Problem description:
On the Poetic Style of Li Bai, Du Fu, Li Shangyin, Du Mu, Liu Yuxi, Bai Juyi and Xin Qiji
Be specific ~ ~
Analysis:
Li Bai's poems have their own characteristics and varied styles, so it is difficult to sum up their styles in different periods with the word "elegance". Before and after Li Bai left Sichuan, he was deeply influenced by Taoist thought, and his poetry was characterized by elegance. He was depressed when he entered Chang 'an, but he didn't lose hope. His poetic style is bold and unrestrained, and his feelings are passionate. He sang repeatedly that he was very talented and useful. After Li Bai entered Chang 'an, his career was bumpy, his state affairs declined day by day, his life was in a desperate situation, his poetic style was close to reality step by step, and his boldness was full of melancholy for the country and the people. In his later years, Yelang was exiled, and Li Baiduo expressed his feelings in a depressed, resentful and plaintive style, exposing the reality and lashing the society, and his poetic style obviously turned to tragic.
Du Fu's poetic style was formed in the period of An Shi Rebellion, and gradually took shape in suffering. Du Fu went deep into the society, cared about the sufferings of politics and people's livelihood, and attached importance to realism. He shoulders the heavy responsibility of the country and the nation and faithfully depicts the face of the times and inner feelings. Du Fu's artistic style is gloomy. He inherited Du Fu's realistic style from the middle Tang Dynasty to the Song Dynasty, especially the Jiangxi Poetry School in the Song Dynasty, which took Du Fu as its ancestor. His influence is enormous.
Regarding the artistic style of Du Mu's poems, Liu Xizai has a summary: "Du Fanchuan's poems are heroic." Compared with the style of Li Shangyin's poem "Affectionate Mi á n @ (1) Miao", Liu's so-called "heroic spirit" means that Du Mu's poems show the poet's great ambition to save the country and the people in content, pay attention to heroism and emotional catharsis in artistic form, and have a heroic spirit. This is a more accurate evaluation of Du Mu's poetic style from the perspective of the unity of content and form. The poet's artistic style is a relatively stable synthesis of the main ideological features and artistic features in his works. In this complex, there is always a theme and melody. If we grasp this theme and melody, we will know the theme of a poet's artistic style. To sum up the overall artistic style of Du Mu's poems with "heroic spirit and heroic hair" can be said to capture the most important features, which undoubtedly applies to Du Mu's seven-metrical poems and is the basis for us to understand the artistic style of Du Mu's seven-metrical poems. The styles of different genres of works created by the same poet will also show certain personality differences on the basis of the overall artistic style, which is a sign of the maturity of the poet's art. Du Mu's seven-rhythm poems are based on the overall style of "heroic spirit and heroic hair", and sometimes they are unique.
Liu Kezhuang said: "Pasturing in the law often contains less embarrassment to correct the disadvantages of the times." Yang Shen also said: "(Du Mu) is a gorgeous, elegant and beautiful poet, especially awkward in his metrical poems to correct the disadvantages of the times." The so-called "steep" refers to the steep momentum caused by the irregular change of poetry; On the other hand, it refers to the falcon blowing and scratching in rhyme. How often do you hold your breath? Clothes and footprints? What's the point? Crawling and patting therapy? What's with the registered permanent residence? Scandium gluttony? Milk? What's the matter with you? What's the story? Ting (2) Li Na? Tired? What happened to the maid? Filter? Hey? What is this? Special forgiveness?
The cultural relics of the Six Dynasties were even empty, and the sky was light and the clouds were idle.
Birds go to the mountains, and people sing and cry.
In late autumn, a thousand rains fall on the curtain, and the balcony plays the flute at sunset.
There is no reason to see Fan Li. There are five lakes in the east. The poet visited the scene to see the victory, expressed his feelings with things, and was magnificent and thought for thousands of years. The first couplet has a sense of the rise and fall of the Six Dynasties from the scene in front of it, saying that all the clothes and cultural relics in the past have become barren grass, only the idle clouds remain unchanged, and the brushwork focuses on them, which is full of curiosities and covers the ages. The two couplets of chin and neck depict the mountains, rivers and birds around Wanxi, the curtains in late autumn and the balcony at sunset, and the magnificent landscape of Qiu Jingtu now. Overlooking the five lakes, the Taiwan Union Express Pavilion expressed the thoughts of Fan Li, a hero who boated on Taihu Lake after his success. The whole poem is full of charm and strength, but it is not lost in the dryness and straightness of the wood, and it has charm but not weakness. Xue Xue's "A Spoon of Poems" said: "Du Mu is an outstanding figure in the late Tang Dynasty, with many masterpieces, such as the Water Pavilion of Kaiyuan Temple in Xuanzhou, which directly built the door wall of Lao Du, so it is not called Xiao Du." In fact, this poem not only directly built the door wall of Lao Du, but also entered the room and gained its essence.
Liu Yuxi's poems reflect people's lives and customs. They have a wide range of themes, and their styles draw lessons from the characteristics of Bashu folk songs, which are ideological, simple and beautiful. They are fresh and natural, healthy and lively, and full of life interest. Liu Yuxi's satirical poems often attack and suppress Yongzhen's innovative dignitaries with allegorical excuses, which involve a wide range of social phenomena. In his later years, his style became subtle and ironic, especially the humble inscription.
In April of the 6th year of Yuanhe (8 1 1), Bai Juyi settled in Wei Village due to his mother's death, and his beloved daughter Jin Luanzi also died in this year. Bai Juyi has lived in Weiwei village for more than three years, suffering from poverty and illness, and his good friend Yuan Zhen often takes out money to help him tide over the difficulties. In the winter of the ninth year of Yuanhe (8 14), he was named "Dr. Zuo Zan", but later he asked for the urgent arrest of the person who stabbed Wu. As a result, he was hated by the Prime Minister, demoted to the state secretariat, and later demoted to Jiangzhou Sima by Wang Ya, the official of Zhongshu. This continuous relegation is a great blow and lesson to Bai Juyi, which has greatly changed his thoughts. In order to avoid disaster and suspicion, in Jiangzhou, "no more speaking out", "the world will never speak out again", claiming to be "a person who has fallen to the end of the world" He traveled and wrote poems as his career, longing for Tao Yuanming, hoping to be a recluse poet and turn to Buddhism in an attempt to get rid of Buddhism. In short, being demoted to Jiangzhou Sima is a major turning point in Bai Juyi's life.
The artistic features of Xin Qiji's ci are 65,438+0) desolation, grandeur and depression are the dominant styles, but they are not eclectic. (2) Broad artistic conception and flying momentum. (3) Use metaphors and collect allusions with rich language.
4. symplectic poets. Under the influence of Xin Qiji's patriotic feelings and bold style, a number of poets with similar styles emerged, such as Chen Liang, Liu Guo, Liu Kezhuang and Liu Chenweng, who were called new poets.