-Mozart, 178 1 April 4th.
I spent the first two years of my college life in bed. At that time, I devoted myself to the study of bed and the emergence of genius, which had important practical significance. Descartes found "I think, therefore I am" in bed, Goethe dictated poems and scripts to others in bed, and even Mr. Churchill's history of World War II was completed in a strange posture in bed. But I finally found that many students are working on this research, and the degree of their efforts is crazy, but I can't see the hope that they can suddenly become geniuses, so I gave up. This kind of giving up is really cruel to this young man who is only eighteen years old but insists on his dreams again and again. When he smiled faintly, this cruelty was deeply imprinted in his heart and became a secret pain.
At the end of Amadeus, when Mozart dictated the requiem to salieri all night, he said, "I want to sleep for a while." To be precise, when Mozart was lying in the big bed and salieri was curled up in Mozart's son's bed, my inner pain was touched. I suddenly understood why I spent a long time in bed but never became a genius. The key is not how you sleep, nor how long you sleep, but whether the bed you sleep in is designated by God for genius, or whether you are amadeus, a Latin word meaning: loved by God. Although Mozart himself wrote to Coe Harz in 1787, saying that "no one has learned to compose music like me", is there any other more appropriate name for a person who wrote his first concerto at the age of 4, his first symphony at the age of 7 and his first opera at the age of 12? When salieri and I saw the perfect score without any modification, I could only naturally agree with salieri's statement: Mozart was loved by God, and his music had long been written by God and put into his mind, but Mozart only needed to show it to the world and then get countless praises. Michelangelo always said that his genius was caused by the "flowing air" in his hometown, so Mozart really showed his talent as naturally as breathing.
Even rarer than a rare genius, as romain rolland said, Mozart possessed "a completely healthy and balanced soul". Human suffering is endless, but it can be roughly divided into two forms: one is material abuse, such as poverty, disease, human malice and so on; The other comes from inner hesitation, struggle, depression and so on. There are many people in the world who can escape the first kind of pain, such as Descartes and Schopenhauer, but genius, as a trait, always suffers more pain than ordinary people in the second form. Too many crazy geniuses filled the world and the real world in their minds with their gorgeous and barbaric colors, and excellent brains such as Van Gogh and Holderlin all died of madness. He is also a genius who walks on the edge of madness as described by john nash in A Beautiful Mind, but it can only be said that this genius perfectly shows us the only heroism in the world: seeing the world clearly and then loving it. That boy Wolfgang Amadeus Mozart doesn't even have any inner confusion. He is like a crystal, reflecting only the machine heart and helplessness of others, but he is addicted to parties and playing with his wife, and gives out that unique laugh when he is happy. His healthy and balanced soul will only stir in one situation-when others offend his pride. At this time, he would say, "When watching the Italian opera, so many high-pitched voices are shouting, and a pair of obese couples are rolling their eyes and winking." That's not love, that's rubbish. "It's not surprising that pride is part of childishness, even for his father, who has always respected him. When his father wrote to blame him for opposing his departure from the Archbishop of Salzburg, he replied, "I don't recognize any line in your letter written by my father. Yes, it was written by a father, but not my father. "
Yes, such a child lies happily in the bed prepared by God for him out of love. My dissatisfaction with God is that when Mozart said "I am in bed", he would never say "the rice is in the pot" like a virtuous and gentle woman. While countless geniuses struggled in inner pain, Mozart struggled in material shortage, physical weakness and being framed by jealous people. The fait accompli doesn't allow me to make the following assumption: if he thinks that finishing the requiem as soon as possible can't improve the life of his family and can't ensure that there is food in the pot, can he stay in the bed designated by God for him for a while? Genius can rightfully say "the rice is in the pot and I am in bed". This beautiful idea can only be realized in movies like Good Will Hunting. Genius is not only mentally balanced and physically strong, but also can seek high-tech income in big companies. Even a little mental illness will be cured by robin williams, a magical teacher who will always teach and educate people. Unfortunately, Mr. ripley, the genius of this play, also participated in the writing, which inevitably gave the genius too much preferential treatment. The cruel truth is that genius and mediocrity exist only to add luster to God. When you lie in your own bed, a genius may have bigger windows and see more beautiful scenery. However, the room of genius has no roof, just like Mozart slipped into a mud pit full of bodies in the wind and rain, with no tombstone on it.
Jian 'an 102 1 Ren 10 salieri's Hate 1. I hate that I was born different from Mozart's Allegro in F major for ten minutes and six seconds (Mozart first played a tune with an ancient piano and then a small violin) "Mozart, I have long known his name. When I was playing children's games, he had already played for the emperor. Even played for the Pope. I admit, when I heard the order they gave him, I was jealous. It was not some outstanding little prodigy, but his father, the man who taught him everything. My father doesn't like music. I told him that I wanted to be like Mozart. He said, "Why? Do you want to be a trained monkey? Do you want me to drag you around Europe and play tricks like a circus monster? "How can I tell him that music is very important to me? I hate being deprived of my position in the Austrian royal family. I hate being robbed of the position of Austrian royal family for 25 minutes and 57 seconds. When the king asked salieri's opinion, he said, "It's an interesting idea to leave Mozart in Vienna. The Archbishop will be furious! If your majesty wishes. " Mozart: "German, please decide to use German." King: "Why?" Mo: "Because I already have the most wonderful lyrics. "... Mo:" Why not? Very attractive. I mean, the story is very attractive and won't show the secrets of the boudoir. There will be no immorality, and the moral concept is strong. Full of traditional German virtues. "... Mo:" Love! " Salieri: "Oh! It is love! We Italians don't understand love. Mo: You don't understand. In Italian opera, all tenors are screaming, and stupid and obese couples are rolling their eyes. This is not love but rubbish! Your majesty, you choose the language. I dedicate the most beautiful music to your majesty. King: "Oh! Just use German. "Don't play the short March of 35 minutes and 50 seconds written by salieri. Mo. " Is everything else the same? Not so good, is it? Have you tried this? Should it be more ... like this ... or like this? Is it better? what do you think? "The king's face lit up) (53 minutes 13 seconds) The king:" Good morning, court composer. This is my niece, Princess Elizabeth. She asked me to recommend a suitable music teacher. I have an excellent idea. Salieri: "Your Majesty, this is my great honor! Kim: I was thinking about Mr. Mozart. what do you think? Salieri: "It's an interesting idea, but …" 3. I hate Mozart for taking away the woman he longed for 4 1 min 14 seconds. Salieri: "There are ten minutes, the scale of ghosts! ... I'm in love with that girl, or at least I'm greedy for her ... I can't stand anyone touching her, especially that poor bug. " Salieri: "At that moment, I'm sure he took her away. That poor bastard took my dear girl ... "4. I hate that Mozart's wife loves him so much. Madame Mozart: "Your Excellency." Salieri: What can I do for you? ..... salieri: "... I promise it is absolutely safe here." Madame Mozart: "I really can't do it. He doesn't know I'm here. " Salieri: "So he didn't send you?" Madame Mozart: "This is my own attention." ..... salieri: "Come back tonight, alone." Madame Mozart was invited to salieri's home ... 5. I hate Mozart making fun of his own works 1: 25: 09 Mozart played salieri's style with a clown expression and ended the performance with farting. Salieri: "Laugh at me! It's not Mozart who laughs, it's God who laughs at me with his dirty laughter. Smile and show everyone my mediocrity. I'll laugh at you one day. I will laugh at you before I leave this world. " I hate Mozart (God) for not letting him share the glory. Salieri: "My only wish is to sing to God. He gave me longing and made me lose my voice. Why? Tell me. If he didn't want me to praise him with music, why did he plant desire in my heart? Fill me with desire, but don't give me talent? " 2.52.58 salieri: "Merciful God, he destroyed his favorite and refused to let me, a mediocre man, share any of his glory. He killed Mozart and left me with either torture, torture for 32 years and watching himself die slowly for 32 years. My music faded away and disappeared until no one played. And his ... "Tragedy" and "W's Tragedy" Synopsis Sanxiang is an intern of Shanghai Opera Troupe. The troupe decided to perform the mysterious work "The Tragedy of W" and selected the heroine Mozi through the examination. Ju Dixiang was chosen, and Jing Xiang was arranged to act as the maid of the troupe and write lyrics behind the scenes. Encouraged by her boyfriend Akio, she memorized all the lines of the whole play. One night, Yuan Liangzao of the old-age help hall where the female star Feather Bird Xiang was located suddenly died in her room. In order to avoid being ruined by this scandal, Yu Bird Xiang begged Jing Xiang to be her body double on the condition that she should play the heroine Mozi. After that, Jingxiang successfully played a murderer body double on the stage, and she integrated her real experience with the role. The performance was very touching and won the recognition of the audience. After the performance, Kikudixiang pounced on Shizuka with a knife. Akio was injured for protecting Shizuka. He courted Shizuka, and Shizuka told him that she wanted to start from scratch, continue acting and say goodbye to him with a smile. Actress yu zhang revealed to many media that director Huang Jianzhong had sex with a friend of hers, Xiao Xia, in front of her. Later, Huang Jianzhong meant that when he had dinner with yu zhang, yu zhang framed him, which made him "unconscious after drinking two bottles of beer, and he couldn't remember what happened later". Subsequently, China Radio, Film and Television News published an article about yu zhang written by Huang Jianzhong, Zhang Jizhong and Yu Min, which revealed that yu zhang "had a big fight with a director's wife for acting. Claiming that he was raped by the director, yu zhang refused to pay back the money and stole Yu Min's mobile phone, etc., which immediately made yu zhang fly into a rage and took the three directors and China Radio, Film and Television to court on the grounds of infringement of reputation. As a result, he lost the case twice. Yu zhang, who lost the case, had long had the idea of revenge. She has negotiated privately with Huang Jianzhong many times, but nothing has been achieved. She was furious and finally used her "killer weapon" and repeatedly told the media that she wanted to expose the shady scene in the film and television circle. Finally, yesterday, she took out a "guarantee" and more than 20 videos and tapes in "Recording with the Event" and made them public to the media. The tail of the "weasel" was exposed, but it also brought out a long list of dirty "water", and many people in the film and television circles followed suit. The sex scandal in the entertainment circle has the widest coverage and the largest number of people involved. The "sex trade" incident was made public by the media. Attachment: Seven Deaths 26: 10 The background music is the theme of the second movement of Bach's Orchestral Suite No.3, also known as the aria on the G string.
There was a man who had a word in the middle of his name: gottlieb in German, Amadeus in Latin, Amadeo in Italian and beloved of God in French. His full name is Johannes Chris Thomos Wolfgang Gus Tiafero Mozart.
We call "God's darling" genius for short, or Mozart for short.
"Mozart is a genius, but I'm not. What should I do? "
Amadeus, produced by American Sol Zainz Film Company 1984, approached this god from the perspective of a bystander. At least he is the darling of God and a genius who dazzles us mortals. He was a boy at first, not that he was young until his death, but that he just smirked, rolled around with actresses in the dressing room and "humiliated" his opponent in public for no reason, a person whose premise may be crucial to him-salieri, a court composer.
Salieri clearly heard, and even saw, the voice of nature sent by God through this vulgar and even seemingly careless child. He was surprised to find that only he saw it, and he was afraid that all people would open their eyes at those moments. So he induced the little boy to commit a crime, and he proudly found that Mozart was a sailboat that could be easily manipulated. "Good wind depends on strength", and he seems to be able to destroy this genius. He seems to be an accomplice of God's infliction of many sufferings on genius.
"I can set obstacles for him at will in my invincible world. This world is the world of mankind. In this world, people who cheat the world get rich and those who steal fame succeed. "
What salieri did, in fact, explained how genius is incompatible with this world from another angle.
First of all, genius serves the king of kings. Almost all kings who are used to knocking on their knees in the world are despised by genius. Because a genius will feel that he has a seat in front of the king, and it is not worth celebrating to look directly at the king. He will write to his father in Vienna: "I am still angry ... people have been testing my patience." . I finally defeated the word' forbearance', and I am no longer a' prisoner of Salzburg'. Today is a happy day, I am finally free ... "He never thought that freedom is only in the sky, and everyone who climbs on the ground knows what freedom is."
So the house of genius is still the house of mortals. His wife may not know his value or his enemies. Maybe she thinks Mozart's unhappiness lies only in the man's dissatisfaction with his body. Maybe she really thinks that Mozart's scribbled notes on paper are just shit, and only when this shit can really be exchanged for the headdress on her hat can it be promoted to a higher level of shit; Maybe she judged the value of Requiem and Magic Flute only because the former paid a lot of money in advance, while the latter didn't seem to make any money. In her life, she began to realize that her Mozart was a genius, but she didn't know that her Mozart was more than just a genius.
Finally, the body of genius, especially the body of mortals. When all the maids arranged by salieri refused to be shameful spies in horror, because she found that working day and night made her nominal master as prosperous as a ghost, or as unpredictable as a ghost. When salieri excitedly stabbed the last sword, they didn't realize that God had stopped mortals from spoiling his favorite, and God's favorite was going home.
"Through the fence of notes, I saw a pure beauty."
Joseph Makelis, an American musicologist, once commented on Mozart's music: "There was a moment in the history of music when all opposites were consistent and all tensions were eliminated. Mozart was that glorious moment. " If we consider Mozart's short creative time, people will find that the number of works he left us is amazing. However, he didn't stay for us, and the number of works we will never know is even more amazing; Because in all periods of his life, he preferred improvisation, that is, he played freely on the piano: in public concerts, or more often, in front of several audiences for several hours. What was created at this time was not recorded later-this is the whole Mozart music world, which once made a wonderful sound, but it disappeared forever. And we saw the world from salieri's eyes, we read the world at the fingertips of Mozart's last night in salieri, and we heard the world in salieri's silent but bloody confession. When the meteor shines the night sky so brightly, we read eternity, even if we can't pass it by again.
"All the mediocrity-living and future mediocrity, I forgive you all. Amen. "
Towards the end of the film, we see salieri slowly waving his shriveled hands: "All mediocrity-living and future mediocrity, I forgive all of you. Amen. " It seems that Mozart's treasure can be measured: 22 operas: The Marriage of Figaro, Don Juan and The Magic Flute are the most famous; Symphony 4 1: Symphony 39, 40, 4 1 is the most famous; 27 piano concertos: the 20th, 2nd1,23rd, 24th, 26th and 27th piano concertos are the most famous; There are 6 violin concertos, among which the fourth and fifth violin concertos are the most famous; In addition, there are countless instrumental and vocal works of various genres. In just 35 years, Mozart left us more than that. Every moment is a miracle for an ordinary person. So many moments gathered in a limited space can only be called a miracle. After 260 years, do we really understand what this genius left us?
"Anyone who has ears to listen, listen!" (Kyle 4: 9).
Let me end the worship of God's gift with the word of God. He never belongs to us, but he is so inseparable from us.
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Mozart's songs used in movies
1. Opera Don Juan (K .527) Overture/Film Opening
2. The first movement of the 25th Symphony (k. 183)/ salieri's suicide was discovered.
3. String Serenade (K.525) The first/third movement played by salieri for the priest.
4. Allegro in F major (K.33B)/ Mozart's music played on the clavichord first and then on the violin.
5. SerenadeNo. 10 (big suite) (K.36 1) The third movement/Mozart left constanta and ran for the concert.
6. SerenadeNo. 10 (large suite) (K.36 1) Seventh movement (final movement)/Mozart serenades.
7. SerenadeNo. 10 (big suite) (K.36 1), the third movement/music score of Mozart in Salericha.
8. Piano Variations in G Major (Adapted from salieri's Works-My Dear Anthony) (K. 180)/ Mozart's Adaptation of salieri's Works.
9. The aria "I don't know what's wrong with me" in the opera "The Wedding of Figaro" (K.492)/Mozart adapted a ditty written by salieri for Joseph II when playing for Joseph II.
10. in the performance of the aria "marten allerarten"/"harem escape" in the opera "harem escape" (K.384), the soprano solo.
1 1. In the finale of the opera The Harem Escape (K.384), four people left by boat.
The mass is in 12. In c minor (op. 427), the sutra of mercy/at Mozart's wedding.
13. Concerto for Flute and Harp (K.299) Second Movement/When salieri read Mozart's manuscript brought by constanta,
14. the first movement of the 29th symphony (k. 20 1)/ when salieri read the Mozart manuscript brought by constanta,
15. Piano Concerto for Two Piano (No.10) (K.365) The third movement/When salieri read Mozart's manuscript brought by constanta,
16. Concerto for Violin and Viola (K.364) First Movement/When salieri read Mozart's manuscript brought by Constanza,
17. "mass in c minor" (K.427), when the sutra of mercy/salieri read Mozart's manuscript brought by constantanza.
18. Piano ConcertoNo. 15 (K.450) Third Movement/Mozart is on his way home.
19. Opera Don Juan (k. 527)/ Mozart saw his father after entering the room.
20. The bodyguard chorus in the opera "The Temptation of the Harem" (K.384)/Mozart's family put on a mask.
2 1. German military song (K.539)/ background music of the masked ball
22. The duet Vivat Bachus》/ in the opera Temptation of the Harem (K.384)/Mozart was "punished" for playing the piano at the masquerade ball.
23. The duet Vivat Bach in the opera Temptation of the Harem (K.384)/Mozart performed in the style of Bach.
24. The duet Vivat Bachus》/ Mozart in the opera The Temptation of the Harem (K.384) was turned upside down.
25. The duet Vivat Bachus》/ Mozart in the opera Temptation of the Harem (K.384) is interpreted in the style of "salieri".
26. Artuti Conti, the finale of the opera The Wedding of Figaro (K.492)/Mozart writes while playing billiards.
27. Piano Concerto No.22 (K.492), the third movement/Mozart played for the emperor in an open-air concert.
28. Artuti Conti/salieri, the finale of the opera The Wedding of Figaro (K.492), sneaked into Mozart's room.
29. The duet "Quintet ……" was rehearsed by Figaro and Susanna Mozart in the opera "The Wedding of Figaro" (K.492).
30. The ballet music "ECCO· La Mathea" in the opera "The Wedding of Figaro" (K.492)/The opera director tore the score.
3 1. ditto/Mozart got permission from Joseph II and played it again with music.
32. Artuti Conti, the finale of the opera The Wedding of Figaro (K.492)/When Joseph II yawns.
33. The second act of the opera Don Juan (k. 527)/ Mozart learned the news of his father's death.
34. Same as above/Mozart conducting Don Juan.
35. Piano Concerto No.20 (K.466) First Movement/salieri came to Mozart's residence wearing a death mask.
36. Opera Don Juan (k. 527)/ Mozart's opening chord when he opens the door.
37. Requiem (K.626), intuitus/Konstanza asked Mozart.
38. Ibid./salieri planned to kill Mozart.
39. Comedy music adapted from the operas Temptation of Harem (K.384), The Wedding of Figaro (K.492) and Don Juan (K.527)/Mozart's family watched the performance.
40. In the opera Requiem (K.626), Diesrae/Mozart heard a knock at the door while writing late at night.
4 1. Opera "Magic Flute" Overture (k. 620)/ Mozart danced wildly in the room.
42. The opening chord of the opera Don Juan (K.527)/When Mozart opened the door, he saw a man wearing a death mask.
43. Requiem (K.626), Rex Tremende/Mozart Touch Room.
44. The aria "Das Klingen" was drunk in the opera "The Magic Flute" (K.620), and Mozart played the piano in the pub.
45. Aria "A Woman …" In the opera "The Magic Flute" (K.620), Mozart was drunk and sang in a pub.
46. The prelude to the opera "Magic Flute" (K.620) The drunken Mozart sang with several drunken women in the pub.
47. Requiem (K.626), Mozart was drunk by Rex Tremenday and walked down the street.
48. The aria "der Holle Rache" in the opera "The Magic Flute" Mozart's mother-in-law rebuked Mozart.
49. The aria Ein Madchen》/ Mozart (K.620) in the magic flute is accompanied by the performance of the magic flute.
50. The aria "Pa Pa"/Mozart in the opera "The Magic Flute" (K.620) was carried into the carriage by salieri.
5 1. German Dance (K.509)/ constanta at the ball.
52. Requiem (K. 626), Confucius/salieri assisted Mozart in writing requiem.
53. Requiem (K .626), the death and funeral of La Franz Klammer Sa/Mozart.
54. The second movement of Piano Concerto No.20 (k. 626)/ salieri is pushed out of the room, and Mozart's laughter is heard, and the film ends.