It is well known that the poet in Selected Poems of Du Gongbu wrote the word, but the changes of Lao Du are surprisingly endless and almost untraceable. For example, "the mountains and rivers have Bashu, and the towers and terraces are all harmonious", which is thousands of miles apart and only between the word "you" and the word "zi", while swallowing mountains and rivers and pitching ancient and modern times is beyond words. The rattan king pavilion is "pink wall and bamboo color, and the empty pavilion sounds." If you don't use the words "Jude" and "Zi", you can use them in any pavilion without rattan king. This is a wonderful work, beyond the reach of human resources, but this old man is a leisurely man, divorced from nature and unable to see his own strength. Nowadays, people are more likely to imitate the words they have used, to suppress their own narrowness and to stutter. They don't know the meaning and situation, so they can use any word. Poetic language is so clever, but it has its own natural ingenuity because of feelings and things. Clever as he is, he can't see the traces of carving. Lao Du "Fish comes out in the drizzle, and Yan is inclined in the breeze." This cross is almost empty, the rain is fine on the water, and fish often drift around, but if it rains, it can't get out; Yan is light and weak, but the wind is fierce, so he can't win. It's just that the breeze is affected by the situation, so there is also a saying that "the light swallow leans with the wind". When it comes to "wearing a butterfly deep, flying slowly", the word "deep" without the word "wear" and the word "idle" without the word "point", we can't see its subtlety. It's easy to read like a breeze, so it doesn't hinder its superiority, which makes the late Tang philosophers feel that the word "fish" is difficult to be magnificent, but the words are powerful and meaningful. Since Lao Du had such sentences as "Silk River with bright spring, floating between heaven and earth, like a jade peak and a ray of cloud, between ancient and modern times" and "Drums and drums, and the Milky Way has crossed three mountains", he has tasted the hatred of those who have not survived. There are three kinds of words in Zen's cloud theory: one is to go with the flow, which means to respond to things and not be the master; The second is to cut off the multi-flow sentence, which means beyond the text, not what you know; The third is to cover Gankun's sentence with letters, which means that everything is harmonious and can wait; Its depth is in the order of magnitude. When I was a student, I tasted the drama, saying that Lao Du had these three languages, but they were different successively. Taking "the waves sink and the lotus floor powder" as the letter to cover the sentence of Gan Kun, taking "the falling flowers are quiet in the daytime, the pigeons are deep" as the drift sentence, and taking "a hundred years of seclusion in Chai Men, and the grass pavilion in Jiang Shen is cold in May" as the cut-off sentence. If there is a solution, it should be with the canal. [Excerpted from Ye Song Shao Yun's Shi Lin Shi Hua] The ancients wrote poems, which are more valuable than words and make people think about them, so the speaker is innocent and the listener is enough to quit. Du Zimei is the best poet in modern times, for example, "Although the country is divided, mountains and rivers remain forever, and the vegetation is spring". Petals fall like tears, and lonely birds sing their sadness. "There are mountains and rivers, leaving nothing in the Ming Dynasty; The vegetation is deep and no one is clear; What kind of flowers and birds can entertain at ordinary times? You will know when you see crying, but you will feel sad when you smell it. He's like this, but he can't lift it all again. 【 Excerpt from Song Sima Wengong's Continued Poem 】 Meng Jia lost his hat, and his former life thought it was the best. Du Zimei's nine-day poem said, "Being ashamed to blow short hair, smiling and being close to others is the right crown", which is elegant and broad-minded, and does not reduce old friends. It is said that poetry can be caused by non-mechanics, and it should be moderate in the chest. [Excerpted from Song's Poems on the Back Hill] A few years ago, I went to Baogong Tower at night. When it was dark and the moon was still outside, I looked down at the Buddhist temple in front of the river. When I heard the wind chimes ringing, I suddenly remembered Shaoling's poem, "The temple night is abrupt and the wind is moving." I suddenly felt that I was talking. I have also tasted the lonely valley and the ancient wood lining the street, but as soon as I heard that the sub-rules correspond to the wooden room, I knew that "the two sides of the mountain meet and the sub-rules crow all day" was a good word. In midsummer, enjoying the cool with guests by the stream, the sun sets in the mountains and cicadas are full of trees, watching them wash horses in the stream. It is said that Shaoling's so-called "washing horses in the evening is cool, and cicadas are singing in the forest". This poem is recited on weekdays, and the work is not seen; Only when you see this place do you know its wonders. Poetry is about writing what you see, there is no need to take too many risks. Whenever a poet makes a speech, he will do something unknown in his speech. I read Tai Shigong's official book, "Every day, a cannon is fired [note: changed to wooden side], and the contradiction is full of horns [note: I don't know where to break the sentence, I have doubts]", and Du Shaoling said: "Stark sounded the fifth watch with the bugle, and the Milky Way sky crossed the three mountains." Gai secretly uses moving language, but there is a meaning of fighting in the language. As for this, poetry can be used for work. 【 The above excerpt is from Zhou Zizhi's Zhu Po Poems in Song Dynasty 】 The author didn't mean to create words at the beginning of ancient times, so-called saying things according to facts. For example, Du Zimei's Northern Expedition went into battle directly and suddenly said, "Or red as cinnabar, or black as paint, rain and dew are wet, sweet and sour." So is this one. Articles are like writers' books. [The above excerpt is from Song Qiang You 'an's Tangzi Western Literature Record] Old Du Can doesn't talk about it, and he doesn't have to praise it. If he gains something, he must also remember it. For example, Emperor Taizong said: "The posture of dragons and phoenixes is the table of the sun and the moon." And old Du Shiyun: "I am really shocked", which can be described simply. After Zhaoling's poem, he said, "Many cultural relics are ancient, and the imperial court is semi-Confucian. It is better to be honest than to be humiliated, and the road to virtue is not rugged. " Emperor Taizong was brave and good at fighting, and he ruled the world, but he was the most prosperous. Old Du Heng said in his poem, "You are too lazy to be vulgar, you are too depressed to return to your heart." This language is very sad. Yesterday, Kuai Tong cried when he read Le Yi, and later generations also cried when they tasted it. There is a saying in Qi Liang Yuefu: "Protect the past and add poor pants to prevent leisure and keep the palace." Today, cattle and sheep go to the autumn dragon, and they are near the red. " Lao Du said, "Princess Guo and Qin." His minions said, "Be careful not to make the Prime Minister angry." Why did Guo and Qin get angry as soon as they approached when they were ready to serve the country loyally? Dongpo said that Lao Du was like Sima Qian, and Gai knew it well. Du Fu's middle-aged poems are called "the history of poetry" because of his gloomy poetic style and feelings of worrying about the country and the people. His poems are good at antique and rhythmic poems, and have various styles. He accurately summed up his work style with the words "depressed and frustrated", mainly focusing on depression. Du Fu lived in the historical period from prosperity to decline in the Tang Dynasty. Most of his poems involve social unrest, political darkness and people's sufferings. His poems reflected the social contradictions and people's sufferings at that time. His poems recorded the historical changes of the Tang Dynasty from prosperity to decline, and expressed the lofty Confucian spirit of benevolence and strong sense of hardship, so they were called "the history of poetry". Du Fu was concerned about his country and people, and his personality was noble. Officials arrested people at night.
Exquisite poetry. Du Fu wrote more than 1500 poems in his life, many of which are famous works that have been handed down from generation to generation, such as Three Officials, Three Farewells and Du Gongbu Collection. Among them, the "three officials" are Shi Haoguan, Xin 'an official and Tongguan official, and the "three farewell" are newly married, homeless and resigned. Du Fu's poems handed down from generation to generation are the most extensive in the Tang Dynasty, and he is one of the most outstanding poets in the Tang Dynasty, which has a far-reaching influence on later generations. Du Fu's works are known as the scars of the world and the sages in poetry. The people are in poverty, and the bottom of the pen is turbulent. Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis and refining words and sentences, which made this genre reach a fully mature stage. Du Gongbu has been handed down from generation to generation. His works include Imperial Army Recovering the Banks of the Yellow River, Wang Chun, Jueju and Wang Yue.