The Book of Songs is mainly composed of four words and miscellaneous words. Structurally, the form of repeated chapters and sentences is often adopted to enhance the lyrical effect. Only a few words are changed in each chapter, but it can receive tortuous and changeable artistic effects. In language, we often use disyllabic rhymes, reduplications and conjunctions to describe things and imitate sounds, which is poor. "Less is always more, and the situation is very clear." In addition, some rhymes in The Book of Songs, some rhymes in every other sentence, some rhymes at the end, and some rhymes in the middle. The rhyming rules of modern poetry are almost all in the Book of Songs. The successful application of fu, bi and xing techniques is an important reason for the strong local flavor of folk songs in The Book of Songs.
Qu Yuan's Mid-term Creative Features —— Qu Sao's Emotion, Artistic Style and Style Development Track
Li Sao It can best reflect Qu Sao's personality characteristics. The depth and breadth of emotions, the three-dimensional conception and expression of direct Chen Qi affairs, the symbolic system of vanilla beauty and fairy tale system, the lyrical way of "three ambitions" and the gloomy and lingering style have all reached the acme of Qu Sao's artistic achievements.