On the night of May 11th, I dreamed of returning to my hometown in Han and Tang Dynasties.

On May 11th, the night was half past, and I dreamed of going to my hometown in Han and Tang dynasties. See the characters in the cities are numerous and beautiful, and the cloud says: Xiliang House is also. I was so happy that I immediately made a long sentence, but I didn't feel at the end of the article, so it was enough.

Tianbao Hu Bing is trapped in two capitals, and there is no Han camp in the north court and Anxi.

for 5 years, the holy Lord wrote a letter and personally signed it.

millions of bears have been driven by horses, so they have been handed down from their hometown without effort.

build a city, never put in a new map, and go to the palace to declare Amnesty.

The mountains and mountains are as beautiful as Han mountains and rivers, and the documents were first used in Chunxi Year.

when driving the first six armies, the autumn wind and drums sounded all over the sky.

before the alfalfa peak, the pavilion is blocked, and the fire is safe on the Jiaohe River.

Liangzhou's daughter is full of tall buildings, and her hair has learned from Kyoto.

In Lu You's poems, dreams are often used to express the unattainable ideal of saving the country. Obviously, this is not just a simple question of poetic techniques. In the dream, the monarch can personally levy, but in reality, the incumbent is blindly comfortable, not enterprising, and has no intention of restoring the vast territory that has been ruined. In the dream, the country is unified and the society is peaceful, but in reality, the vast number of people in the enemy-occupied areas endure tears and are indignant. Perhaps the reality is too cruel, and the poet can only satisfy his inner desire with twists and turns and dreams. It is the so-called "fantasy dreams, and diarrhea with pleasure" (Qing Jia Zhen's "Reading the Poems of Releasing Weng"). The poet thinks of serving the country anytime and anywhere, and always has the ambition to wash away the shame of his country. When he sees a glimmer of hope, he will be full of enthusiasm; From his works, readers can deeply understand that passion. The poet grasps the typical scene to describe it, and writes in a small place, which gives people a delicate and fresh feeling while being magnificent. This poem is the most vivid and concrete one among Lu You's many poems about dreams. At the end of the poem, subtle strokes are used to describe the changes of details in life, which reflects the changes of political situation. It is a wonderful pen, which is praised by later generations, and also reflects the author's meticulous experience and observation of life. The rhyme and rhyme of the whole poem is caused by the ups and downs of elegance and the beauty of smoothness, which is integrated with the poet's deep thoughts and feelings and free imagination. This poem is exquisite in artistic form and touching in content, and its artistic characteristics can be summarized as "bold and plump" (Yuan Fanghui's Reading Zhang Gongfu's South Lake Collection).

On the whole, this dream poem expresses his patriotic feelings of making meritorious deeds and "returning to the hometown of Han and Tang Dynasties" through the description of a series of scenes of "dreams follow the journey", which shows the poet's full desire; On the other hand, the author puts the realization of this realistic ideal in a dream, which also implies the difficulties of not realizing the ideal in real life, and it contains irony. In the general lyrical atmosphere, the whole poem is laid out with clear clues and a heroic and optimistic momentum. In addition, as a seven-character ancient poem, the whole poem consists of sixteen sentences, four sentences in a group, and each group has a rhyme, and it is flat and flat, which makes the whole poem seem cadence, vivid and touching.

References: 1. Zhang Minjie. Appreciation of China Classical Poetry Lu You. Wuzhou Communication Press, 26: pages 5-51. 2. Edited by Lu Jian. Appreciation of Lu You Poetry. Bashu Bookstore, 199: page 139.