Jiang Xue.
There are no birds flying over those mountains, and there are no traces of people in those paths.
A boat on the river, a fisherman wearing his webworm moth; Fishing alone is not afraid of snow and ice.
The first two sentences "There are no birds in a hundred mountains and no footprints in a thousand paths" describe the snow scene, while "Qian Shan" and "Wanjing" are all exaggerations. There must be birds in the mountains and people on the road; But "birds fly away" and "people disappear" The poet used the scene of birds traveling far away to render a desolate and lonely realm. Although the word "snow" is not used directly, readers seem to see the overwhelming snow and feel the biting cold. This is a reflection of the bad political environment at that time.
Three or four sentences "a boat, a bamboo cloak, an old man fishing in the cold river-snow" depict the image of a fisherman fishing alone in the cold river. In a place where there is heavy snow and almost no life, there is a lonely boat carrying a fisherman in hemp fiber and fishing alone on the snowy river. This fisherman's image is obviously a portrayal of the poet himself, which expresses the poet's lofty spirit of perseverance and integrity despite his loneliness after the failure of political reform.
In other words, Qianshan is a "surface" and a boat, and the bamboo cloak is a "point".
There is also a word, which is often used as a combination of point and surface appreciation.
"Face refers to the general outline of the background, and point refers to the subtle drawing on the background. There are many forms of point-surface combination, which can be real points on the imaginary surface or static points on the moving surface. For example, Zhu Dunru's "Good Things Close": "Shake the world of mortals first, and get drunk without season. Green clothes and green hats are used to put on snow. Go fishing in Ding Feng in the evening, and it's crescent moon. Thousands of miles of water and sky are the same color, and the watch is lonely and bright. "Three or four sentences about the fisherman's interest and life, and then use the washed pen and ink to describe a leisurely fisherman image. On the static picture, the moving point of Gu Hong is added. The combination of the whole poem and the face expresses the poet's carefree life beyond the secular and unconstrained style. "
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