1. Verses about cultural inheritance in the Book of Songs
Verses about cultural inheritance in the Book of Songs 1. Verses about inheritance
1. Yesterday’s cause leads to today’s effect, Forefathers planted trees and later generations grew colder.
2. Talents have emerged from generation to generation, each leading the way for hundreds of years.
3. Being dependent on each other for life is both bitter and sweet, and the poems and books handed down from generation to generation are glorious.
4. Ice green, taken from blue and green from blue, water from it and cold from water. The waves behind the Yangtze River push the waves ahead, and the people of today are better than those of the past.
5. Since ancient times, no one has ever died, leaving a loyal heart to illuminate history.
6. New bamboo branches are higher than old bamboo branches, all because of the support of old branches.
7. The Red Army is not afraid of the difficulties of expeditions, and it only waits for thousands of rivers and mountains.
8. If you want to see farther, reach a higher level.
9. Isn’t it a gentleman who doesn’t know something but doesn’t feel embarrassed?
10. I am born with talents that will be useful, and I will come back after all the money I spent.
11. If you are happy in life, you must have all the fun, and don’t let the golden bottle stand empty against the moon.
12. The weather is not as good as the right place, and the right place is not as good as the people.
13. Ask him how clear he is? Come for living water from a source.
2. Sentences about traditional Chinese culture
1. Guan Guan Jujiu, in the River Continent. A graceful lady, a gentleman is fond of quarrels. (The Book of Songs·Zhou Nan·Guan Ju)
2. In the past, I left, and the willows were still there; now I come to think about it, and the rain and snow are falling. (The Book of Songs·Xiaoya·Caiwei)
3. Those who know me say that I am worried; those who do not know me say that I am worried. (The Book of Songs·Wang Feng·Mu Li)
4. It is as clear as cutting, as clear as discussing, as clear as polishing. (The Book of Songs·Wei Feng·Qi Ao)
5. Not seeing each other for one day is like three autumns. (The Book of Songs, Wang Feng, Picking Ge)
6. Green Zi Jin, leisurely in my heart. (The Book of Songs·Zheng Feng·Zi Jin)
7. The so-called beauty is on the side of the water. (The Book of Songs·Qin Feng·Jianjia)
8. A clever smile and beautiful eyes. (The Book of Songs·Wei Feng·Shuo Ren)
9. The hands are like catkins and the skin is like gelatin. (The Book of Songs·Wei Feng·Shuo Ren)
10. If a person has no manners, what will he do if he does not die? (The Book of Songs, Quanfeng, Rat)
11. Those who speak are not guilty, but those who hear are warned. (The Book of Songs·Preface)
12. The high mountains stand still, and the scenery stops. (The Book of Songs·Xiaoya·Chejia)
13. If others have intentions, please consider them. (The Book of Songs·Xiaoya)
14. The high bank is the valley, and the deep valley is the mausoleum. (The Book of Songs·Xiaoya)
15. Stones from other mountains can attack jade. (The Book of Songs·Xiaoya·Heming)
16. There is no beginning for extravagance, and there is an end for Xianke. (The Book of Songs·Daya·Dang)
17. Give me a peach and repay me with a plum. (The Book of Songs·Daya·Ji)
18. If God does evil, you can still violate it; if you do evil yourself, you will not live. (Shang Shu)
19. Fullness brings losses, modesty benefits. (Shang Shu Dayu Mo)
20. It is better to guard against the people's mouth than to guard against the river. (Mandarin·Zhou)
21. To do good is to ascend, to do evil is to collapse. (Mandarin)
22. Those who do many injustices will surely die. (Left biography)
23. The auxiliary cars are dependent on each other, and the lips are dead and the teeth are cold. (Zuo Zhuan)
24. If the skin is gone, the hair will not be attached. (Zuo Zhuan)
25. If you want to accuse someone of a crime, why bother with words. (Zuo Zhuan)
26. Words have no words, but actions do not go far. (Zuo Zhuan)
27. If you don’t celebrate your father, you will be in trouble. (Zuo Zhuan)
28. Do not give up hatred when doing external actions, and do not lose relatives when doing internal actions. (Zuo Zhuan)
29. Be prepared for danger in times of peace, and be prepared for danger. (Zuo Zhuan)
30. People are not sages, how can they have no faults? If you can change your past, there is no greater good. (Zuo Zhuan)
3. Ancient poems about traditional Chinese culture
Ancient poems about traditional Chinese culture
"Yuan Ri" by Wang Anshi of the Northern Song Dynasty: The sound of firecrackers is one of the At the end of the year, the east wind brings warmth into Tusu.
Translation: Amidst the sound of firecrackers, we welcome the new year and bid farewell to the old year. People were drinking Tusu wine, and the spring breeze blew in their faces.
Wang Anshi of the Northern Song Dynasty wrote in "Yuan Ri": Thousands of households always replace old talismans with new peaches.
Translation: Every household put up new peach charms and took down the old ones.
BMW carvings fill the road with fragrance, phoenixes rustle, pots turn, and fish and dragons dance all night
Translation: Just as the east wind blows away thousands of trees and flowers, it also blows away fireworks and makes them fall like rain. The luxurious carriage fills the road with fragrance. The melodious sound of the phoenix flute echoed everywhere, the bright moon like a jade pot gradually set to the west, and fish, dragons, lanterns danced and laughed all night long.
Song Ouyang Xiu's "Shengchazi Yuanxi": On the night of Yuan Dynasty last year, the lights in the flower market were as bright as day. When the moon reaches the top of the willow tree, people meet at dusk.
Translation: During the Lantern Festival last year, the lights in the flower market were as bright as day. The beauty meets in the moonlight, when the willow branches are on top, and after dusk.
Song Ouyang Xiu's "Shengchazi Yuanxi": On Yuanxi this year, the moon and the lights are still the same. I don't see the person from last year, and my spring shirt sleeves are wet with tears.
Translation: On Lantern Festival this year, the moonlight and lights are still bright. But I can't see the beauty of last year, and the sleeves of my spring shirt are wet with tears of lovesickness.
Wang Wei of the Tang Dynasty, "Remembering the Shandong Brothers on September 9th": Being alone in a foreign land, we are strangers, and we miss our relatives even more during the festive season. I know from afar that when my brothers climbed to a high place, there was only one less person planting dogwood trees.
Translation: When I am alone as a guest in a foreign land, I always miss my relatives in my hometown even more every time I encounter a festive occasion. Although I am in a foreign country, I have long thought that today is the Double Ninth Festival, and brothers in my hometown have to climb high and look far away. I think when they wear dogwood, they will find that I am missing.
4. The Analects of Confucius often uses verses from the Book of Songs to reveal what kind of cultural traditions
For excellent traditional culture, we must inherit and carry forward it, take its essence and discard its dross.
Examples of quotations from the Book of Songs in The Analects.
1.15 Zigong said: "What is it like to be poor without flattery, or to be rich without arrogance?" Confucius said: "Yes. It is not like being poor and happy, but being rich and good at courtesy." Zigong said : "The "Poetry" says: 'It's like cutting, like discussing, like plowing, like grinding.' What do you mean by giving?" Confucius said: "Given, only then can we say "Poetry". It's like telling those who go by and know what's coming." ."
Excerpted from "Xueer", I can finally talk about the Book of Songs with you, which means that I can finally discuss the Book of Songs with you.
2.2 The Master said: "" "Poetry" three hundred, can be summed up in one sentence, saying: 'Thinking is innocent'."
Selected from "Wei Zheng", it means to summarize the Book of Songs in one sentence, which is not false. The Book of Songs is the original Sing whatever you want, pure, simple, and true.
3.8 Zixia asked: "'What does it mean to smile beautifully, look forward to beautiful eyes, and always think it is gorgeous?'" Confucius said: "Painting is done after the fact." He said: "Is it after the ceremony?" Confucius said: "The one who gave the gift is business! Only then can he talk about "Poetry"."
3.20 Confucius said: "" "Guanyong", happy but not obscene, sad but not sad."
7.18 Zi's elegant words, "Poems", "Books", and "Zhao Li" are all elegant words.
8.3 Zengzi was ill, so he summoned his disciples and said, "Please help me with my feet! Please help me with my hands!" "Poetry" says: 'Fighting with trembling fear, as if facing an abyss, as if walking on thin ice.' From now on, I know how to avoid my husband! Boy!"
8.8 Confucius said: "It was inspired by "Poems", established in etiquette, and achieved in music."
8.15 Confucius said: "At the beginning of the teacher's sincerity, the chaos of "Guanyong" became overwhelming. Erzai."
9.15 Confucius said: "I defend myself against Lu, and then I am happy to be upright. "Ya" and "Song" each have their own place."
13.5 Confucius said: "Recite "Poetry" 》Three hundred, if you teach them to govern, they will not reach their goals; if they are sent to all directions, they cannot be specific; even though there are many, they are still ridiculed?”
16.13 Chen Kang asked Yu Boyu: “I also heard something strange. "Huh?" He said to him, "Weiye. Taste the independence, and the carp rushed across the court. He said: 'Would you like to learn the poems'? He retreated to study "Poetry". One day, he became independent again and came to the court. He said, "Have you learned etiquette?" "I heard about these two." Chen Kang retreated and said happily: "Ask one and get three. I heard about "Poetry", heard about etiquette, and also heard that a gentleman is far away from his son."
This article is more interesting, Uncle The fish is Kong Li, the son of Confucius.
17.9 Confucius said: "Young man, why don't you study Fu's "Poetry"? "Poetry" can be used to inspire, to observe, to group, and to complain; if you are close to your father, You know the names of birds, beasts, and trees."
17.10 Confucius said to Boyu, "Is the woman called Zhou Nan or Zhao Nan? People are not called Zhou Nan." , "Zhao Nan", is it still standing on the wall? "
5. The inheritance of Chinese classical poetry
The development history of ancient poetry
1 .Chinese classical poetry originated from folk songs, and labor created poetry. "The Book of Songs" is my country's first collection of poetry. It contains 305 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period, about 500 years ago, and is also known as the "Three Hundred Poems". The Book of Songs is divided into Feng, Ya and Song according to its content. Among them, "Feng" is folk songs, which is the essence of it. The main expression techniques of "The Book of Songs" are Fu, Bi and Xing. Some people summarize "Feng, Ya, Song, Fu, Bi, Xing" as the six meanings of the Book of Songs. The Book of Songs is the glorious starting point of our country's realist literature.
2. During the Warring States Period, the first literati poet in the history of Chinese literature appeared and the poetic style he created based on Chu songs, namely Qu Yuan and Chu Ci. Because the representative work of Chu Ci is "Li Sao", Chu Ci is also called Sao style poetry. The characteristics of Chu Ci include sentences of varying lengths, flexible forms, and the frequent use of the word "xi". "Sao" is often called "coquettish" together with "wind" in the Book of Songs. It is often used to refer to literary works, or to represent the creative traditions of realism and romanticism.
Qu Yuan was the first great patriotic poet in the history of Chinese literature, and pioneered the romanticism of Chinese poetry. "Li Sao" is his masterpiece. "Li Sao" is the longest existing political lyric poem in ancient my country and a masterpiece of romanticism.
His works also include "Nine Songs" (nine is an imaginary number, ***11 chapters), "Tianwen", "Nine Chapters" (nine is an actual reference), etc.
3. Yuefu poetry represents the highest achievement of poetry in the Han Dynasty. Yuefu first refers to the music institution of the Han Dynasty. Its main task is to collect lyrics and train musicians. In the Wei, Jin and Six Dynasties, the poems sung by Yuefu were called "Yuefu", so Yuefu evolved from the official name to the name of a musical poetry style. The most basic artistic feature of Han Yuefu is narrative. The masterpiece "Peacock Flies Southeast".
"Peacock Flying Southeast" is the earliest and longest narrative poem in ancient times and the highest peak of the development of Han Yuefu folk songs. Together with the folk song "Mulan Ci" of the Northern Dynasties, it is known as the "Shuangbi of Yuefu". "The Peacock Flying Southeast" is selected from "New Odes of Yutai" compiled by Xu Ling of the Southern Dynasty, and "Mulan Ci" is selected from "Collection of Yuefu Poems" edited by Guo Maoqian of the Song Dynasty.
4. During the Wei and Jin Dynasties, literati’s five-character poetry began to flourish. Its representatives are the Jian'an poets represented by San Cao and Tao Yuanming of the Jin Dynasty. Tao Yuanming, nicknamed Mr. Wuliu and posthumously named Mr. Jingjie, is called a "pastoral poet" or "hermit poet" by poetry commentators. "Nineteen Ancient Poems" is the representative of the literati's five-character poems, marking the development of the five-character poems from its origin to its final maturity. It uses a resentful but not angry attitude, figurative language, and metaphorical techniques to form a unique and implicit style, which is a lyric for later generations. Poetry has a direct impact.
5. Tang poetry is the highest peak of ancient Chinese poetry. Li Bai and Du Fu respectively represent the highest achievements of romanticism and realism in Chinese classical poetry, and are known as the "Gemini Constellations" of Tang poetry. Li Bai is known as the "Poetic Immortal" and his poems are fresh and elegant. Du Fu is known as the "Sage of Poetry". His poems are melancholy and frustrating, and are known as the "history of poetry", such as "Three Officials" ("Shihao Officials", "Xin'an Officials" and "Tongguan Officials"), "Three Farewells" ("Wedding Farewell") ""Farewell to Homeless" and "Farewell to the Elderly"). Bai Juyi was another famous poet in the Tang Dynasty, also known as Xiangshan Jushi. His literary proposition was that "articles are composed according to the time, and songs and poems are composed according to the situation." He is an advocate of the New Yuefu Movement.
The famous poetry schools of the Tang Dynasty include the landscape pastoral poetry school and the frontier fortress poetry school. The landscape pastoral poetry school is characterized by advocating seclusion, expressing feelings about mountains and rivers, and singing pastoral life. Representative writers include Wang (Wei) and Meng (Haoran). The works of the Frontier Poetry School mostly describe the strange scenery outside the fortress, expressing the optimistic and heroic spirit of soldiers and the complex and contradictory emotions in their military life. The poetic style is unrestrained and high-spirited. Representative writer Gao (Shi) Cen (Shen).
6. Ci emerged in the late Tang Dynasty and flourished in the Song Dynasty. In terms of style of Ci in the Song Dynasty, the most outstanding representatives of the bold school are Xin (Qiji) and Su (Shi); the representatives of the graceful school are Jiang (Kui), Liu (Yong), and Li Qingzhao.
7. Yuan Opera, including Sanqu and Zaju. Sanqu is a kind of song that emerged in the Jin and Yuan dynasties and evolved from "ci". The style is similar to that of Ci and is relatively free. It can add lining words to the fixed number of words and use more spoken language. Sanqu has two forms: Xiaoling and Taoshu. Xiaoling only uses one song, and the number of sets is a set of many songs in one tune. Sets are also called suites, which are consecutive sets of tunes in opera or Sanqu. It can range from at least two songs to as many as twenty songs, with no fixed number. Each set uses the title of the first song as the title of the complete set.
6. Does anyone have information about the cultural spirit of "The Book of Songs"
As China's first collection of poems, "The Book of Songs" has attracted many people with its rich life content and wide range of creative themes. We show the historical features of the Yin Shang society and even ancient societies.
It can be said that the 305 works in the "Book of Songs" are intertwined into a multi-layered, multi-angle, three-dimensional picture showing the social history of the Yin and Zhou Dynasties from multiple aspects. Each of its works contains countless cultural contents that can be promoted.
Therefore, for "The Book of Songs", we not only need to understand its greatness from the general classification of themes, but also need to grasp the cultural spirit of the Chinese nation contained in this work as a whole. From this aspect, its significance is also unlimited. Below, we briefly summarize it from several aspects.
1. Countryside sentiment rooted in agricultural production China is an ancient agricultural nation. The development of agriculture has, on the one hand, enabled the Chinese to get rid of their reliance on natural gathering, fishing and hunting for a living, and provided them with a more reliable source of food, which has promoted the progress of civilization; on the other hand, it has also changed the habit of having to rely on natural gathering, fishing and hunting for a living. The migratory lifestyle formed a settled farming culture that was superior to surrounding ethnic groups.
As a result, the Chinese people's strong local sentiments rooted in agricultural production, hard work and success have been cultivated very early. "The Book of Songs" is an art with strong local feelings.
Not to mention that the "Guofeng" of the 15th century exudes the rich fragrance of local areas, even in the lyric poems of "Ya" and "Song", there is also a hidden cultural influence rooted in agricultural culture. Deep affection. This is not only reflected in the Zhou people's concern for farming, their worship of the God of Agriculture and the creation of farming poems, but also in the attachment to their homeland reflected in most of the works in the Book of Songs, which is the homogeneous mentality of all ethnic groups.
Agricultural production cultivated the cultural character of the Zhou people to settle down and relocate. In turn, the destruction of agricultural production and the distance from their homeland caused by war, corvee, etc. became the most painful event for the poet.
When we open the Book of Songs, one of the most profound things we feel is the deep feeling of homesickness and nostalgia in "Guo Feng" and "Xiao Ya", such as "Drumming", "Yang Zhi Shui", "Yangzhi Shui" "Bandit Wind", "Dongshan", "Broken Ax", "Out of the Car", "Rolling Ear", "Ru Tomb", "Grass Insect" and so on.
Although each of these works has its own unique artistic expression and different situations of emotional expression, they all point to the nostalgia for the hometown. This cannot but be said to be an agricultural civilization. The special national sentiment cultivated. The Book of Songs is an art rooted in China's agricultural civilization. The agricultural society has shaped the agricultural cultural mentality of the Chinese people.
In a certain sense, "The Book of Songs" is a collection of Chinese poems that fully embodies the spirit of Chinese agricultural culture. This is not only reflected in the strong local sentiments in thoughts and emotions, but also in various aspects such as creative attitude, expression method, writing purpose, and aesthetic concepts.
All of these are generally recognized by the collective cultural psychology of agricultural society, thus becoming the aesthetic norms for creation and appreciation, and forming the basic characteristics of the agricultural cultural form of traditional poetry. In the Book of Songs, we can all get or More or less confirmation. It is precisely these things that make The Book of Songs not only the subject matter and content of the work, but also the cultural spirit and the model for later generations of Chinese poetry creation. It has become the most familiar and therefore favorite work for Chinese people.
2. The humanistic spirit of thinking that people are the masters of culture. The rich and colorful social life is created by people. The rich content of literary works is expressed with people as the center. It should be the literature of all nationalities in the world. basic representation. Therefore, all human activities in the world are a kind of divine arrangement. The greatest works in ancient Greek literature are said to be the epics "Iliad" and "Odyssey" written by the blind poet Homer. Singing clan tribes and past historical facts based on it.
"Homer's epic poems and all mythology - this is the main legacy of the Greeks from barbarism to civilization." In ancient Greece, God was regarded as the master of mankind, and God and the gods were believed to forever control human life and destiny, and artistic creation was based on this concept and emotion. This was an important feature of ancient Western literature.
However, in Chinese culture, there is no "God" who created the universe and mankind like Western Christianity, and has always intervened and guided human life. "Heaven" (or "God") in Chinese culture mainly refers to the natural power of the universe. "Heaven"'s dominance over people can only appear in a subtle way, rather than a willed god issuing orders. People's destiny is mainly determined by It’s up to people to grasp it themselves.
In ancient Chinese culture, there is also a so-called "mandate of destiny", but this "mandate of heaven" is only the inevitable result of people's own good and evil deeds. The destiny of people, or the destiny of a country, depends on people themselves. It is precisely because of this rational spirit that faces human beings that Chinese culture can truly be called humanistic culture, and Chinese literature can truly be called human literature. rather than divine literature.
As the first collection of poems in ancient my country, "The Book of Songs" shows the distinctive people-oriented national cultural characteristics. Here we cannot see the footprints of the gods, nor can we see God’s judgments and prophecies on human affairs.
People-oriented rather than God-oriented, this enabled the Chinese to get rid of the magical and religious concepts of primitive society very early, and also enabled the literary genre of poetry to break away from magical religion very early. Therefore, in the "Book of Songs", in addition to the sacrificial songs such as odes that "describe beautiful virtues and tell the gods about their success", almost all of the elegant and romantic poems that account for nearly nine-tenths of the total number of works include There are few poems with religious and magical concepts.
In fact, even in sacrificial poems such as "Zhou Song", facing the shadowy ancestors of heaven, the Zhou people did not entrust everything to gods. More importantly, they relied on This commemorates the moral achievements of the late fathers and kings, and expresses one's intention to "remain unremitting in one's position", respect virtue and protect the people, in order to seek long-term peace and stability for the country. There is no place like the gods on Mount Olympus here, and they cannot believe that gods can dominate their own destiny and determine their own lives. Here people are the masters of their own lives, which is the entire content of poetry and all emotional projection. Point.
They are so sure of themselves, trust themselves, express themselves happily, and use their own creative practice to put "literature is human studies", an eternal proposition that was only truly proposed in modern Western society, early on. It was fully expressed and laid the foundation for the era more than 2,500 years ago.