The specific original text is as follows:
Who is Heguang? Hang it with a reed. Who is Song Yuan? Standing on your knees to look at it.
Who is Heguang? There was no room for swords. Who is Song Yuan? I never worshiped the dynasty.
The notes are:
① River: refers to the Yellow River. ?
②Reed: refers to a small raft made of reeds. Hang: Hang.
③Qi (qi) stands on his feet.
④ Knife: small boat.
⑤ Chong (zhong): end, end. Chao (zhao): morning.
1. "The Book of Songs·He Guang" was written in the pre-Qin period. The author is unknown. The translation is:
Who said that the Yellow River is wide and wide?
A reed raft can be used to cross the sea.
Who said the road to Song Dynasty was far away? ?
You can look out by raising your toes.
Who said the Yellow River is wide and wide?
It cannot fit in a small boat.
Who said the road to Song Dynasty was far away?
You can walk there in one morning.
2. Appreciation:
There are two kinds of time: psychological time and real time.
There are two kinds of spaces: psychological space and real space.
The lovers are separated, and the days are like years. The psychological time is far longer than the real time. My motherland is far away from me, and when I think about it, the mountains, rivers, grass, and trees are still vividly present, and the psychological space is far smaller than the real space. We live and see in this real and illusory time and space, existing in the inner world and the real world at the same time.
Although the Yellow River is wide, sometimes a small boat can fly across it, but sometimes it cannot accommodate a small boat. The world is very big, and sometimes people feel that they are so small that they can be ignored, and sometimes there is no room for even a small unknown person. The realm of the mind is also very large. Sometimes it is so big that it can accommodate all things in the world, and sometimes it is too small to accommodate a needle.
Wanderers who wander around the world often have this sense of time and space intertwined between reality and fantasy when facing the world, hometown, and relatives.
3. "The Book of Songs" is the oldest collection of poetry in China, a collection of realistic poetry. It contains poems from the early Western Zhou Dynasty to the middle Spring and Autumn Period, that is, 1100-600 BC. There are 305 poems on the left and right. Musically, it is divided into three parts: Feng, Ya, and Song. Among them, "Feng" refers to local folk songs, which include fifteen national styles, with a total of 160 songs; "Ya" mainly refers to court songs, divided into Daya and Xiaoya,* **One hundred and five chapters; "Ode" is mainly ancestral temple music, there are forty songs. The main expression techniques are Fu, Bi and Xing. "Fu" means to elaborate (state the matter directly and speak directly), "bi" means to metaphor (compare another thing to this thing), and "xing" means to inspire (preface other things to elicit the words to be chanted). Folk songs have the highest ideological and artistic value in "The Book of Songs". "The hungry sing about their food, and the tired sing about their work." "Cutting Sandalwood" and "Shuo Rat" are representative works of "Wind". The Book of Songs has a profound influence on the development of poetry in later generations and has become the source of the realist tradition of classical literature in my country.