Poem on grassland depression 1. Ancient poems describing the depressions in the withered and yellow grasslands.
1, Farewell to Tang
Seeing friends off in the mountains, Chai Men is half hidden at sunset. Spring grass is green every year, but what about you, my friend Prince? .
2, "Wuyi Lane" Yuxi, Liu Tang
There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane. Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.
3, "Fu De Gu Cao Yuan Farewell" Tang Bai Juyi
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter. Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection.
4. "Song of Chile" is famous all over the country.
Chilechuan at the foot of Yinshan Mountain. The sky is like the sky, and the cage covers four fields. The sky is wild, and the wind and grass are moving to see cattle and sheep.
5. "Plug" Tang Baorong
The west wind is strong in time and the grass is cool. Poor yellow river, nine bends are exhausted, and the felt house is without a shadow.
6. "Frontier Defense Chunxing" soup and paste tablets
The grass is green and willow is thick, and the jade pot is full of wine. Go with the wind, sing loudly, and you will know the weight of the mountain.
2. Ancient poems describing the yellow grassland.
1, Farewell to Tang
Seeing friends off in the mountains, Chai Men is half hidden at sunset. Spring grass is green every year, but what about you, my friend Prince? .
2, "Wuyi Lane" Yuxi, Liu Tang
There are some weeds blooming by the Suzaku Bridge, and there is only sunset at the corner of Wuyi Lane. Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people.
3, "Fu De Gu Cao Yuan Farewell" Tang Bai Juyi
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter. Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey. I once again sent my bosom friend, and the thick grass represented my deep affection.
4. "Song of Chile" is famous all over the country.
Chilechuan at the foot of Yinshan Mountain. The sky is like the sky, and the cage covers four fields. The sky is wild, and the wind and grass are moving to see cattle and sheep.
5. "Plug" Tang Baorong
The west wind is strong in time and the grass is cool. Poor yellow river, nine bends are exhausted, and the felt house is without a shadow.
6. "Frontier Defense Chunxing" soup and paste tablets
The grass is green and willow is thick, and the jade pot is full of wine. Go with the wind, sing loudly, and you will know the weight of the mountain.
3. What poems describe "autumn decline and depression"?
Qu Yuan's "Nine Songs, Lady Xiang" in Chu Ci of Warring States Period
Sad autumn is angry! Bleak, vegetation is declining, travel far, climb the mountain near the water and return.
Nine Debates on Chu and Song Yu in Warring States Period
The autumn wind rises in Bai Yunfei, the plants and trees fall yellow, and the geese return to the south.
Che's autumn wind poem
The autumn wind is bleak, the weather is cool, and the vegetation is shaken and exposed to frost.
Song of Yan comes from Cao Wei Pi in The History of the Three Kingdoms.
There are many leaves in the green courtyard, and I know it is autumn: the green fragrant courtyard.
Tao Jin Yuanming's Reward to Liu Chaisang
On the new autumn night, the graceful moon will be far away: describe the long night.
Tao Jin Yuanming's "Fire in June in Wushen"
The lotus is exposed, and the willow is sparse in the moon.
Xiao Qi Yan's Qiu Si in the Southern Dynasties
Looking down at the cold city, Pingchu is in the cold city: the chill has invaded the city.
Looking at Xuancheng County in Southern Dynasties
The height of the pavilion under the leaves, the height of the pavilion in autumn with the dragon head: horizontal.
Yi Dao Poems of Liang and Liu Hun in Southern Dynasties
Jincheng fog grass is low, and Yumen grass under the wood is low: grass withered.
Tang, Preface to the Autumn Knee King Pavilion.
Sunset and lonely Qi Fei, autumn waters and sky are the same color.
Tang, Preface to the Autumn Knee King Pavilion.
Trees are all autumn, and mountains only have light.
Don Wang Ji's Wild Hope
Hanging forest scenery is different, and autumn is like Luoyangchun.
Tang Song Wen Zhi "Autumn in the Early Years of Anchou".
Now the mountain is very cold and blue, and autumn water has flowed all day: the sound of running water.
4. What are the poems about grass?
1 Although the country is broken, the mountains and rivers will last forever, and the vegetation will revive in spring-Tang Du Fu's Hope for Spring
Chang' an fell and the country was broken, leaving only mountains and rivers; Spring has come, and Chang 'an, which is sparsely populated, has dense vegetation.
The north wind rolls white grass, and eight In the snow crosses Tatar's Day —— Tang's "Bai Xuege Farewell to Tian Li Wu's Home"
The north wind swept the earth and scattered the white grass. It began to snow in Alakazam in August.
3. The evening grass falls in the West Palace and the South Palace, and the red leaves are piled on the steps without being swept-Tang Bai Juyi's Song of Eternal Sorrow.
Xingqingguan and Ganlutang are depressed everywhere, and autumn grass grows. The fallen leaves in the palace are full of steps and have not been swept for a long time.
4. Flowers are getting more and more attractive, but shallow grass has no horseshoes-Tang Baijuyi's spring outing in Qiantang Lake
Wild flowers can be dazzling when they are competing to open, and spring grass has just crossed the horseshoe before it grows tall.
5, the wind blows grass to see cattle and sheep-Northern and Southern Dynasties, anonymous "Chile Song"
It is said that the grass on the grassland is very high, which covers the cattle and sheep. When the wind blows the grass away, the cattle and sheep are exposed.
Extended data
Grass generally refers to herbaceous plants, which is the general name of a kind of plants. It is not a unit in the scientific classification of plants, and the concept corresponding to herbaceous plants is woody plants. People usually call herbs "grass" and woody plants "trees".
But occasionally there are exceptions, such as bamboo, which belongs to herbs, but people often regard it as a kind of tree because they are tall and thick. But in fact, they are formed because of the special climate.
Grass, like crops, needs certain mineral nutrition to grow well, but few people fertilize grass at ordinary times. In winter, when grass is burned to ash, the mineral components in it remain in the ash, which can penetrate into the soil with the rain and make the minerals return to the soil, just like applying fertilizer once.
Grass can make use of them when it germinates and grows in spring, so the burnt lawn will grow better than the unburned one. Burning lawns can also kill pests and germs. Pests and germs burn with grass, thus reducing pests and diseases in spring.
Some people may ask, burning the lawn will burn the grass to death, right In fact, only the dead leaves and stems of grass are burned, and the underground roots growing in the soil are not affected. When spring comes, the grass can still grow. The ancient poem "The mountain fire is not over, and the spring breeze is high" describes this phenomenon.
References:
Grass-Baidu encyclopedia
5. Poems describing the depressed environment should be sentimental.
Late autumn.
A light rain fell on the gazebo.
The threshold is sparse, the shaft is chaotic,
Create residual smoke.
Sadness.
Wangjiangguan,
The clouds are hazy and the sunset glow is hazy.
Song Yu was very sad at that time.
Climb a mountain in the water here.
The road is long, and the pedestrians are sad.
Tired of listening to the gurgling water.
Cicada is singing and falling leaves.
The grass is dying,
Corresponding noise.
A lonely museum is like a year.
Wind and dew gradient,
Quietly go to a more separated place.
The sky is clear,
The river is shallow and the moonlight is beautiful.
Think about it,
Night always faces the scene,
That's a minority,
Think about the past.
Unnamed,
Chimo red building,
Often put off for several years.
The scenery in Dili is good,
When the days are running out,
The dinner was full of joy.
With crazy friends,
When you meet a song, you fight for wine.
Don't come so fast,
Always swimming like a dream,
What is the boundary between smoke and water?
Thinking about fame and fortune, haggard and lingering.
It is those who have fame and fortune that make me so haggard and will fetter me.
I feel a little cold because of the leaking arrow.
Sobbing gradually, drawing a few corners.
Through the idle window,
Stop the lights and the dawn,
Holding the shadow and not sleeping.
6. Poems with grass
1, the hope of spring
Tang Dynasty: Du Fu
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
Chang' an fell and the country was broken, leaving only mountains and rivers; Spring has come, and Chang 'an, which is sparsely populated, has dense vegetation. Sentimental state affairs, tears can't help splashing, birds are heart-pounding, which only increases sadness but not hatred. The continuous war has continued until now, and there are few letters at home. A letter is worth tens of thousands of gold. Worried, scratching my head, my white hair is getting shorter and shorter, and I can't insert it.
2. Song of Chile
Southern and Northern Dynasties: Anonymous
Chilechuan at the foot of Yinshan Mountain. The sky is like the sky, and the cage covers four fields.
The sky is gray and wild. See cattle and sheep when the wind blows.
At the foot of Yinshan Mountain is the vast plain of Chile. The sky in Chilechuan looks like a felt tent where herders live. Its four sides are connected with the earth, the blue sky is endless, and the green Yuan Ye is endless. When the wind blows to the grass, flocks of cattle and sheep appear and disappear.
3. Grass
Tang Dynasty: Bai Juyi
The long grass is so lush that the withered grass will thicken the color of the grass every autumn and winter.
Wildfire can't burn it out, but the spring breeze can revive it.
Weeds and wild flowers are all over the ancient road, and the end of the grass in the sun is your journey.
I once again sent my bosom friend, and the thick grass represented my deep affection.
How lush the long grass is, it turns yellow in autumn and winter every year and thickens in spring. Ruthless wildfires can only burn dry leaves. When the spring breeze blows, the earth is green. Weeds and wild flowers spread and flooded the ancient road, and the end of the grass under the bright sun is your journey. I once again sent away my bosom friend, and the thick grass represented my deep affection.
4. "Back to the Garden, Part III"
Wei and Jin Dynasties: Tao Yuanming
I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.
Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.
The narrow path covered with vegetation, the night dew wet my clothes.
It's not a pity to get wet, but I hope it won't be against my will.
I plant beans at the foot of Nanshan, where weeds are flourishing and peas are sparse. Get up early to get rid of weeds, and go home with a hoe in the moonlight at night. The narrow path was covered with vegetation, and the night dew wet my clothes. It's not a pity that my clothes are wet. I just hope it won't go against my original intention of returning to agriculture.
5. In Chuzhou, Xixi
Tang Dynasty: Wei Wuying
Alone, grass grows by the stream, and orioles sing on the trees.
The spring tide brought the rain late and urgent, and there was no boat on the wild crossing.
What I like best are the faint weeds growing by the stream and the orioles singing softly in the depths of the trees. The spring tide is rising and it is drizzling. There is no one at the wilderness ferry, only a small boat leisurely crosses the water.
7. Poems, famous sentences or articles about grass.
The image of grass in ancient poetry The grass that can be seen everywhere in nature entered China's classical poetry very early.
As early as the Book of Songs, grass appeared in nearly ten places. Of course, grass is mainly used to cheer up at this time.
For example, "there are creeping weeds in the wild" and "what grass is not yellow". In Songs of the South, grass appears more frequently.
From the beginning of Qu Yuan's works, the tradition of "beauty and vanilla are metaphors of loyalty and righteousness" has been formed. This tradition has a far-reaching influence in the history of China's poetry.
For example, "What grass was it before, and now it is Xiao Ai?" (Qu Yuan's "Lisao", "Vanilla is a gentleman, and famous flowers are evergreen" (Wang Wei celebrated the Spring Festival with the medicine garden outside the garden) Qu Yuan used vanilla as a metaphor for a virtuous gentleman, while Xiao Abby was a rebellious and degenerate talent. The metaphor in Wang Wei's poems is more obvious and needs no explanation.
Another example is Meng Haoran's poem "How fragrant the roadside flowers may be, I regret running counter to the ancients" ("Leaving Wang Wei") and Wen Tianxiang's poem "What a dream, the wind and rain are everywhere, the country is so old? They all use grass to describe their pursuit of ideals: Meng Haoran hopes to retire after success and Wen Tianxiang hopes to save the country. There is a saying in "The Songs of Chu Recruit Hermits" that "Wang Sun swims without returning, and the spring grass grows endlessly".
Since then, the grass has become the object of parting feelings and thoughts. In Jiang Yan's Biefu, there is such a description: "Spring grass is green, spring water is green, and wounded soldiers are in Nanpu!" This artistic conception often appears in ancient poems.
For example: "Spring grass is greener in autumn, and the child has not died." (Xie Tiao's "Appreciating King Jin 'an") "The grass turns green again in spring, but what about you, my friend Prince? ？” (Wang Wei's "Farewell") Every spring, the poet always looks at the grass to reproduce the new green, as if it is back, so he often takes the grass as the support of lyric.
Another example is: "When I meet an old friend once, the spring grass still grows from the old place" (Gu Kuang's Farewell), "The spring water is evergreen, and I miss you intermittently" (Yao Yuehua's Poem of Sorrow). Green grass is reborn, friends are hard to see, and poets are inevitably heartbroken.
Therefore, in classical poetry, it is often seen that "fragrant grass" is associated with "heartbroken grass", such as "Spring Garden is silent, heartbroken grass is green" (Wei Zhuang's Golden Gate) and "The flower curtain in the courtyard is not rolled up, heartbroken grass is far away" (Zhu's Golden Gate). There are also some poems that rely on grass to express their feelings, but they don't focus on the rebirth of spring grass like returning, that is, the return of grass is linked with the return of people, but has a new foothold.
For example, in the Han Yuefu, "The grass is on the banks of the Qingjiang River, and the Philip Burkart Road is continuous", Ye Li's poem "Leave love everywhere in the grass" ("Send Yan Twenty-six to Yongxian County"), and Li Yu's famous sentence "Leave love like spring grass, go further and live endlessly" ("Qingpingle"). It is also lyrical by borrowing grass, but it is always colorful in the works of different poets.
Poets often use empathy, that is, externalizing subjective feelings to objective things. For example, "When an old friend disappears, autumn grass mourns the south" (Gu Kuang's Farewell to Li Biejia), and "There are ancient trees like flowers on the top, and spring grass is sad on the bottom" (Li Bai's Farewell to Fuling).
In fact, people will be sad, but the poet said that grass is sad, grass is sad, which is clever and subtle, which makes people memorable. There is also a very successful metonymy in the poem to express affection for others, such as "recalling the green silk clothes and pity the grass everywhere" (Niu Xiji's "Giving birth to children"). The color of the green silk skirt is the same as that of the grass, so the poet "loves me, loves my dog". Because he thought of the color of his wife's silk clothes, he loved the grass all over the world.
At first, Luo skirt was used to refer to lover, then the color of Luo skirt was used to refer to lover, and then the grass with the same color as Luo skirt was used to refer to lover. Niu Xiji's ci has experienced such an artistic process.
In fact, this idea has already appeared in Han Yuefu: "The green robe is like grass, and the grass is long and comfortable." It is based on the color of grass and robes.
Grass is often used to express sad feelings, probably because autumn grass and weeds easily touch people's sentimental feelings. For example, "leaning against the building is silent and charming, and the sky is faint and even the grass is fragrant" (Kou Zhun's Walking on the Sand), "The moon is high and white, and the grass is cold and dew, singing" (Lu You's Autumn Xing).
Grass plays a very important role in rendering the sad atmosphere, so it is almost an indispensable image in elegies and ancient poems. The former is like "the weeds are boundless, the poplars are rustling" (Tao Yuanming's elegy), "the spring grass is boundless, and the prince's grandson once visited here" (Liu Changqing's Passing the Tomb of the Floating Mother), while the latter is like "Kings are common, and the grass is old.
Jude with skirt color, green to Chu people "(Liu Changqing" Cao Qing Palace Nostalgia ")," I asked about the past, only to see that the river did not return. At sunset, the east wind and spring grass are green, and the partridge flies to Yuewangtai. "
As for Du Fu's and Cui Hao's famous sayings, "Spring grass dyes the steps, birds sing and leaves are happy" ("Book of Letters") and "Every tree in Hanyang has clear water, and a nest of herbs in Parrot Island" ("Yellow Crane Tower"), people are more familiar with it. Grass is also often used to express the helpless sigh of short life.
There is already a poem in "Four Seats" that "fragrant grass can't grow for a long time, and weeds can't be left in leisure". Metaphor laity to pursue floating name. Although they won praise for a while, they will eventually return to nothingness. Xu Gan's "Thinking in the Room" also said: "My life is like spring grass", and the style is also very low.
Li He's Thirteen Poems of South Garden is different, saying, "Flowers and plants are in full bloom in the eyes, and small white flowers grow red in the cheeks. Poor sunset fragrance falls, marriage and spring breeze don't need media. "
Although it is also full of flowers and plants, it shows the idea of cherishing youth and actively using the world. As for Bai Juyi's famous sentence: "Wildfire never goes out, spring breeze blows high", it shows a vigorous vitality, a positive and optimistic spirit, and sweeps away sentimental emotions.
As the support of the poet's subjective feelings, the grass image shows rich and complex connotations. "But how much love there is in an inch of grass, it will win three spring rays" is a metaphor that it is difficult for children to repay their mother's love with an inch of grass. "Grass colors people's hearts and leisure, fame and fortune blend together" is a metaphor for the hearts and indifferent and peaceful feelings of idle people with green grass colors; "How about the happiness of reading? The grass is green in front of the window "describes the happiness of reading as endless spring grass in front of the window;" "The grass does not thank it for its glory in the spring breeze, and the wood does not blame it for its autumn fall" is to reveal the laws of nature through the rise and fall of vegetation.
It can be seen that the rich connotation of grass has been fully exerted in ancient poetry.
8. tenacious poems about writing flowers, grass and pine
The grass in the poem is 1. The sky is wild, the wind blows the grass and the cattle and sheep are low.
(Song of Chile) 2. The endless grass on the plain comes and goes with each season. (Bai Juyi: "Farewell to Ancient Grass" 3. Although a country is divided, mountains and rivers last forever, and the spring of trees and grass is back.
(Du Fu: "Spring Hope") 4. But how much love makes nothing grow, but it brings three times of spring glow. (Meng Jiao: Ode to a Wanderer) 5. The forest was black and the wind hit the grass, but the general tried to shoot an arrow at night.
(Lu Lun: Song of the Race) 6. Shannan grows beans, and the grass is full of bean seedlings. (Tao Yuanming: Return to the Garden) 7. The road is narrow and the grass is long, and the evening dew is stained with clothes.
(Tao Yuanming: (Back to the Garden)) 8. Living alone in the secluded grass, there are orioles singing in the trees. (Wei: (in Xixi Chuzhou) 9. Flowers are more and more attractive, and shallow grass can lose its horseshoe.
(Bai Juyi: (Qiantang Spring Tour)) 10. The sky is crisp with rain and the grass is near. (Han Yu: Two Early Spring Poems by Zhang Eighteen Members of the Ministry of Water) 1 1. The eaves of thatched roofs are low and the streams are green.
(Xin Qiji: Qingpingle Village Residence) 12. Outside Changting, beside the ancient road, the grass is blue. (Li Shutong: Farewell) 13. A person, there is a grass stream, and there are orioles singing in the trees.
(Wei: Xixi on Chuzhou) 14. The drizzle in Tianjie is crisp, but the grass color is far and near. (Han Yu's Eighteen Foreign Ministers of Zhang Shui Department in Early Spring) 15. Weeds are in full bloom by Suzaku Bridge, and the sun sets at the corner of Wuyi Lane.
(Liu Yuxi's Wuyi Lane) 16. The forest was black and the wind hit the grass, but the general tried to shoot an arrow at night. (Xia Sai Qu by Lu Lun) 17. The Suzaku Bridge is overgrown with weeds and flowers, and the sunset at the entrance of Wuyi Lane is oblique.
(Liu Yuxi's Wuyi Lane).