The national style is a part of the Book of Songs. Generally speaking, it is the folk poems of various vassal countries from the early Zhou Dynasty to the Spring and Autumn Period. The national style is the essence of The Book of Songs, and it is a bright pearl in the treasure house of China's national literature and art. The folk songs of the Zhou Dynasty with national style reflect the real life of the working people with colorful pictures, and express the unfair treatment suffered by the working people in the case of exploitation and oppression and their belief in striving for a better life, which is the source of China's realistic poems.
Ethnic customs include Li Feng, Li Feng, Zheng Feng, tang style, Qin Feng, Martin and Guangxi. Most of the works reflect the thoughts and feelings of the ancient working people, expose the evils of the ruling class and widely reflect the social life at that time. But not all of them are folk works.
In the areas where the national wind is distributed, "Nan Zhou" is the southern country ruled by the Duke of Zhou, and "Zhao Nan" is the southern country ruled by Zhao Gong, with Shaanxi (now Shaanxi County, Henan Province) as the dividing line and "Nan Zhou" in the east, generally reaching northern Hubei from Luoyang to the south. Its west is "Zhao Nan", roughly from the south of Shaanxi to the northwest of Hubei.
Other 13 national systems, such as "Dragon", "Dragon", "Wei", "Wang", "Zheng", "Qi" and "Chen" are the northern, western, central and southeastern parts of Henan Province, while "Qin" and "Qin" are the present.
It can be seen that the "national wind" has a very wide area, including Shaanxi, Henan, Shandong, Shanxi and Hubei, and it is mostly concentrated in Henan. The local customs and habits are reflected in the poems. For example, Zheng and Wei are located in the Central Plains, where business travelers gather, men and women are interlinked, and there are fewer constraints. Sang Tian made many noises and thanked him. There are ***2 1 Zheng poetry, and love songs account for the majority. Wei Shi has 10 songs, many of which involve love and marriage.
For another example, the state of Qin is always at war with Emperor Rong. Xiao Rong and other articles describe the prosperity of chariots and horses, and describe the soldiers sharing the enemy without clothes, which embodies the martial style of Qin State. Another example is the prevalence of witchcraft in Chen Guo, which is vividly described in articles such as Wan Qiu. Therefore, The Book of Songs is also quoted in History of Han Geography to illustrate local customs.