The development of new poetry

The development of China's new poetry can be traced back to the poetry revolution in the late Qing Dynasty and autumn, which advocates that "I write by hand, and the ancients can't be restrained", making poetry "popular today and suitable for the common", advocating breaking through the classical form of poetry and advocating the colloquialism and popularization of poetry.

The development of China's modern poetry began with Hu Shi, and he constantly explored the language and form of poetry. Moreover, in the initial exploration stage, Zhou Zuoren's Little River was born as a relatively mature work. Subsequently, more and more poets and poetry schools made many contributions to the poetry creation in modern literature, which greatly promoted the development of China's new poetry.

In the history of modern poetry in China, influenced by French symbolism and modernism, learning and drawing lessons from the forms and themes of poetry is not only the inheritance and development of tradition, but also the return to traditional poetry creation.

Extended data

Guo Moruo's Goddess is a new collection of free poems in vernacular Chinese in the history of modern literature in China, which truly shows the modern consciousness and the spirit of the times in terms of ideological content and artistic form. Ideologically, it shows a rebellious consciousness completely divorced from the old world, full of passionate creative spirit and renewed consciousness, and vigorously praises the self-image full of rebellious spirit.

It shows the self-strength combined with everything in the universe. In art, Goddess shows a volcanic passion and surging spirit. The whole collection of poems is permeated with a majestic momentum and strength of despising everything and creating everything, especially in the external form, which truly realizes the "great liberation of poetic style".