This paper analyzes the author's creative background from the artistic characteristics, theme, ideological expression and skills of Answering Yuan Zhen Opera.

There is no doubt that there are no flowers in the mountain city in February. There are oranges in the residual snow, and the freezing thunder scared the bamboo shoots to sprout. Homesick at night, disgusting during the New Year. I used to be a guest in Luoyang, but Ye Fang didn't have to be late. Answer to Yuan Zhen is a poem written by Ouyang Xiu. This poem was written after the author was demoted, which showed the lonely mood of living in a mountain village and the significance of self-explanation and liberation. Theme: Ouyang Xiu's confusion and loneliness are hard to calm down because of political attacks. However, he did not lose confidence and disappointment, but showed more spirit of being demoted and remained full of confidence in the future. In the third year of Song Renzong Jing (1036), Ouyang Xiu was demoted to Yiling County, Zhou Xia. This poem was written in Yiling the following spring. There is a book entitled "How long did it take Yuan Zhen to rain". The title "Drama" is a statement that this article is just a game, but it is actually a cover-up of his political frustration after being demoted. The whole poem first describes the bleak spring scenery in a remote mountain city, then expresses his loneliness and homesickness in moving to a mountain village, and finally makes a speech to comfort himself. It seems detached, but in fact it is sad, showing the author's deeper pain under the calm surface. The scenery is fresh and natural, and the lyrics are full of twists and turns, sincere and touching. The first two sentences are wonderful, and Ouyang Xiu himself is quite complacent. He once said, "Without the next sentence, the last sentence is not good." And read it, you will feel refreshed. "(Cai Shu's" Xiqing Poetry ") The first sentence is extraordinary, and the next sentence is interlocking, so Fang Hui said:" The next sentence is delicious. " Chen Yan's "The Essence of Song Poetry" said: "It is of higher significance to masturbate with rhyme. "The first sentence is about the harsh environment of Yiling Mountain City. In February, other places should be full of flowers, but here is desolate. On the surface, the poet wrote about the harsh natural environment, but in fact he wrote about the harsh political environment. The implication is that taking care of the imperial court is no longer an official who came all the way from Tianya Du to visit this small town. Canxue presses branches, but there are still delicious oranges to taste in Yiling, which means that even so, you can live as you should in the mountain city. You must taste delicious food and break the loneliness of life. The first freezing thunder woke the sleeping bamboo shoots, and it also accumulated strength, and it was about to sprout new buds and break through the severe suppression. The words "I heard about the goose at night" and "I fell ill during the New Year" reflect the poet's anguish. It is inevitable to feel homesick in exile in mountain cities, and this homesickness has become homesick. In the face of the new year and the renewal of things, it is inevitable that time will pass and life will be short. At the end of the poem, although the poet comforted himself, he revealed a very contradictory mood. On the surface, he said that he had been an official in Luoyang and had seen the famous garden in Luoyang, which is the most famous garden in the world. There is no need to lament that he can't see the wildflowers that bloom late here. In fact, his heart is full of helplessness and desolation. In fact, it is a big event, so this song is born out of the daily trivia of No Flowers. The beauty of this poem is that it is pregnant with a child and is angry without anger. It uses the relationship between "spring breeze" and "flowers" to convey the relationship between the monarch and the people. It is a further expansion of the relationship between the monarch and the people with "vanilla beauty" since ancient times. He was deeply convinced that the virtuous gentleman would not abandon the virtuous minister, so he said in another poem, "To believe far away, Victoria is full of flowers", but this poem was contrary to his original intention. However, in feudal political affairs, the relationship between the monarch and his subjects was more personal and politicized, and it was very painful for his subjects to be truly independent and make their own choices. Therefore, he could only express his resentment in the form of "play giving" and "play answering", and he inherited the elegant tradition of "complaining without anger" in China's classical poems. It is said that Ouyang Xiu is very proud of this poem, which is probably the same reason. Write about scenery, express feelings in simple and natural language, but think very carefully, with perfect meaning, and have a kind and smooth style. Ouyang Xiu is very proud of the first two sentences. According to Qin Xi Shihua's quotation from "The Echoes of Tiaoxi", he once said to people: "If there is no next sentence, the last sentence is not good, and reading it will make you feel refreshed." Later generations also said it was "fantastic". These two sentences are consistent in tone because of one cause and one effect; The sequence begins with "doubt" and leads to the explanation of "doubt", so it appears tortuous and uneven; In addition, it also contains the expectation and disappointment of the poet when he was relegated. So although it is like a mantra, it is actually very particular. The relationship of the whole poem is also one after another, subtle and subtle. In the Tang Dynasty, metrical poems mostly used parallel images, intermittent or jumping connection, while Ouyang Xiu tried to form a flowing and coherent rhythm of eight poems, which is undoubtedly a new way after the Tang Dynasty. Answering Yuan Zhen, a masterpiece of Ouyang Xiu's legal poems, was written in Song Renzong Jingyou for three years (1036). This year, Ouyang Xiu moved to the magistrate of Yiling (now Yichang, Hubei) on business, and made friends with Ding, a military judge. Ding once wrote a poem for Ouyang Xiu, and Ouyang Xiu also wrote a poem to answer it this year. This poem is the first couplet written in the desolate mountain city; Zhuan Xu carefully inherited the desolate scenery of the mountain city, and wrote the vitality of remnant snow and cold thunder. The last two couplets are lyrical. The pathos of The Neck-Bound Writer in the changes of time and everything is sad; William wrote that he was a guest in Luoyang in his early years and was familiar with Luoyang peony. Although the wildflowers in the mountain city are late today, he doesn't care at all. In such an ordinary poem, Ouyang Xiu expressed his unyielding ambition and the author's philosophical thinking about life. It is at this point that Ouyang Xiu's poems reflect the innovative characteristics of paying attention to reason and interest in Song poetry.