Bai Juyi enjoys the Spring Lake. This poem is a seven-character poem, which mainly describes the lakes and mountains in spring and expresses the reason why the author can't leave Hangzhou. The author of this poem is Bai Juyi, a poet in the Tang Dynasty. The following is the original translation and appreciation of this poem. Welcome to read ~!
Chunhu original:
Spring scenery on the lake is picturesque, and chaotic peaks are scattered around the checkpoint.
There are thousands of green hills on the pine row and a pearl in the heart of the moon.
Early rice is pumped by the blue carpet line, and the green Luo skirt shows Xinpu.
I didn't throw it into Hangzhou, and half of it was this lake.
Spring Lake Translation:
When spring comes, the lake looks like a painting. Surrounded by peaks, the water surface is flat.
The pine trees on the mountain are lined with layers of emeralds, and the moon points out a pearl to the heart of the wave.
The green carpet is piled with long-drawn early rice, and the blue ribbon of the skirt is a tightly stretched new pu.
I can't leave Hangzhou for other places, partly because I miss the West Lake.
Interpretation of Chunhu Ci:
1, chaotic peak: describes many peaks. The West Lake is surrounded by mountains on three sides, including Nanfeng, Beifeng and Geling. Chaos, chaos.
2, row: there are many pine trees, so it is called row.
3. Point: The moon is round, so it is called point.
4. Thread end: refers to the fluff on the blanket. Pull: pull, pull.
5. Nepotism: Ribbon on the skirt. Pu: Pucao, an aquatic plant that grows on the lake.
6. Inspection: omission and delay.
Spring lake background:
When Bai Juyi was fifty-one years old in the second year of Changqing (822), he was transferred to Hangzhou Secretariat by Mr. Zhongshu, and left Hangzhou in May of the fourth year of Changqing (824) to be transferred to Prince Zuo Shu as the capital of Luoyang. Judging from the parting tone revealed in the last two sentences of Spring on the Lake and the spring word marked in the title, the writing time of this poem should be in the spring of the year when he left office. Bai Juyi wrote several poems about the West Lake during his stay in Hangzhou, the most famous of which are three seven-character poems: Spring Tour in Qiantang, Night Tour in Gushan Temple in West Lake and Theme Lake in this Spring.
Spring lake appreciation;
The first three lines of the poem describe the scenery, and the end is lyrical, while the whole poem blends the scenery, and everything is the same. The first sentence has a bird's eye view of the spring scenery of the West Lake, just like drawing a picture. It is no accident that the author uses such strong emotional words to enter the poem. When he was a child, Bai Juyi decided to be an official in Hangzhou, and naturally he was pleased with his wish. His deep affection for Hangzhou can be seen here. This poem is not only a good structure in Bai Juyi's landscape poems, but also one of the famous works describing the West Lake in past dynasties.
The following three sentences describe the picturesque scenery in detail, but the theme of the poem does not stop at the level of Dan Fan's ink painting. Bitan's second sentence unexpectedly turned the pen to the observation of crops. Embedding farming in landscape poems may be contrary to elegance and vulgarity, which is very uncoordinated, but Bai Juyi creatively turned farming into a thread drawn from the carpet of early rice and a ribbon on the skirt of a new polo. Such a subtle and novel metaphor not only reflects the author's concern for the people in the lake area, but also reminds readers that it is this history of thorns that makes him yearn for Hangzhou since he was a child. As soon as he arrived, he sympathized with people's feelings, dug wells to drink water, and turned Hangzhou into a paradise on earth, thus remembering his virtues. At the same time, it is also a change and a valuable innovation in poetry creation. It is more novel in conception and subtle in language than another famous poem "A Spring Tour in Qiantang" written by the author.
The structure of this poem is tortuous and euphemistic, especially the last two sentences end in disappointment. Half? The implication is more than love. ("Poetry of Tang and Song Dynasties") As for the moral, we should contact the author's related tracks and creations to explore. Bai Juyi used to be a native of Chang 'an, Ren Zhongshu, and a secretariat of Hangzhou. Faced with the reality that the country is short of people, he wrote and said things that were not adopted many times. Seeing that the situation was getting worse, his cronies were getting worse. He asked to go abroad and come to Hangzhou. On the one hand, this is the problem. On the other hand, he thinks it is not good to be a hermit or a Beijing official. Just think that the secretariat of Hangzhou is busy, which is exactly what he wants, that is, the so-called Ruoxi is extremely quiet and the Maoyuan is too numerous. Only this Qiantang county, lively just right. This is from the poem "Send Money, Huzhou, Suzhou, Li", and there are many similar statements in other articles, which are both the heartfelt words of the author and the moral of this poem.
Because Huang En can only stay for three years, Bai Juyi left the West Lake with reluctance, which is very infectious in itself. /kloc-Today, more than 0/000 years later, the West Lake has long been known as a land with mountains and lakes, and this poem has spread like wildfire. It is worth pondering that the names of the ten scenic spots in the West Lake today, such as Autumn Moon in Pinghu, Chunxiao in Su Causeway and Moon in Santan, are probably derived from the corresponding poems in the poem Spring on the Lake.
From an artistic point of view, the most exciting thing in Spring on the Lake is the four sentences in the middle. The poet outlined the charming scenery of the West Lake with beautiful brushstrokes and a series of exquisite metaphors. The subtlety of metaphor lies in the close relationship between the figurative object and the figurative object. Jade is used to compare the green of pine trees, pearls are used to compare the bright moon at midnight, short lines of carpets are used to compare young crops, and long ribbons of blue skirts are used to compare the green leaves of cattail, all of which are appropriate and touching. At the same time, the poet's feelings of cherishing and loving the spring scenery on the lake are naturally revealed in these metaphors. Thanks to the four vivid metaphors in the middle, the whole poem enriches the specific content of painting in one or two sentences, and the meaning of the last two sentences can be easily introduced.
The word "painting" is poetic, and the last five sentences are written in the middle of the painting, ending in disappointment, while half of it is reserved and affectionate.
Author information:
Bai Juyi (846,772), whose real name is Lotte, is also known as Xiangshan Jushi and Zuiyin. His ancestral home is Taiyuan, and his great-grandfather moved to Xiayi after his arrival. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, which was called Bai Yuan by the world and Bai Liu by Liu Yuxi. Bai Juyi's poems have a wide range of themes, diverse forms and plain language, and are known as "poets" and "poets". Official to Hanlin bachelor, Zuo Zanshan doctor. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi died in Luoyang in 846 AD and was buried in Xiangshan.
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