Ye Gong is a dragon. I'm afraid he is talking about Ye Zhi. His interest in mythology, magic and fantasy is well known. Auden said he was playing tricks and doing these things just for fun. Ye Zhi's so-called belief is actually aestheticism in a religious cloak.
2. Eliot disagreed. In his view, even if Ye Zhi plays tricks, it is sincere. Eliot even praised Ye Zhi as "the greatest poet of our time" with supernatural eyes. I'm not interested in Ye Zhi's sincerity and religion. No matter how you drill this bottomless pit, you can't see the light. In contrast, it is more interesting to read directly the greatest poets of a certain era.
3, Ye Zhi's poem, the first read is the afterlife. Bloom dismissed this, saying that this is a popular poem, which means that the public is eager to read, so he had to join this lively conversation without too many doorways. This is not without reason: I read about Ye Zhi in the popular anthology "The Second Coming".
Extended data:
1, at that time, I was still young, there was no so-called free education, and I was a real public. But Bloom attributed the popularity of this poem to the historical background of 192 1. Between World War I and World War I, fascism was brewing, and the Russian revolution had already broken out, which could not explain my enthusiasm for it.
2. The forward-looking fear of historical disasters will naturally turn into reflective chills after the disaster. However, as an uneducated reader, reading a poem is a poem. I simply have no conditions and ability to look around. Looking back, I'd better honestly explore between the lines.
However, now I know that the new critical closed reading is out of date. Therefore, while paying attention to the poetry text, I will try my best to consider a broader text, such as the religious view of the Sect, the romantic tradition, the social and historical background and so on.
4. The first clause: The spiral turns wider and wider, and the falcon is no longer controlled by the falconer. Ye Zhi used "listening"-this once again verified my previous impression: most poems begin with sound, so there are these "calling and listening" related to sound.
5. However, like Stevens, Ye Zhi is also very different. His "shout" is silent, which is not directly reflected in the text, and even the indirect "listening" is negative.