the building to bid farewell, and the white sail on the ship gradually disappeared at the far end of the blue sky where the water meets the sky, leaving only the Yangtze River as if it were flowing to the horizon. These two poems have profound implications. Li Bai stood in front of the building for a long time, showing the deep friendship and melancholy mood. It can be described as "nothing, everything is romantic." "Implicit beauty is an important aspect of China's ancient traditional aesthetics, especially in the eyes of ancient China poets. Only implicit poetry can deepen poetry, broaden the realm of poetry and expand the tension and capacity of poetry. Li Bai's poems are highly implicit models. It didn't calculate how deep and long it was, nor did it state how long it took him to stand by the river and look at each other, but the artistic effect it received made people deeply feel passionate and poetic. From this little poem, we may be able to sum up a rule, that is, it is appropriate to use implicit brushwork at the end of lyric short poems. Only the last sentence is exquisite and subtle, can we achieve the purpose of "endless words and endless meanings" and be chewed by people.