What is the relationship between man and the world? The philosophical question of "classical poetry" gives a perfect answer with ancient poetry. Let's enjoy these nine classical poems together:
Beauty pours our affirmation of the world,
From the beauty of mountains and rivers, which are inexhaustible and infinitely good [1],
To the historical beauty of "one river does not return, the waves are exhausted, and the eternal romantic figures [2]";
Judging from the emotional beauty of Yearning for Love [3],
To the cultural beauty of "poetry and wine take advantage of time [4]";
From the generous sigh of "I climbed to the top of the mountain" I look around the world, and the great river is gone forever [5] ",
To "Xiongguan is as iron as iron, and now it is more heroic and confident from the beginning [6]";
From the obscurity of "flying freely is as light as a dream, and the endless rain is as thin as sorrow [7]",
"Won't be transplanted more than any other natural flowers? [8] "Noble and elegant.
Aesthetics integrates man and the world, "Yiyi Wu Xianghua [9]".
1. The water, the mountain and the scenery are very close to people, endless and endless.
From Li Qingzhao's "Double Voices Remembering Wang Sun and Appreciating the Lotus" in the Song Dynasty
There are boundless waves on the lake. Autumn is dusk, red is thin, and fragrance is less. Water, mountains and mountains are close to each other, inexhaustible, and infinite.
Lotus seeds are old. Green dew washing, apple flowers and plants. The heron sleeping in Sha Ou didn't look back. It seemed annoying, but people came back early.
Autumn is crisp and sunny. On the vast lake, the water waves are quiet and flat as a mirror, the lake is bright and beautiful, and the scenery is harmonious. Suddenly the wind started, wrinkling the lake, rippling layer by layer, rippling and stirring up waves. Although it is late autumn, the lotus in the lake has withered and the branches and leaves have begun to wither. Only the remaining red flowers adorn it, emitting bursts of fragrance from time to time. The whole lake presents a bleak atmosphere in autumn. But this does not detract from the beauty of the lake. The peaks are reflected in the lake, especially the red leaves all over the mountains and the weeping willows by the lake, which is even more charming. Birds chirping in the trees; Seagulls and herons on the mainland sleep on the beach on cloudy days; Moving quietly, full of interest, giving people a sense of comfort and enjoying the tour as much as possible is really endless.
"Water and mountains are close to each other" is the most prominent impression the poet got when she concentrated on observing things, and "inexhaustible" is her deep affection after being intoxicated with the scenery. Although these two sentences are straightforward and simple, they are full of charm. It reflects the poet's happy mood while enjoying the tour and her cheerful and optimistic inner world. Here, the author endows the objective scenery with the subjective consciousness of loving and praising nature. Obviously, I like "water and mountains", but I prefer to say "water and mountains are related to people." Empathy for things, feelings in the scene, so that ruthless things have feelings. Although there is my realm, it is more detached and beautiful than Xin Qiji's novel He Xinlang later. "I see how charming Qingshan is, and I look at Qingshan to see me."
2. The river of no return is a romantic figure through the ages.
From Su Shi's Niannujiao Chibi Nostalgia in Song Dynasty.
The surging river flows eastward, and those heroes of the past are gone forever.
Old camp west, people say it's the war of the Three Kingdoms, Battle of Red Cliffs.
The steep rock wall, like thunder waves lapping against the river bank, waves like rolling up thousands of snow. (Make a hole in the air: a falling cloud)
The majestic rivers and mountains are picturesque, and many heroes emerge at once.
Looking back on Zhou Yu's spring breeze era, young and beautiful Joe just married him, and he was full of heroic spirit.
A white figure with a feather fan came face to face, and while talking and laughing, the enemy warships burned to ashes. (Op.1: Forcing Lu to Death)
I am wandering in the battlefield today. I feel a feeling heart and give birth to white hair prematurely.
Life is like a dream, sprinkle a glass of wine to pay tribute to the bright moon on the river. Life is a work: the world; Zuntong: Zuntong)
This poem was written by Su Shi when he lived in Huangzhou in the fifth year of Yuanfeng in Song Shenzong (AD 1082). At that time, the author was forty-five years old and was demoted to Huangzhou for more than two years because of Wutai poetry case. Su Shi was demoted for satirizing the new law in his poems and was condemned by Luo Zhi, a new bureaucrat. He has endless worries in his heart, so he travels around to relax. I happened to come to Chibi (Biji) outside Huangzhou City. The magnificent scenery here touched the author greatly, which made the author sigh that time flies while recalling Zhou Yu's infinite scenery during the Three Kingdoms period, so he wrote this word.
Through the description of the magnificent scenery on the river in the moonlight night, the poem pays tribute to the ancient battlefield, cherishes the talent, tolerance and merits of romantic figures, expresses the author's grief and indignation in a tortuous way, and also shows the author's broad-minded concern for history and life.
The whole poem is lyrical in ancient times, vigorous and desolate, magnificent, vigorous in brushwork and broad in realm. It integrates scenery writing, history chanting and lyric, giving people an artistic power that shocks the soul. It was once known as "the swan song of ancient and modern times".
3. When you get older, you forget more, but you don't forget your lovesickness.
Since the Tang Dynasty, Bai Juyi's "I Write to Lang Zhi" is intended to be an official day, and there is no secretariat.
Entertain guests and warm your wife and children.
I feel much more comfortable since I arrived in Du Dong.
Division wins the secretariat, and the official wins the division.
Besides, under the garden, I am also happy.
It is interesting to learn new knowledge by raising the same name as the old knowledge.
If there is snow, visit first, and if there is no flower, there will be no time.
Fight for wine, praise poetry.
Thousands of lanes are separated by doors.
Looking back, the book is imminent.
Leaves fall in the pagoda courtyard, and ice is born in the bamboo pavilion pool.
If the sparrow asks, the crane will follow.
If you are physically and mentally ill, your ability will decline.
How forgetful I am when I am old, but I don't forget my lovesickness.
I am a Lang's Spouse is a five-character poem written by Bai Juyi, a poet in the Tang Dynasty. Among them, "Langzhi" is a person's name, and Bai Juyi is Huangfu Langzhi at the same time, and they are drinking friends.
The most famous poem is the last sentence, "When people get old, they forget more, but they don't forget their lovesickness." Because Bai Juyi wrote to his friend Huangfulang, the "lovesickness" here is not only used for love.
Whether it is family or friendship, it is the greatest generosity of the years. In the endless mottled erosion of time, a person can stay in his heart for a long time, even if he is old, he will not forget it. This is the best ending for the two, leaving behind endless feelings and imagination.
Perhaps, after many years, I have forgotten your appearance, your name and your story, but I will never forget you.
4. Poetry and wine use time.
From Su Shi's Looking at the South of the Yangtze River in the Song Dynasty
Spring is not old, the wind is fine and the willows are oblique. Try to see it on the detached stage, half the city is full of flowers. Fog and rain darken thousands of people. (Look at the work: Hope)
After a cold meal, I woke up but felt uncomfortable. Don't miss the old country for the old friend, try new tea with new fire. Poetry and wine use time.
This word was written in the late spring of 1076 (the ninth year of Xining in Song Shenzong). Su Shi boarded the detached platform, looked at the misty rain in spring, touched the feeling of homesickness and wrote this word.
The first part of this word is to write scenery, and the second part is lyric, which is a typical lyric by borrowing scenery. The scene in the last movie contains the element of "setting off sadness with pleasure", which expresses the author's helplessness and frustration at having a home but unwilling to pay. More importantly, the whole poem expresses homesickness, especially the author's comfort with tea narration.
I climbed to the top. I look around the world, and the vast rivers are gone forever.
From "Song of Lushan Mountain" to "Imperial History of Lu Xuzhou" by Li Bai in Tang Dynasty.
I am like a chariot catcher, singing phoenix songs and laughing at Kong Qiu.
Holding a green jade stick in his hand, he bid farewell to the famous Yellow Crane Tower early in the morning.
All five holy mountains, no distance, according to a constant habit in my life.
Lushan Mountain stands beside Nandou, and the clouds stretch like nine screens.
Its shadow in the Crystal Lake deepens the green water.
The Golden Gate leads to two mountains, and a silver stream hangs down to three stone bridges.
Xianglufeng Waterfall is separated from it by a distance, and it is a heavy cliff towering into the sky.
The morning glow is red in Cui Yun, and the birds fly and grow.
Between the sky above and the sky below, the river is gone forever.
The sky is grey and windy, and the river flows like a snow-capped mountain.
I like singing for the majestic Lushan Mountain, which thrives because of its scenery.
When looking at the stone mirror to purify the soul, Xie Lingyun's footprints were covered with moss.
I will take the elixir of life to eliminate the world and practice the three Dan and three products.
Watching immortals in colorful clouds, holding hibiscus in hand.
Immortals have met in nine days, and I hope to see you invite me to visit Taiwan.
This poem is a masterpiece of landscape writing. The poet described the magnificent scenery of Lushan Mountain in great length, which can be described as the eternal swan song of Lushan Mountain. At the same time, this poem also shows the poet's heroism, expresses the poet's attachment to the mountains and rivers, expresses the poet's wandering and unrestrained feelings, expresses the poet's desire to find sustenance in famous mountains and rivers, and reveals the poet's cynicism of avoiding the world and seeking immortality because of political frustration.
The emotion of the poem is heroic and cheerful, full of a spirit of shaking mountains. The imagination is rich and the realm is open, giving people magnificent aesthetic enjoyment. The rhythm of poetry is full of ups and downs with the change of poetic sentiment.
6. The Xiongguan road is as iron as iron, but now it is still one step away from the beginning.
Emei Mountain Pavilion in Qin Yi from modern Mao Zedong.
The west wind is strong, and the geese in the sky are called frost morning moon. First frost morning, horseshoe broken, horn swallowed.
Xiongguan road is as iron as iron, and now it is still one step away from the beginning. From the beginning, Cangshan was like the sea and the sunset was like blood.
This word was written by Mao Zedong after his victory in the Battle of Loushanguan. Because of the significance of the battle, the poet was very excited and wrote this word soon after the battle. The first part is about the Red Army marching into Loushanguan, and the second part is about the scene after the victory of the Battle of Loushanguan.
Throughout the poem, the first half is about scenery, and the second half is about mood. There are feelings in the scenery, and there are also scenery in the feelings. The scene is integrated and harmonious. And its structure is unique, the upper part is gloomy and the lower part is passionate. The upper part is cold and the lower part is warm. Color contrast is strong, and emotional contrast is also strong. The sharp contrast between the upper and lower parts reflects the author's optimism and boldness of vision as a great generation. There are only forty-six words in the whole article. Although the length is short, it is magnificent, solemn and stirring, and the momentum is like a rainbow. Only a few strokes, "weight" is very heavy, like a stick figure written by a master. The brushwork is concise and endless, outlining a magnificent winter night March, showing the author's calm tolerance and mind in the face of failure and difficulties.
7. Free flying flowers are as light as dreams, and endless silk rain is as fine as sorrow.
Song Qin Guan's "Huanxisha Lonely and Cold to the Small Building"
With a chill, alone in the small building, the morning is cool and dreary, as if it were late autumn. Looking back at the screen, the light smoke, the flowing water, the mood is faint.
Outside the window, the flowers are dancing freely, just like in a dream, the rain is falling and drifting aimlessly, like melancholy. Look again, the curtain of jewelry hangs on the silver hook at will.
With a light style and quiet artistic conception, this word depicts a woman's faint sadness and loneliness in the early morning in Spring Sound. The artistic conception of the whole word is quiet and leisurely, with a subtle taste.
"Free flying flowers are as light as dreams, and endless silk rain is as fine as sorrow." Flying flowers curl up, floating around and drifting away; The drizzle is silky and boundless. Seeing the ethereal flying flowers, I can't help but think of the helplessness in my dream, and my heart is suddenly filled with endless melancholy like a drizzle. It photographed the futility and boundless sadness of the spring dream through the window and wrote it in the distant drizzle, deliberately pushing the emotional distance away and feeling a kind of ethereal and inseparable beauty. It combines subtle scenery with subtle feelings very skillfully and harmoniously, making abstract dreams and worries that are difficult to capture become concrete images that can be linked.
When analyzing these two sentences in Appreciation of Song Ci, Shen Zufen said, "Its strangeness can be divided into two layers. First,' flying flowers' and' dreams',' silk rain' and' sorrow' are not similar, and there is no analogy. However, the poet found that there are two similarities between them:' lightness' and' delicacy', so he combined four unrelated things into two groups to form an appropriate and novel metaphor. Second, the general metaphor uses concrete things to describe abstract things, or uses elusive things to compare elusive things. But the poet did the opposite here. He doesn't mean that dreams are like flying flowers and sorrow is like silk rain, but that flying flowers are like dreams and silk rain is also very novel. " These two sentences are wonderful, especially with a kind of musical beauty, poetic beauty and picturesque beauty.
8. Isn't it more demanding to be transplanted than any other natural flower? !
Twelve feelings from Zhang Jiuling in Tang Dynasty.
Orchids in spring are full of flowers, and osmanthus in autumn is bright and fresh.
Life in the world is full of vitality, which naturally conforms to the beautiful season.
Who wants to live in seclusion in the mountains and smell the fragrance, so full of joy.
The fragrance of vegetation comes from nature, how to ask the viewer to decompose it!
This poem was written when Zhang Jiuling was demoted to the long history of Jingzhou. At the end of Kaiyuan, Emperor Xuanzong of the Tang Dynasty indulged in debauchery and neglected political affairs, spoiling Li and Niu Xianke who catered to everyone. Niu and Li formed a political party to control state affairs and exclude dissidents, which made state affairs more corrupt. Zhang Jiuling was not satisfied with this, so he used the traditional method of comparison, and the poet used the elegant and clean quality of Chunlan and Qiugui to express his lofty integrity. As Chunlan and Qiugui didn't lose their fragrance and beauty because no one picked them, we can compare our own clean fragrance with the elegant feeling known to Dont Ask For Help.
9. settle down in the world and be willing to succeed.
Yi Mei by Li Shangyin in Tang Dynasty
Far from home, I don't want to see the scenery in spring.
Samuume is the most offensive thing, because the old one is regarded as the flower that opened last year.
This is a poem written by Li Shangyin in the later period of Zizhou, which means Yongmei. Written in the spring when flowers are in full bloom, the cold plum has already bloomed, so the title is "Recalling Plum".
"Be sure to live at the end of the world and be willing to go to China." The first two sentences of this little poem are about the scenery far from home and longing for spring. "I am willing to make a thing." "Things are different" refers to the beautiful spring in front of us. "Yi Yi" describes the cordial nostalgia in the face of bright spring. The poet seems to get temporary comfort in the face of the blooming spring, and rises a tender feeling of infinite attachment to beautiful things from the bottom of his heart. In a word or two, it feels like the opposite. In fact, "unwilling to be materialistic" is born because of "fixed in the horizon", and two diametrically opposite feelings are mutually causal.
"Cold plum is the most hateful. It was often used as a flower last year." The last two sentences of the poem say that cold plum can arouse people's disgust most, because it is always considered to be the flower that opened last year. The characteristics of "cold plum blossoms at the beginning of spring and wither at the sight of spring scenery" will naturally remind the poet of himself and touch the deep feeling of life experience, and the poet will inevitably sigh that "cold plum is the most hateful".