First, the format of Manchu red inscriptions
Manjianghong epigraph * * * 93 words, divided into front and back que. Four rhymes in the front and five rhymes in the back. In the epigraph, it is required to alternate flat and level tones, mainly entering tones and rhymes. The following is the format of Manchu red tablets:
Qian Kun:
Average, average, average. (rhymes)
Flat and flat, flat and flat, flat and flat. (rhymes)
Average, average, average. (rhymes)
Medium, medium, flat, flat, flat. (rhymes)
Hou Gan:
In the middle, in the apartment. Flat and flat, flat and flat. (rhymes)
Very simple, very simple. (rhymes)
Average, average, average. (rhymes)
Medium, medium, flat, flat, flat. (rhymes)
Second, the metrical requirements of Manchu red tablets
1. Ping and Ping: The red inscription of Manjiang requires the alternation of Ping and Ping. Except for a few special words, most words should follow the law of leveling. Flat refers to the tone of words, which can be divided into flat and flat.
2. Rhyme: Manchu red epigraph * * * 93 words, divided into front and back. Four rhymes in the front and five rhymes in the back. Rhyme is strict, mainly entering rhyme.
3. Word count: The word count of Man Jianghong's inscription is fixed, * * * 93 words. In the process of creation, poets should follow this requirement and should not increase or decrease it at will.
4. Sentence pattern: The sentence pattern of Man Jianghong's inscription is flexible and diverse, but it is mainly four characters, five characters and seven characters. In terms of words, long sentences and short sentences are intertwined to form a sense of rhythm.
5. Confrontation: Some words in Manjianghong epigraph need to be confronted, that is, the corresponding words in the upper and lower sentences or in the front and back lines should be consistent in meaning and part of speech.
6. Rhetoric: Manjianghong's inscription works use rich rhetorical devices, such as metaphor, personification, exaggeration and parallelism, which enhance the artistic expression of the works.
Third, the types of Manchu red epigrams.
In actual creation, the format of Manchu red inscriptions has changed. Some poets, according to their talents and interests, adjust the number of words, rhyme, level tone and so on to create unique works. However, it should be noted that variation should be carried out on the basis of following the basic laws so as not to lose the characteristics of epigrams.
Fourthly, the theme and content of Manchu red inscriptions.
Manchu red epigrams have rich and varied themes, which can not only express bold and passionate feelings, but also show graceful and gentle artistic conception. Among previous works, Yue Fei and Liu Yong are the most famous ones. For example, Yue Fei's "Man Jiang Hong Chong Guan" and Liu Yong's "Man Jiang Hong Yu Chu".