Poem title: "Jingwei Ci·Jingwei Who Taught You to Fill the Sea". Real name: Wang Jian. Nicknames: Wang Zhongchu, Wang Sima. Font size: Zhongchu. Era: Tang Dynasty. Ethnic group: Han. Birthplace: Yingchuan (now Xuchang, Henan). Date of birth: 768 AD. Time of death: 835 AD. Main works: "The Newlywed", "Three Platforms in the Palace", "Looking at the Moon on the Fifteenth Night", "The Tiaoxiao Ling", "The Tiaoxiao Ling", etc.
We provide you with a detailed introduction to "What does the fish Lei do in the sea" from the following aspects:
1. "Jingwei Ci·Jingwei Who Taught You to Reclam the Sea" Click here to view the full text of "Jingwei Ci·Jingwei Who Taught You to Reclam the Sea"
Jingwei Who Taught You to Reclam the Sea, the pebbles on the seaside are green and bright.
But if the sea water is used as a dry pond, what will the fish in the sea do?
Is it possible for a mouth to hold a stone in the air? There are no whole branches of vegetation in the mountains.
Walking toward the top of a tree in the dusk sea, flying with many feathers broken and falling into the water.
The mountains are not over yet the sea is not flat, I hope my body will die but my son will live again!
2. Translation
Jingwei, who taught you how to fill the sea? The pebbles on the seashore are green and bright.
Jingwei, Jingwei, who asked you to fill up this sea? Look at the green stones and wood piled up on the seashore!
But if the sea water is used as a dry pond, what do the fish and dragons in the sea do?
You vowed to fill up the sea and turn it into a dry pond. What have the fish, dragons and aquarium tribe in the sea done?
Is it possible for a mouth to hold a stone in the air? There are no whole branches of vegetation in the mountains.
Your mouth and beak are all scarred because of picking up hard wood and stones? The vegetation in the mountains has no complete branches!
Walking toward the top of a tree in the dusk sea, flying with many feathers broken and falling into the water.
You rush back and forth between the branches and the sea in the morning and evening. You work tirelessly and fly non-stop, and your wings are damaged and fall into the sea from time to time.
The mountains are not over yet the sea is not flat, I hope my body will die but my son will live again!
The mountains have not been cleared of wood and rocks, and the turbulent sea has not been filled in. I really wish I had drowned and you had survived.
3. Wang Jian's other poems
"Looking at the Moon on the Fifteenth Night", "The Newlywed", "The Former Residence of Li Chushi", "Little Pine", and "Dan Ge Xing". 4. Appreciation
Compared with other poets' poems about Jingwei, this poem has a novel perspective. It is not an evaluation of Jingwei itself, but a rational reflection on its act of reclamation. Wei's sympathy for being exhausted and scarred by reclamation also raises questions about Jingwei's reclamation, which hurts innocent people and destroys vegetation. At the same time, it reveals the author's boundless compassion and broad-minded feelings.
The first line of the poem "Who taught you to fill the sea, Jingwei?" On the surface, it is a question, but in fact it is a question. It is a question knowingly, because everyone knows that Jingwei fills the sea in order to avenge his "drowning". . But this question can make readers think more about the act of reclamation. Next, the author presents four pictures to readers around "reclamation":
The first picture: "Green Leilei of stones on the seaside". This is a real scene depiction. On the seaside, rocks pile up like mountains. This is the basis for Jingwei to fill the sea. The large number of stones shows Jingwei's determination to fill the sea.
The second picture: "What did the fish Lei do in the sea?" This is a hypothetical scenario, describing the consequences of reclamation. After the sea was filled up, the fish in the sea were trapped like carps in a dry road, with nowhere to survive. The fire at the city gate affects Chi Yu, and the innocent Yu Lei may be affected due to his own personal vendetta. The reason why the author knowingly asks questions gradually becomes apparent.
The third picture: "There are no whole branches of vegetation in the mountains." Let’s start with a transition. The fifth sentence, "Is it possible to carry a stone in the mouth" echoes the second sentence, "The stones on the seaside are green and bright", and plays a transitional role in the poem. The author's perspective shifts from the seaside to the mountain, and then there is a real scene description, and then he writes As a result of reclamation, the vegetation in the mountains was in shambles. Reclamation affects not only Yulei, but also the vegetation in the mountains! The reason why the author asked knowingly is further revealed.
The fourth picture: "Flying in the morning on the top of a tree and in the sea at dusk, falling into the water when flying with many feathers broken." This picture is a combination of fiction and reality, and then describes the consequences of reclamation. It is written in fictitious form that Jingwei was exhausted and bruised all over due to the reclamation of the sea. "Chao" and "Dusk" are mostly imaginary and intertextual, but there is reality in the fictitious, which highlights Jingwei's tiredness; "Kou Chuan", "Yu Zhe" and "falling into the water" are real words, and there is fictitiousness in the reality. Jingwei's body was covered in wounds. The author understands Jingwei's behavior of reclamation. After all, the sea is the culprit of the tragedy. The author is full of compassion for the pain Jingwei suffered during reclamation. After all, Jingwei has a bloody spirit of revenge. Worthy of recognition.
These four scenes describe the consequences of reclamation, which are also the accumulation process of the author's compassion. From hurting innocent people to hurting himself, the harm of reclamation reaches its extreme, and the poet's compassion also reaches its extreme.
5. Notes
Leilei: The mountains and rocks look like they are numerous and accumulated. if only.
What to do: What to do. break.
Empty: only.
Poems of the same dynasty
"Sangu Stone", "Warm Cui", "Farewell to Xu Kan", "Poems of Hate", "Inscription on Jiadao Tomb", " "Tiantai Chanyuan Couplet", "Song of Everlasting Sorrow", "Recalling the South of the Yangtze River", "Spring Journey to Qiantang Lake", "Ode to the Dusk River".
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