Song 1: Crossing the Palace in March
The canal is full of red walls and the wind is petite.
The curtain can be locked for thousands of years.
This poem was written by Li He in the Tang Dynasty. The classic poem describing the positive energy of youth is: "A few years old boy can be locked for a thousand years." It means: the curtain in the palace has been changed several times, and youth has become aging. As soon as the palace door is locked, the endless pain and silence of the ladies-in-waiting will end!
The artistic feature of this poem is peculiar, and this poem also illustrates this point. Li He's poems are peculiar mainly because they are close to everything in terms of materials and ideas, which is unexpected. And this song "Crossing the Palace in March" embodies the wonder of the author's conception.
From the spring scenery of mugwort in Yugou, the poet immediately associated with the appearance of ladies-in-waiting, and then with their life experience in a long-locked palace. His thoughts changed from reality to emptiness, from small to large, from concrete realistic scenes to generalized lyricism, which was different from the general artistic conception of palace resentment poems. It is also obvious that the colors are bright and the words are gorgeous.
The second song: "Peach Blossoms Float with Cold String Red in Linjiang"
Peach blossoms are cold and red, and youth is depressed. Painting the curtain of the building is light and cold, and the rest of the wine is scattered, leaning alone.
The setting sun is thousands of miles away, and even the grass is fragrant, which makes people sad. Falling all over the sky, where there is a phoenix, the moon shines at dusk.
This poem was written by Feng Yansi in the Tang Dynasty. The classic poem describing the positive energy of youth is: "Wandering in the blue sky, where is the phoenix, and the moon shines at dusk." It means: in a blink of an eye, it is dusk. Under the bright moon, there is a weak throat somewhere, and there is a speechless man standing in front of the bar.
This poem is characterized by the uncertainty and obscurity of writing sorrow. The sadness between the lines is confused and hazy, and it is inclusive and not revealed. The "leisure" of sadness between the lines is often difficult to specify what kind of sadness it is, thus leaving readers more room to create associations freely.
Peach Blossom Gone with the Cold and Red is a romantic work, which breaks through the traces of the poet's self-expression, begins to touch the anguish of life, laments the ups and downs of the world, and unexpectedly reveals how difficult life is and faces the philosophy of life that needs to belong alone.
The third song: You Nanting
In the evening, the sky is clear in Wan Li, and the clouds go to the west.
The dense forest is bright, and the far peak is hidden.
After a long sleep, the hotel overlooks the suburbs.
Eupatorium adenophorum was gradually swept away, and hibiscus started late.
I am not tired of youth, I have seen Zhu Ming move.
Feeling sad, the stars are gray.
The pleasure of bait came to an abrupt end and declined in Sri Lanka.
Death will wait for autumn water and rest on the old cliff of the scenic weir.
Who am I interested in and who is smart? Only feast on conscience.
This poem was written by Xie Lingyun in the Northern and Southern Dynasties. The classic poem describing the positive energy of youth is: "I am not tired of youth, but I have seen Zhu Ming move." I haven't met the great spring yet, but I have seen the approaching of summer.
Corresponding to careful observation, rigorous diction and intensive scene selection, another feature of Xie Shi language is its clever use of language. The following four sentences in "The Road of the Yellow Orchid Pijing" are divided into Chu Ci "Gaolan Pijing Xisi Road Gradually"; "Hibiscus begins with lotus flowers"; "Youth fades, only the day shines".
The word "Zhu Mingcheng stayed up all night and didn't see the flood" is not only consistent with the scenery in front of him, but also implies the meaning of "looking a thousand miles away, mourning for the south of the Yangtze River" and revealing the thought of seclusion. Let's use the classic Autumn Water in Zhuangzi, which not only inherits Zhu Ming, but also shows that we should transcend sadness and achieve the spiritual sublimation of selflessness.
The combination of several verses, in one go, has profound implications, which makes the poetic image present a kind of elegant beauty in addition to exquisiteness. The so-called "strange dangers and deep bends" and "steady old age does not hurt cleverness" can be seen here.