Translation and annotation translation by Man Fang Ting Summer Wei Yun on Huiji Mountain, the cloud is as light as half an ink painting; Outside Yuezhou, there are many weeds. The horn sounded intermittently above the city gate. On the passenger ship returning to the north, raise a glass to drink with geisha and chat goodbye. Looking back, how many affairs between men and women turned into wisps of smoke and vanished. At present, the sun is setting, and the western Western jackdaw is dotted with the sky, and a bend of water surrounds the lonely village. When I am sad, I feel gentle and sweet. In a trance, I untied the tie around my waist and took off my sachet. In vain won the reputation of brothel fickleness. I don't know when we can meet again after this trip. Tears of parting wet the skirt and cuffs. When it is sad, the city has disappeared, the lights have been lit, and the sky has entered dusk.
Note 1 Man Fang Ting: epigraph name. Double-tone 95 words, first four rhymes, last five rhymes. Company 2: One is "sticky". 3 Bridge Gate: City Gate. 4 reference: lift. Zun: wine glasses. 5 Penglai old story: men and women love the past. 6 haze (γ i): refers to clouds. 7 vanishing soul: describe the feeling of being in a trance because of sadness or happiness. 8. M: In vain. Unfortunately: fickle.
Summer Wei Yun's Fang Ting is one of the best ci works of Qin Guan. The opening "Mountain smears Wei Yun, and the sky fades even the grass" appeals to both refined and popular tastes. This confrontation alone is enough to leave a lasting impression on the history of Ci. The word "wipe" is novel and interesting. The original meaning of the word "wipe" is to cover up the original background color with another color. According to legend, when Tang Dezong was in Zhenyuan, he read the examination paper. If there were any words that didn't make sense, he would "wipe them out". As for ancient women, we should always "paint", that is, use fat red to cover up the meaning of plain face.
According to this statement, "the mountain rubs Wei Yun", that is to say, the mountain covers Wei Yun. If the word "Wei Yunshan" is written straight, it will reduce romance and lose its meaning. The poet also said: "The top of the forest is as green as a picture, knowing that it is the mountain where the Huaihe River flows." . That famous saying. These two words "wipe", one is to write the mountain mark outside the forest, and the other is to write the cloud mark in the mountain, both of which are painted in poetry. It can be seen that the author intends to write poetry with his brushwork. The word "little trip" is very famous. When my husband was snubbed before the party, he "stood on tiptoe and crossed his hands and said," Sammy is Wei Yun's son-in-law! "Although it was a joke, it also showed people's praise for the author's refined words at that time. Mountain brush Wei Yun, don't write its height, almost write its distance. It, like "the sky is getting dark and the grass is getting light", means looking at it from afar: a mountain is shrouded in clouds, and then a hazy realm is outlined; A dying grass, and then pointed out the bleak weather in late winter. The whole feeling is revealed in these eight words.
Draw a corner and point out the specific time. At dusk in ancient times, the tower blew its horn, so it struck the time. Just as Jiang Baishi said, "It was dusk, and there was no one in the city." The specific time was being written. The sentence "pause" points out the ability to bid farewell and farewell. At this point, there are three sentences about looking back, slightly accusing and slightly sighing. The wonderful word "successive smog" is a pun on reality and reality. The haze of "One after another" directly inherits "Wei Yun", with clear context and true writing; Yesterday's joy, now remembered, is nothing more than fog, clear as mist, confused and frustrated, which is empty words.
Next, I only put my distant feelings in front of the scenery, leading to those three words that readers lamented as a swan song: "Beyond the sunset, there are ten thousand points in Western jackdaw in the west, and the water flows around the lonely village." So these three sentences can be found in Ma Zhiyuan's famous song "Tianjingsha Qiu Si": "The old vine is a faint crow; Small bridges and flowing water; The old road is sparse, the sun sets, and the heartbroken people are far away. " Grasping the typical image, you can dye it skillfully with a brush, but you can't do it without a big hand. Travel less and concentrate on writing this, which means that it is dusk, the birds are homesick, but the water is lonely. In this way, the hatred of wanderers in a foreign land for going abroad and running away is vividly shown in a pen without words. The poet is in a very painful mood at this time. He did not describe this painful mood, but wrote it into a very beautiful realm. No wonder it is amazing.
The next Love in a Brothel is also worth pondering. This is an allusion to Du's reward: Du has been an official for ten years, giving up on himself, being clear and white, and being very emotional. He disdains mandarin, and only writes a famous article "A Ten-year Sense of Yangzhou Dream, a brothel with a bad reputation" with "leisure". It means resentment and silence. Later, people didn't understand, so they regarded Xiao Du as a "prodigal son". The feeling of traveling less is more than that of Mu Zhi.
At the end, "Looking at the high city from afar". The word "Wang Duan" is always collected, and the theme is slightly broken. In the past, pens and ink added more energy. And the evening lights, from the evening in Wei Yun, a mountain forest, to the "smog" and then to the lights all over the city, step by step, orderly, bid farewell to the tragedy, the meaning of sadness is just right.
This poem is exquisite in brushwork and has a long lasting appeal. It is very emotional and extraordinary, and it can't be wonderful unless you appreciate it with your heart. Later, Qin Guan was named "Wei Yunjun".
On Man Fang Ting Summer Wei Yun's Week
There are many tones, and the first two sentences and eight characters are a wonderful couplet. Most famous artists in Song Dynasty paid attention to these places and showed their literary talent. For example, "be a cold deceiver and catch smoke in the willows." "the night is cool and the drums are stacked, and the spring is shallow" ... I can't help but mention him for the time being. Just like the appearance of a famous actor, the unveiling of an embroidered curtain, the spirit of an appearance and elegant demeanor can "cover" the whole audience. Look at the words "bullying", "sleepy", "overlapping" and "hanging" ... The poet's intelligence, spirit and soul have long been beautiful and moving.
However, if I want to be an expert, I will eventually push Qin Lang. For example, his painting "Clear Water Starts Autumn, Huang Yunning Twilight", what a wonderful stroke! As for this song,
What are the advantages of these two sentences?
Everyone first took a fancy to the word "wipe". What a Sam Wei Yun! "Wipe" is strange, fresh and interesting!
Why is Wipe so novel and unique that it won applause?
It depends on how well he uses his words. Some people say that his handwriting is also fluent.
Where is the eraser? This is the so-called masking the original background color with another color. Therefore, when Tang Dezong was studying the examination paper in Zhenyuan, he would "wipe it with a thick pen" if anything didn't make sense (how happy! As for ancient women, they always had to "put on makeup and powder." Luo Qiu wrote "a touch of thick red inclined to her face" and Lao Du said "a little makeup is casually applied", which are good examples. In fact, that is to say, the color fat red is used to cover up the original meaning of plain face.
In this way, Qin Lang pointed out that the original mountain covered Wei Yun, there should be no mistake.
However, if he writes down the words "Wei Yun is covered by mountains", his romantic life will be reduced, but his meaning will not be too much. People who study ci should savor it here. As the same poet, he said in a poem: "The forest is picturesque, and the Huaihe River flows in the mountains." Also become a famous sentence. It seems that he did deliberately use the brushwork of painting to write poems. Some people say that he is "proficient in painting" and can add another layer of proof. He is good at using the word "wipe". One writes about the mountain marks outside the forest, and the other writes about the cloud marks in the mountains. Techniques are painting in poetry, and poetry in painting leads to one thing. Just look at the first four words of this word, just like a picture of "cross clouds and broken ridges"
If the sentence is like that, let's see what words he uses to oppose the sentence. He said, "Even the sky is fading. 」
Here, some people think that the word "Lian" is too easy and that it is not as good as "expert". After thinking about it, I came up with a word "sticky" People who think of the word "sticky" are at least from the Southern Song Dynasty. He thinks this is the only way to "refine Chinese characters". Everyone saw him write that the sky was falling, and he was "connected" with horizon, as if he were "stuck". His careful choice of words is different from ordinary habits, which is really commendable!
I disagree with this spelling.
Why not use the word "sticky"? When Gaishao traveled in the Northern Song Dynasty, during that period, the style of ci was still generous and changeable, and it was still very tricky and eccentric. Furthermore, as has been emphasized above, Qin Lang's choice of "wipe" is well used, and all the words of the painter are used. It seems exquisite, but it is actually handy and naturally interesting. He never thought of using the word "wipe" to mean "enemy", and finally recognized a word "sticky" as "top secret"-that is, the style of ci that only existed since the Southern Song Dynasty, and the characteristics of the times cannot be confused. The disease of the word "sticky" lies in: it is too carved, but it is too boring; It's too difficult-it seems too difficult. Art does not take these as the highest realm. Moreover, "stickiness" is not suitable for our national painting theory. We poets can write "wild sky is low" and "water and sky are connected" by hand. This naturally conforms to the western perspective; But they don't want to use such a metaphor to combine heaven and earth, because there is no such concept in the painting. The division between them needs careful investigation and understanding: generally speaking, in terms of choosing words, poets in the Northern Song Dynasty prefer to lose "out", while poets in the Southern Song Dynasty deliberately lose "people". At the end of the latter, I fell into a new and small way. I worked hard on one or two words; If you look at Qin Lang this way, it's the opposite.
Fang Ting Samo Wei Yun's Creation Background As for the creation time of this poem, Xu Peijun's "A New Explanation of Qin Guan Ci" holds that this poem was written at the end of the second year of Yuanfeng, Song Shenzong (1079) and was created in Huiji (now Shaoxing, Zhejiang), which is about the author's affair with a Vietnamese geisha. Shen Zufen's Appreciation of Song Ci was written for this purpose when he was demoted to the secretariat in the first year of his teenage life (1094). Poetry: Man Fang Ting Samo Wei Yun Poetry Author: Song Qin Guan Poetry Classification: 300 Song Ci, selected Song Ci, graceful and restrained, farewell poems, writing scenery.