1. Begonia poem in memory of the first lover Wen Luan: the lonely flower play is pitiful, and the sunset courtyard is late autumn; The poet's boss has lost his amorous feelings, but he is still disappointed with the residual flowers.
2. Ji Xiaolan's concubine Ming Wanggan (two-character combination) once had a poem "Flower Shadow": the peach reflects the number of oblique branches on the moon, and the shadow falls on the window screen; Three dancing flowers are the same, only two are empty flowers.
3, the seven wonders: the mountain sky is as light as smoke, and the green is uneven to the river; Sunset water pushes the awning, and people everywhere want to get on the boat.
4. Wan Li is flying in the sky, and cinnabar is the snow on the top of the clothes; Just because I came back late from foraging, I mistakenly entered the West Wild Goose Lake in Xi.
5, the seven wonders: white grass sticks to animal fat, bending and falling in love with Ma Rufei; Why not drink antelope blood quickly? As soon as the snow hits Tianshan Mountain, it will besiege you.
6. Ming Wang Ganshi: Thirty years of dreams, the collection has been paid; He talked about my life and thought of Shen Wuniang in Suzhou.
7. I miss Mingjun's poems: First, they are somewhat similar, but the fragrance returns under the moon; Glancing at the dream of spring without trace, the most important thing is vagueness. Second, there is no doubt that the spring silkworm still has silk when it dies. I was shocked by the pear blossom dream, but I remembered when the copper bottle landed.
After fifty years, I learned the secret script and then made textual research "(preface to Listening to Gu Jumei). In addition, I study hard and have extensive knowledge, so I carry out Confucianism and bypass a hundred schools. His scholarship, "mainly focused on distinguishing the right and wrong of Confucianism in Han and Song Dynasties and analyzing the authenticity of literary schools" (Ji Weijiu's Ji Xiaolan), presided over by Feng Hui, who was the leader of the literary world at that time. Ji Xiaolan is a writer, whose style advocates simplicity, naturalness and brilliance. In terms of content, I advocate that there should be no personal grievances and I am not good at wind education. It can be seen that he attaches great importance to the artistic effect of literary works. In addition to his class limitations, his views on style and morality still have reference value today. Ji Xiaolan is brilliant, known as "Hejian gifted scholar". But all my life, I've been paying for SikuQuanShu. He also said what he said, but he didn't want to say anything, so after his death, only two note novels, Yuewei Caotang Notes and Ji Wenda's Public Legacy Collection, were handed down from generation to generation. There are * * * five kinds of Notes of Yuewei Caotang, with a total of 24 volumes, including six volumes of Records of Xiaxia in Luanyang, four volumes of So I Smell, four volumes of Huaixi Magazine, four volumes of Gu Juming's Listening, and six volumes of Continued Records of Luanyang, which have lasted for fifty-four years (1789) The fifth year of Jiaqing (1800) was published and printed by its owner, Sheng Shiyan. This book is rich in content, including medical astrology, three religions and nine streams. Very learned, simple and elegant language, elegant and harmonious style, very interesting to read. In content, it not only publicized profound aspects such as karma, but also sharply exposed the social contradictions at that time, exposed the hypocrisy of Taoism, sympathized with the people's tragic experience, praised the people's hard work and wisdom, and boldly expressed his views and opinions on many ruthless theories that were used to in society at that time. It can be said that it is a book with high ideological and academic value. At that time, every manuscript was widely plagiarized in the society, keeping pace with Cao Xueqin's A Dream of Red Mansions and Pu Songling's Strange Tales from a Lonely Studio, which lasted for a long time and still has a wide audience. Mr. Lu Xun spoke highly of the artistic style of Ji Xiaolan's note novels, calling them "witty remarks, timely explanations, mixed textual research and profound insights". "The narrative is elegant and full of natural interest, and no one can take its place in the future" (A Brief History of Chinese Novels). Ji Wenda's Gongyiji is a collection of Ji Xiaolan's poems, including poems 16 volumes, in which people's epitaphs, inscriptions, eulogies, prefaces and postscripts are all made. In addition, it also includes My Methods Collection, a library poem that meets the needs of later imperial examinations. In short, this is an entertainment work. In addition, before the age of 20, he studied textual research in Beijing, read through historical records and summarized them, and wrote many volumes of Shi Tong Fan Jian, which provided convenience for scholars to master and be familiar with China's historical classics.
In addition, he also wrote a concise catalogue of the four Ku books, 32 volumes of Ji Wenda's public legacy collection (former 16 volumes of articles and 16 volumes of poems), comments on Wen Xin Diao Long 10 volumes, 63 volumes of Official Tables of Past Dynasties, and a summary of Shi Tong. He also participated in the editing and commentary of other books and the compilation of other official books.
Ji Xiaolan was brilliant all his life and made great academic achievements. He once wrote a sentence to himself, including two sentences: "The sea is like a gull, and the book of life and death is the fountain of youth", which is a true portrayal of his life. Ji Xiaolan is not only a recognized literary master, academic leader and literary master in Qing Dynasty, but also a rare cultural giant in the cultural history of China and even the world.
2. Write Ji Xiaolan's poem Ji Yun J ǐ Y ú n (1June 724-1February 805), the word Xiaolan, the word Chunfan, later named Shi Yun, a Taoist priest.
After the Yongzheng, Qianlong and Jiaqing Dynasties, posthumous title Wenda was called Wenda Gong after his death because he was "sensitive and eager to learn, and could be taught by the government" (inscription by Emperor Jiaqing). In literary works and popular criticism, he is often called Ji Xiaolan.
A famous scholar and politician during the Qianlong period of the Qing Dynasty, he was born in xian county, Zhili (now xian county, China, Hebei). Li official, Shangshu, co-organizer, former editor-in-chief of Sikuquanshu.
Notes on the representative works of Yuewei Caotang. 1. Begonia poem in memory of the first lover Wen Luan: the lonely flower play is pitiful, and the sunset courtyard is late autumn; The poet boss's style is reduced, and he is still disappointed with the residual flowers. 2. Ji Xiaolan's concubine Ming Wanggan (two-character combination) once wrote a poem "Flower Shadow": the crimson peach reflects the moon obliquely, and the shadow falls on the window screen; Three dancing flowers are the same, only two are empty flowers. 3. Seven wonders: the mountains are as light as smoke, and the green is uneven to the river; Sunset water pushes the awning, and people who want to get on the boat are everywhere. 4. A crane flies in the sky of Wan Li, and cinnabar is covered with snow; Just because I came back late from foraging, I mistakenly entered the West Wild Goose Lake in Xi. 5. The Four Musts: White grass sticks to wild animal fat, and bends down to love Ma Rufei; When drinking antelope blood, Tianshan Mountain will be surrounded by snow. 6. Wang Minggan's desperate poem: thirty years of dreams, leaving behind; When he talked about my life, he thought of Shen Wuniang in Suzhou. 7. I miss Gan's poems: First, they are somewhat similar, but the sweet soul returns under the moon; Glancing at the dream of spring without trace, the most important thing is vagueness. Second, there is no doubt that the spring silkworm still has silk when it dies. The pear blossom dream shocked me, but I remembered when the copper bottle landed.
3. What are the quatrains in Ji Xiaolan's poems and songs? Four poems are full of arrogance. Look at apricot flowers, cherries temporarily return to their hometown after the meeting, smoke is a lonely sail, and it is a fairy's monthly check.
Wan Li in Chengjiang looks at autumn, and a leaf floats like a fishing boat. Who knows that the water post ends in the radial direction, and the bead curtain upstairs always takes the bait. Push the awning to watch the singing of Cailing. The eighteen kings have passed the brocade, so the girl doesn't have to throw fruit frequently, and she has never been near the Chang 'e in Dangui.
(Borrowing Luo Haidong's language, not intended) I brought a lotus candle to the bridal chamber to have a look. The robe was newly dyed with musk and spearmint. To see the pictures of the return of the sky to the ship, we should understand the word "praise" After the poem, there is an afterword: "After the Zhixuan Temple was written, it was given leave to marry, and the title was" Autumn Sails Return to Xing Tu ". This Yutang is a story that is not seen by the world.
However, the scenery in the painting is far from the skill, so it is difficult to blend. Yu Lao's scenery is desolate and sparse, so he can't speak, and he has become a four-stop, which can be used for reference.
On the topic of Hejian Ji Yun. "The poem" Little White-headed Three "is a poem" Little White-headed Three Old Ministers ",which also comes from stepping on the incense dust. I packed up the first word with a smile, and Lin's habits have not been completely removed.
After the poem, the department said, "Guihai watched Taoist opera three days before the Ninth Festival, when he was eighty years old." I have been studying in quiet inside for 18 years.
How to clear the obstacles, and look at the fairy game map. It is a popular feeling that the two men met mahjong at close range outside thoughtfully.
The stubborn fairy seems to have lost consciousness, and the butterfly sleeps in the depths of the spring breeze. Tibetan bronze sparrow tile inkstone-Wang's "bronze sparrow tile inkstone" is slightly silver ingot-shaped, 30 cm long and 4 cm thick. Dark gray, dense and delicate, with an inverted Mo Chi below the middle of the inkstone surface.
The inkstone is huge and full of inscriptions. The inscription is a seven-character poem. Poetry official script, 19, line 3 1 sentence, with a total of 2 18 words, is the party with the most lettering on inkstone. It was donated by Mr. Liu Xiuchen of Baoding in 1954 and is now in the Hebei Provincial Museum.
Tongquetai inkstone is a relic of Reading Wei Caotang's inkstone spectrum. The full text is as follows: Tongquetai site has been completely destroyed, why are there so many left? Scholars are curious, self-aware and self-deceiving.
Zheng Qi Lu Dinggan faked, Song Yanzhen Shi Heng was sneered at, and the old shop was in the west, as precious as Shang and Zhou Zunyi. When hunger comes, it is easy to beat millet, but if you beat it forcibly, you can't quit.
The word Jian 'an is raised on the back. Engraved ancient inscriptions.
I never believed in antiques, but I was the first to frown when I opened the coffin. He tries it occasionally, which is quite suitable for pen and ink.
Cherish its essence, it is not evil, and vulgar works make it miserable. The slaves were in a hurry to have stones, killing each other in front of the steps.
Ran Ying suddenly saw his true colors, and he felt good about it. Friends and friends suddenly saw horrible laughter and said they were like bamboo and compasses.
Who has seen walnut oil in the Three Kingdoms twenty years ago? The situation is that Tao Jiari faked it, but it was not Zhang Hemei's. A gentleman doesn't laugh or spoil the scenery, but I hesitate to learn the stone drum.
Hey! Shigu Imperial College London, I hesitated. Although this inscription is long, it is worth pondering.
The inscription first said that people who were willing to be deceived had existed in ancient times, and then described the origin of this inkstone and Ji's attitude of "elegance does not believe in the ancient times". It seems that people can understand that there are too many counterfeiters and swindlers in ancient and modern China and abroad, and people should not be careless.
"Long Poems on inkstone forehead" has been included in the tenth volume of Ji Wenda's poems. This inkstone, identified by experts, is not a real bronze sparrow tile, but a relic of Ji Xiaolan.
However, its inkstone was written by others. Tongquetaiwa's status has greatly increased because of the competing praise of literati in previous dynasties. Because of this, there were imitations as early as the Song Dynasty.
Wang Anshi's Tongquetai poem: "Blow out the dust of Xiling song and dance, and the roof tile will be called treasure;" Tao Zhen often becomes the present hand, and it is still a hollow name. " Wang Anshi lamented that most of the bronze sparrow tiles and inkstones collected by the world at a high price were fakes because of their bad reputation.
Ji Xiaolan is not so obsessed. He is very rational in collecting cultural relics, rather than blindly seeking for ancient names. While considering whether it is collectible, he also pays special attention to the practicality of the object.
He said, "If you win a Song inkstone, it will be a treasure if it is a ball map, even though it is slippery without ink.": A China seal, though absurd and unwritten, is more precious than pearls, which greatly disappoints connoisseurs. Facing this tile inkstone with "Jian 'an" and "Breaking the Ancient Name", Ji Xiaolan was not intimidated.
He never believed in antiquities, and always thought that "Wake is suitable for ink, that is, China inkstone materials. Why are there Han Weiyang Palace and Wei Tongquetai?" This is why friends laughed at it as "a square bamboo plus a compass", more than this time. "Reading Wei Caotang's inkstone spectrum" contains an inkstone, which says: "Shi 'an returned from the south of the Yangtze River as a gift to Tang Zi's western inkstone.
Zimingxi is burning on it, and the inkstone is really turquoise. If it is clean, it won't damage the inkstone. "
This also shows Ji Xiaolan's superb level of appreciation. Of course, whether he doubts Shi Guwen is another matter.
On the left side of the poem, there is the running script "Shi 'an Appreciation, Jiaqing Wuwu June", and on the right side there is the official script "Dream Zen Collection Miao Wenci". Shi 'an, namely Liu Yong (17 19- 1804), whose real name is Confucianism, is called Shi 'an, and he is from Zhucheng, Shandong.
Ji Xiaolan, son of examiner Liu Tongxun. In the sixteenth year of Qianlong, he was a scholar, from an editor to a university student in Tijen Pavilion, and died in Wen Qing.
At that time, there were calligraphers with the same fame as Weng Fanggang, Liang and Qi. Ji Xiaolan and Liu Yong have a very close relationship.
"Jiaqing Wuwu", that is, Jiaqing three years, AD 1798. Dream Zen, namely Yingbao, the word dream Zen,No. Xian 'an, surnamed Baidu, Manchu Zhengbaiqi, the eldest son of Yong Gui, a university student.
Zeng Guan's pen and ink style, returning from illness at the age of 30, entertained himself with poetry and talked with Liu Yong. See also Tsui Hark's Appreciation of Clearing Banknotes, which records that "Wuxi Wang Maonong (Zhang Yun) Lian Xiao Bronze Quewa inkstone is one and a half feet long and eight inches wide. Its endorsement is implied in the word "fifteen years of Jian 'an", which is very clear and full of vitality. Guo Ming Wuji wrote the words "Jade Golden Sound" on it with an inscription.
In the early summer of Jiaqing, Zhang Shu didn't get Wang Wenan's inscription on Songjiang boss's bronze sparrow tile inkstone. The quality is extremely bright and moist, covered with filter mud.
There are two inscriptions on Wang Duo's lower case, both of which are exquisite and can be decided. "It seems that there are both authenticity in bronze sparrow tile inkstone. However, there are really only a few, and there are many fakes.
4. Who has Ji Xiaolan's poems, Ji Xiaolan's poems, five "Wandering Proud Shore" and four "Wandering Proud Shore"? Looking at the apricot flowers and cherry blossoms that have temporarily returned home after the meeting, the smoke is full of solitary sails, which is a fairy's thorough investigation of the moon.
Wan Li in Chengjiang looks at autumn, and a leaf floats like a fishing boat. Who knows that the water post ends in the radial direction, and the bead curtain upstairs always takes the bait. Push the awning to watch the singing of Cailing. The eighteen kings have passed the brocade, so the girl doesn't have to throw fruit frequently, and she has never been near the Chang 'e in Dangui.
(Borrowing Luo Haidong's language, not intended) I brought a lotus candle to the bridal chamber to have a look. The robe was newly dyed with musk and spearmint. To see the pictures of the return of the sky to the ship, we should understand the word "praise" After the poem, there is an afterword: "After the Zhixuan Temple was written, it was given leave to marry, and the title was" Autumn Sails Return to Xing Tu ". This Yutang is a story that is not seen by the world.
However, the scenery in the painting is far from the skill, so it is difficult to blend. Yu Lao's scenery is desolate and sparse, so he can't speak, and he has become a four-stop, which can be used for reference.
On the topic of Hejian Ji Yun. "The poem" Little White-headed Three "is a poem" Little White-headed Three Old Ministers ",which also comes from stepping on the incense dust. I packed up the first word with a smile, and Lin's habits have not been completely removed.
After the poem, the department said, "Guihai watched Taoist opera three days before the Ninth Festival, when he was eighty years old." Tibetan bronze sparrow tile inkstone-Wang's "bronze sparrow tile inkstone" is slightly silver ingot-shaped, 30 cm long and 4 cm thick. Dark gray, dense and delicate, with an inverted Mo Chi below the middle of the inkstone surface.
The inkstone is huge and full of inscriptions. The inscription is a seven-character poem. Poetry official script, 19, line 3 1 sentence, with a total of 2 18 words, is the party with the most lettering on inkstone. It was donated by Mr. Liu Xiuchen of Baoding in 1954 and is now in the Hebei Provincial Museum.
Tongquetai inkstone is a relic of Reading Wei Caotang's inkstone spectrum. The full text is as follows: Tongquetai site has been completely destroyed, why are there so many left? Scholars are curious, self-aware and self-deceiving.
Zheng Qi Lu Dinggan faked, Song Yanzhen Shi Heng was sneered at, and the old shop was in the west, as precious as Shang and Zhou Zunyi. When hunger comes, it is easy to beat millet, but if you beat it forcibly, you can't quit.
The word Jian 'an is raised on the back. Engraved ancient inscriptions.
I never believed in antiques, but I was the first to frown when I opened the coffin. He tries it occasionally, which is quite suitable for pen and ink.
Cherish its essence, it is not evil, and vulgar works make it miserable. The slaves were in a hurry to have stones, killing each other in front of the steps.
Ran Ying suddenly saw his true colors, and he felt good about it. Friends and friends suddenly saw horrible laughter and said they were like bamboo and compasses.
Who has seen walnut oil in the Three Kingdoms twenty years ago? The situation is that Tao Jiari faked it, but it was not Zhang Hemei's. A gentleman doesn't laugh or spoil the scenery, but I hesitate to learn the stone drum.
Hey! Shigu Imperial College London, I hesitated. Although this inscription is long, it is worth pondering.
The inscription first said that people who were willing to be deceived had existed in ancient times, and then described the origin of this inkstone and Ji's attitude of "elegance does not believe in the ancient times". It seems that people can understand that there are too many counterfeiters and swindlers in ancient and modern China and abroad, and people should not be careless.
"Long Poems on inkstone forehead" has been included in the tenth volume of Ji Wenda's poems. This inkstone, identified by experts, is not a real bronze sparrow tile, but a relic of Ji Xiaolan.
However, its inkstone was written by others. Tongquetaiwa's status has greatly increased because of the competing praise of literati in previous dynasties. Because of this, there were imitations as early as the Song Dynasty.
Wang Anshi's Tongquetai poem: "Blow out the dust of Xiling song and dance, and the roof tile will be called treasure;" Tao Zhen often becomes the present hand, and it is still a hollow name. " Wang Anshi lamented that most of the bronze sparrow tiles and inkstones collected by the world at a high price were fakes because of their bad reputation.
Ji Xiaolan is not so obsessed. He is very rational in collecting cultural relics, rather than blindly seeking for ancient names. While considering whether it is collectible, he also pays special attention to the practicality of the object.
He said, "If you win a Song inkstone, it will be a treasure if it is a ball map, even though it is slippery without ink.": A China seal, though absurd and unwritten, is more precious than pearls, which greatly disappoints connoisseurs. Facing this tile inkstone with "Jian 'an" and "Breaking the Ancient Name", Ji Xiaolan was not intimidated.
He never believed in antiquities, and always thought that "Wake is suitable for ink, that is, China inkstone materials. Why are there Han Weiyang Palace and Wei Tongquetai?" This is why friends laughed at it as "a square bamboo plus a compass", more than this time. "Reading Wei Caotang's inkstone spectrum" contains an inkstone, which says: "Shi 'an returned from the south of the Yangtze River as a gift to Tang Zi's western inkstone.
Zimingxi is burning on it, and the inkstone is really turquoise. If it is clean, it won't damage the inkstone. "
This also shows Ji Xiaolan's superb level of appreciation. Of course, whether he doubts Shi Guwen is another matter.
On the left side of the poem, there is the running script "Shi 'an Appreciation, Jiaqing Wuwu June", and on the right side there is the official script "Dream Zen Collection Miao Wenci". Shi 'an, namely Liu Yong (17 19- 1804), whose real name is Confucianism, is called Shi 'an, and he is from Zhucheng, Shandong.
Ji Xiaolan, son of examiner Liu Tongxun. In the sixteenth year of Qianlong, he was a scholar, from an editor to a university student in Tijen Pavilion, and died in Wen Qing.
At that time, there were calligraphers with the same fame as Weng Fanggang, Liang and Qi. Ji Xiaolan and Liu Yong have a very close relationship.
"Jiaqing Wuwu", that is, Jiaqing three years, AD 1798. Dream Zen, namely Yingbao, the word dream Zen,No. Xian 'an, surnamed Baidu, Manchu Zhengbaiqi, the eldest son of Yong Gui, a university student.
Zeng Guan's pen and ink style, returning from illness at the age of 30, amused himself with poetry and exchanged words with Liu Yong. See also Tsui Hark's Appreciation of Clearing Banknotes, which records that "Wuxi Wang Maonong (Zhang Yun) Lian Xiao Bronze Quewa inkstone is one and a half feet long and eight inches wide. Its endorsement is implied in the word "fifteen years of Jian 'an", which is very clear and full of vitality. Guo Ming Wuji wrote the words "Jade Golden Sound" on it with an inscription.
In the early summer of Jiaqing, Zhang Shu didn't get Wang Wenan's inscription on Songjiang boss's bronze sparrow tile inkstone. The quality is extremely bright and moist, covered with filter mud.
There are two inscriptions on Wang Duo's lower case, both of which are exquisite and can be decided. "It seems that there are both authenticity in bronze sparrow tile inkstone. However, there are really only a few, and there are many fakes.